Xar Reviews

Friday, December 30, 2005

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Princeton University first semester 2005-2006 review

John Nash
Condy Rice
Waiting for Condy Rice
Protesting Condy Rice
Eli Wiesel
Hilary Clinton
Michael Chertoff
Sam Alito
Bill Gates
John Conway
Alexander's Wildly Horn Theorem
Bernoulli Numbers
Not working clock
Seven and a quarter minutes
Be crude + that's not good enough
Constant but not actually constant
Compactness + Heine-Borel theorem
Cauchyness+Abel's DOT
Absolutely convergent+Conway's series
Hausdorf+HousedOff
A big man with an epsilon in his pocket
Andrew young + problem sets
Nathan Savir
Fine hall common room
Math majors talk
3:30pm Tea Friday
Orgo lab exam
Semmelhack+Advising
Orgo lab review session
SN2+SN1+E2+E1
NMR+UV+IR+MassSpec
Cyclohexane
Backside Attack
Stereogenic Center
Fingerprint Region
Recrystallization
RotEvap
Drying agent
Parafilm
Steam Distillation
Orange peels
Hirsch funnel
Acetaminophen+Asprin+Caffeine
Thalidomide
Walter water
Jinglong Chen
Accepted with major revision
BilL Brow
Regrades
McCosh50+McCosh10
PPPPPRRRREEEEEMMMMMEEEEDDDDSSSSS
CHEMEEEEEEEEEEEEEEEEEEEEE
SSSEEEPPPPFFFUUUNNNNEEELLLLL
Invert and Shake
Frick Lab
OA 94
Bearbagging
Zipline
Repelling down the dam
Swimming
Ultimate Frisbee
Ultimate Ultimate Champion
Geishdalt
OA93
Jump and Shake Bootie
The support team
Princeton Blairstown
Consequentialism+Deontology
Kant+Hume
Peter Singer
Michael Smith
Utilitarianism
John Rawls
Philosopher's toolbox
Reflective equilibrium
Todd Beatie
Tulane students
Writing Seminarz
JAS
Watson+Franklin
That's not a paper
Peer review
Andrew Doupe + Gene doping
Eric Liu + NMDA
Lee Fischer + Biovaccine
Deepa Iyer + Economics
Survivin
Cancer Gene therapy
CSA + Mahjong
Murray Dodge
East Pyne
MacCarter Theater
Alexander Theater
Excess Hollywood
Frosh Orientation
Triangle
Quadrangle
The Street
Daily Princetonian
Press pass
Princeton v Yale
Yale Sucks
Bonfire
Glee Clubs
Ben Amster
Celene Chang
Lake Carnegie
Aaron Petochin+Zendo
Joseph Perla
Aaron Petochin+Chinese Chess
Aaron Petochin+Set
Mooncake celebration
The Inferno
Astrophysics society
PSPS + Pizza
Math+Chinesefood+Pizza
Study Break + RSA
Telescope viewing
Rocky-Mathey Library
Art Museum+library
New South
Holder+Firealarm
Snowball Fights+Slingshots
DDR
Campell Lounge + Bdays
Fall+Thanksgiving Break
The institute+Mrs.Hattan's visit
Einstein drive
Across the Universe movie filming days

Wednesday, November 16, 2005

The Boondocks

This is the best anime I've EVER seen. That's not saying much cuz that shit sucks for the most part, but this show is the epitome of contemporary relevance. For those of you unaware with the spectacular new series, it's a new addition to the adult swim lineup, an anime comedy about a black grandpa and his two grandsons move from the ghetto into a white suburb and deal with the new race issues of the suburbs.
Everything about this show screams "right now." Anime is the one of the hottest things in sub-culture right now, and comedians talk about race like it's the new sex. For example, Dave Chappelle is making millions on making light of racial conflicts. Even the racial conflicts the show deals with represent the new racism in this country. The pilot episode, entitled Garden Party, presents the thesis that yes, there is racism, but the ties between whites and blacks are far more binding, in this case, grandpa and the bank-owner coming from the old school. Even the racism they deal with is new. The grandkids go strolling through the garden party (where grandpa is trying to impress the new neighborhood, especially the bank-owner) telling all the white folks that Ronald Reagan is the devil, and that The Passion of the Christ is irrelevant because it has a white Jesus. All the rich white (I'm assuming republicans) all applaud, praising the young'n's bold and progressive speech. The commentary here is it doesn't matter what young blacks say, it will be tolerated and even embraced by politically correct, (therefore totally pretensious) whites. Another example of the new racism is an old black employee of the bank-owner named "uncle Rufus, no relation," incessantly comments on the uncle tom-ery of this new black family, eventually grabbing a microphone and singing "don't trust dem new niggas over there." It's appalling and it's offensive, but when he passes out drunk on the lawn, he receives applause, with one white woman whispering to another, "I think the n-word's ok as long as they say it." Basically, whites assume that any inappropriate behavior by blacks can and should be brushed off as a cultural difference. All the while, the show addresses and even acknowledges some of the stereotypes of blacks. Both the kids are enfatuated by guns, and generally don't trust white people. Says the younger grandson "I know stuff about white people: they say the whole...word...just...like...this, and they take time out to study, and they arrest you." The bank-owner's son is a wigger to the max (voiced by Charlie Murphy), just back from iraq, who throws back 40's and wears his dog tag and a gold W on his chest for his last name. In the end he shows off his gun collection, puts on a kevlar vest, and has the youngest grandson shoot him in the chest with a shotgun. When grandpa goes to talk about the incident with the banker, it goes like this. "In thirty years that kid'll be the president of the United States, and he'll still be a fuckin' idiot. Now are we gonna have that drink or what?" They toast the old school and the show fades out.
The show is smart, the show is thought-provoking, and best of all, it's damn funny. Sometimes I think Jerry Springer is funny, but the difference between that and the Boondocks is I don't feel all dirty when the credits roll. SEE THIS SHOW

Wednesday, August 31, 2005

Diary of a Mad Black Woman

Note: This movie is so crappy I couldn't contain myself from describing much of the plot because I discourage anybody reading this from actually watching the movie. Plus, describing the plot in a skeletal manner would only let you predict it all anyway. So don't consider this a review, consider it a breakdown of a very horrendous movie -- with spoilers.


What do you get when you cross an angry, cheating, bald black lawyer with an affectionate, loving housewife who's with him for love, not the money?

Fiction.

And all males that watch this movie know that. Actually, all women do too, which is what makes it so good to them. So here's the skinny. The movie fades in to the narration of this by now distraught woman conveying how "perfect" her life was. She had the perfect husband, the perfect mansion, and the perfect life, but behind all this was insincerity and negligence on his behalf. The frail woman, Helen (Kimberly Elise),is at a banquet with her judicial guru husband Charles (Steve Harris), and they take photos, sip wine, and he gets some sort of award and praise. During his speech he glorifies his wife and talks about their perfect marriage of 18 or so years.

So finally the obvious deceit of his words is shown when they're in the car parked in front of the mansion. She's all bubbly and wants to go have sex with him since it's his "special night" (or he's just not putting out and she's disappointed), but he says he has to be at the "office" and she needs to basically get the hell out of his car. After some bad mouthing and overdone villafication, she goes in the house alone.

Cut to the next day. She's at the husband's job, and he walks down with some Hispanic woman and two kids. Helen looks at them, smiles, and says she'll see him at the house. She arrives to find this buff copper skinned black guy with a U-Haul truck who looks about ready to peel his shirt off already. He's got soft features, a defined jaw line, perfect teeth, and he the beloved long braids. In the South they call this Black Woman's Dessert, or "Brown Sugar" (Shemar Moore). Ironically, it's her and Charles' anniversary. Brown Sugar explains to her that Charles ordered him to take all her clothes out, so she thinks it's some joke at first. Then she goes upstairs and sees her maid (yes, she's a housewife, but there's a maid too) hanging a rack of new clothes in her monstrous closet. She gets all giggidy and decides it's her anniversary gift from him, so she tosses on a dress and buys some nice champaigne.

Alright, now you needed to know the first scene or two so I could establish something about her character. What do you think it is? If you guessed she's something that rhymes with "Cupid", you're spot on.

Big Daddy Charles comes home and she's got something sexy on that she nabbed from the clothes rack. He says he needs to tell her about something, but she cuts him off saying she thought he forgot about their anniversary. He persists trying to say something, but she goes on about how the clothes were a little off her size, and not quite her taste. Finally, the Jennifer Lopez wannabe from earlier walks in asking what the hell is going on. Charles terminates the relationship quick, and Helen doesn't compute it too well... shocker!

Finally, she claws and holds on to the floor as he literally throws her out the house. I'm pretty sure he mutters the PG-13 equivalent to "Stupid bitch!" as he throws her out. He's damn right.

So Brown Sugar's there, offers to be nice, she says no, goes to her crazy relative Madea's house, and Madea goes and cuts shit up in the mansion. They file for divorce, Helen's bitter as hell, and Brown Sugar has a small feud with her because of her lack of acceptance for his help after she was rejected.

Some dude from the ghetto who was once a coke dealer with Charles finds him after killing a cop and having it taped. He tells Charles to defend him and if he loses he'll kill him. Charles keeps acting tough, loses, and gets shot.

By now Brown Sugar and Helen are an item (SURPRISE!) and she sees Charles has been shot. He's paralyzed but they allow her to take him after J. Lo instructed to end his life due to the chance of him never walking again. Unfortunately, she realizes she can't do that because she's still not the legal wife. He hasn't signed divorce papers yet, so Helen's got control yo, and don't noboy eff with a mad black woman. Anyway, she takes him back to the mansion and stays alone with him. To be blunt, she puts him through hill, and lets him wade in his own urine an feces, among other things.

Somewhere in the plot there's a crackhead mom and a girl who can sing like a 30 year old, a protective dad, and three or four characters played by the director of the movie, Tyler Perry (Yes, he's that arrogant, and obviously hasn't seen how that didn't work for Eddie Murphy in Nutty Proffesor I and II: The Klumps).

So by the end Helen is faced with a dilemma: perfect Brown Sugar or good ol' not-quite-ex-husband.

My gripe with this movie is how absolutely ridiculous it is. When Helen is with Charles in the beginning, she's absolutely luck laster in picking up he's cheating on her, and even more lackadaiscical in realizing he doesn't really love her. She's just so stupid, but Tyler Perry makes it seem just like it appears -- she's a baby trying to survive in the real world who needs someone to take care of her. I think this movie had about four other movies within it, and it was almost as predictable as knowing a hooker will give you ghonnorea (as stated by Eazy E).

Of course, women love it due to her finding what could be a prince charming (Brown Sugar) and getting some revenge on her mean ol' husband, but men hate it because she's too damn stupid to leave him first.

This movie rivals the "Look Who's Talking" sequels as potentially one of the worst film atrocities in the 20th century.

The Verdict: 1 Alp (A) because it gives men out there the belief that somewhere deep in the black rich areas of America, there's a woman who will let you abuse the hell out of her and love you like there's no tomorrow.

Friday, July 01, 2005

Oldboy

I woke up this morning and realized that it's been so long, the spanish numbers really don't matter any more. They say old habits die hard, but apparently the same rules don't apply to formatting philosophies. Oh well. So much the better. I now have absolutely no reason to remember any of my spanish at all.

So a few weeks ago I saw this movie, Oldboy at the Hollywood theater down in Portland. The first thing to know is that the movie is Asian. And honestly? That should say it all. As Corbin concluded long before, Asia (and especially Japan) is a land full of godless heathens, and the sooner we can stop the spread of its culture, the better.

Oldboy is about a man who has been locked in a small, modest room for fifteen years. He has no idea why he was there or where he really was, but now he's out and he's pretty happy about it. So happy that he visits a sushi bar and eats a live octopus. It's great. While there he meets this girl, they fall in love, and she encourages to rape him when she says the time is right. Or something. It's a weird conversation. The moral of the story is that the deicide to live happily ever after.

Unfortunately, happiness does not exist in Asia, and our hero Oh Dae-Su decides that he needs to find the people who imprisoned him and bring them all to justice, but only after ascertaining why he was held for so long. And so begins a more placid yet sexually deviant version of Kill Bill.

Did I mention the sexual deviance? Holy shit. But that's a plot point, so I won't say any more.

As for the Kill Bill aspects of the movie, he trades in the Hattori Hanzo sword for a hammer and goes at it against, like, twenty guys at once in what is the most ridiculous fight scene I have ever witnessed. But at the same time, it's phenomenal. There is nothing like a long, tracking shot of a guy beating down henchman after henchman with just a hammer. The scene runs more like a cartoon than anything else. The hammer is also frequently employed as a dental implement, the claw being particularly useful at prying out the teeth of someone who knows something valuable.

As for the actual quality of the acting, it's sort of hard to tell since the movie was foreign and all. Like seriously, when all the dialogue is Korean it's really hard to nail down the quality of delivery. But they all seemed pretty good. The choreography was excellent, I have to give them that. And I loved certain aspects of the directorial style. Overall, I approve of this film.

The Verdict: Four Alps (AAAA).

Friday, June 24, 2005

I APOLOGIZE FOR THIS POST

I CAN NOT BELIEVE THIS..........BUT I SOMEHOW FEEL LIKE GOD WILL PUNISH ME FOR THIS FOREVER INTO THE FUTURE

I am right now committing the biggest sin in my life.........IE blogging........Although this is not my blog, I feel even worse blogging on this thing..............although this blog is not mine so I don't feel bad about people reading it

But I feel like making a laundry list: (Hopefully some of you will share at least part of this laundry list...........and you guys should add on to it if you feel like it) I feel like this is about .000000000000000000001% done...........my memory is getting so hazy now after not blogging

Anyways, I feel like this is a song, sort of like the laundry list song of "We didn't start the fire"

**********Four years of memories****************

-"Silence is the Absence of Noise"
-"I'll Slay a Hairy Male In My Sleep"
-"Life is too short to take enough pain for your brain"
-Emerson's face
-Grape stapled on the wall
-Little satan
-VSD MUN
-Coaching Middle School + MAC + Mr.Miller
-Plus Nathan Henry + Ky Sacco
-AP tests + Multiple Choice + Free Response
-School board recognitions
-ASB constructive criticism
-Two years of countdown
-Ms.Clark + Dancing + On top of tables
-The Popular/Fascist/Elitist ASB
-Red bolded font with a lot of F words
-Fall sports assembly + 1600 + academic sports
-Mr.Skyview + Amy Whalen + Nick Niland + Bethany Graef
-Plus Bruce Gately
-Corey Furin + Expenses + All in favor say Ay
-Plus Ay plus all opposed plus none
-Plus Chris Thompson + Jack Click
-Plus Freshman + Making signs
-Plus Teeee Chen
-Plus approving Skyview pirate club + bureaucracy
-Blogs for Mrs.Clark + Mr.Wargo + Mr.Powers + Mrs.GH + Mrs.VA
-Plus secret message on blog
-Plus surprise goodbye party for Clark
-Plus ITS + Block blog + Block google image search
-Mr.Wargo + Mr.Emerson + Mrs.GH + petition
-Plus biggest blunders ever
-Fire drill + Last minute of our senior year
-Freshmen year lockdown
-Netnav + Genest
-First day meeting Pavan
-Plus Math Team + Kunal Vaswani + Brian Basham
-Plus Bowen + Talarico + Crowther + Ngo
-Plus Brian Tang + Attar Bhangal
-Plus 5:00 AM + Saturdays
-Plus Dr.Freeman + solution manual
-Plus AMC + NAT
-Plus Federal Way plus Yakima
-Plus second place plus Team Projects
-Plus Cy + Thomas Chen + "Unintentional Injuries"
-Mrs.Hattan, Mrs.GH, Mrs.Bevil, Mrs.VA crying
-ISEF 04 + ISEF 05 + Team OR + Go for the AU
-CWOSE + SMT nerds
-NWSE + SMT 04
-Sci-Bowl + Hydrogen + Fuel + Cell + Car
-KB with Jake/Flieder/Angy/Matt
-KB with Abe/Gundert/Gust
-KB with Thomas/Andy
-Plus Eleven + Rob + Corbin + Michelle + Chad
-Plus Tang + Banghal + Chris
-Plus Michael Wu + Matt's mom
-Plus Regionals + state
-Plus Voyager2 + Russia + Heritage
-Plus Ramsey's board
-Nattah Lorac
-Cramsey
-Ramsey + ISEF + Scibowl + KB
-KB + JV (B)ad + JV (A)wful
-Plus River1 + River2 + River3
-Plus JVRiver1 + JVRiver2 + JVRiver3
-Plus Bay + Fort + Ridgefield
-Plus Prairie + Mountain View + Evergreen + Battle Ground
-First day of blogging
-Plus Xar Plus Bosque Plus Dan
-Plus party animal
-Plus Paul plus Miniyao2 plus Miniyao
-Plus Nick plus Eleven plus Egil
-Plus Elias + Pavan + Yeast
-Plus Taking over the world scheme
-Paul + Mrs.VA + APTurtle blog
-Paul + Noelle Pervelle + Matt Abe + APTurtle blog
-Plus Matt Wu + Evan Cate + Mrs.Clark + Rob Muilenburg + APTurtle blog
-Plus Jake Smith + Turtle + Parody + Blog
-Plus Tagboard + Commentbar + Retrostats
-Plus JR + Stolen Pendrive + Suicide + Mrs.GH + Mr.Emerson + Mr.Geranios
-All that Plus Mrs.VA + Mrs.Hattan + Mrs.Ramsey + Thomas Chen
-And plus Zambon plus officer John Pound
-El Bosque + BYU Health
-Election night Plus the next day
-Plus Pavan in red and Thomas in blue
-The day I deleted my blog
-Plus suicide philosophy + Social Segregation Experiment
-Senior proj presentations
-Professional Dumping Portfolio
-Chirag + Anderson + Hattan
-Chirag + Advanced Algebra + Final
-Simon Cho + Anderson + Hattan
-Forensics sophomore year + Fleck + deadbody
-Plus Stiff
-Plus James Lee + Paper Mache + The hand
-Plus Dissections + Mink + Shark
-Plus David Cathcart + Robb Crabtree
-Plus Ryan Elliott + Frank Kanekoa
-Plus Natalya Skiba + Stanford + Harvard
-Plus Upenn + Georgetown
-Plus Maria Aksenova + Erikas
-Romeo&Juliet + acting + Friar + Thomas Chen
-Julius Caesar + Acting + Et Tu Brute
-Plus Emerson's class + Chantting Orgy + in the background
-Plus Romeo & Juliet movies
-Drama + Megan Valencia + Newspaper
-Plus Reckless + Midsummer Night's Dream
-Plus Tristan McDaneil + Conor McLean
-Plus Will Johnson + blue hair
-Plus Ryan Knight + Ryan's house
-Plus Chad's unknown voice
-Plus Laurel Wilson + the rides home
-Plus Joseph + Best thing I've ever saw in my life
-Plus Jiwon Kang + Corbin Smith
-Thoreau + Chad
-Emerson + Nature + Tyson is a tree
-Plus big fat lit book
-Plus Journals + Native American Lit
-Plus EE Cummings + Emily Dickinson
-Plus Tale of Two Cities + WHECP
-Catcher in the rye + Clark + Grouproject
-Catch 22 + notecards
-Tyson Cecka + Wall Flip + Backflip
-Plus TI 89 + Lost Calculators + Thomas Chen
-Plus borrow calculators + Hattan
-Blaine + 4th graders + Tyson + Wall flip + money
-Cy Khormae + 8'clock + Skyview
-All that plus Mayfield's class room + TV
-Cy + Angie + Wuman + APTurtle
-All that plus chair fight + Nattah + Advanced Algebra class
-Mei + Carla + Margo
-Brian Patton + Philip Opperman
-Evan Cate + ASB
-Phil Goodwin + Zach Smith + ASB
-Plus the videos + Nancy Wistrand
-Plus SMT Election videos
-Plus SMT Awards Nights + SMT Frosh Nights + SMT Blasts
-Plus THE Math Team Promotion Video
-Plus Tyson Cecka + Kills + Thomas Chen
-Plus Skyview News
-Plus Zach Otramba
-Plus Al Tu + Matt Johnson + Chris Mitchem
-Plus Rob Muilenburg + Jesus + Cap&Gowns + Mullet
-All that plus court assembilies
-Graduation 04 + Matt Wu + Vanessa Esch + Thomas Chen
-Plus party till 3 am
-Rachel Stanley + Bevill
-Bethany + Kimber
-Rob Muilenburg + Thomas Chen + Veteran's Day Assembly
-Plus Mrs.Robely + Mrs.Gladinus
-Amy Whalen + Toy Drive + Food drive + Chest drive
-Plus Tsunami Relief drive
-Junior year surprise bday party
-Plus the green turtle cake
-Plus ASB agents are going to kidnap Thomas Chen
-Plus Paul + Bellydancing kit
-AP Chem study group + Mark Johnson + Jokes
-All that plus making Thomas Chen crawling on the ground
-Plus making Thoma Chen crawl to under the table
-Plus making Thomas Chen swing back in the chair
-Plus hitting Mr.Skoog with the chair
-Plus Nova Martin + Mark Kleefstra + Mina Obrien
-Skoog + AP Chem + Spoon
-Plus Indian BS
-Vanessa's Bday party + Twisters + Indian BS
-Andrea Larson + Trusha Patel
-Plus Trusha's fart shoes + Mr.Powers
-Plus Slaqueriovilles
-Plus Mr.Russel + ADD + eeeeeeeeee
-Clark + ADHD + dancing on the tables
-Divcom + Christy Hough + MLK Assembilies
-Plus top ten hates on APTurtle blog
-Plus the discovery of my blog by ASB
-GH + Hostage story
-Plus Hamlet + Acting + Snapping off the branch
-Plus sixth period
-Big screen + Commons + 911
-Plus intercom + Brendan Johnson + suicide
-Plus common assembilies + Kelsey Torterillo
-The benches outside the school
-Plus waiting on the bench till 9pm
-Plus waiting in the cold
-Plus waiting in the rain
-Plus waiting + waiting + waiting + two years
-Plus "hitch hiking" + Too many thank yous
-Plus teacher parking lot + The busline
-Plus waiting for the school bus + cold mornings
-Plus waiting in the dark + dark till 8am
-Plus sleepy first periods
-Sargeant + yearbook + Erin Riley
-Plus Newspaper + Quotes off APTurtle blog
-Darling + Update + web
-Benson + Brendon + Giovanni
-Plus Andy Perez + Chow Ni + Eric McAllister
-Sunday + Labs + Spill + Thomas Chen
-Plus Dry ice + bottle + bomb
-Brands + B squared + Beautiful Mind + 04
-Plus Sam Pruitt + Tony Jenkins
-Plus quote of the day
-Emerson + Orange + axe
-GH + Emerson + VA + Editing College App Essays
-Emerson + VA + SHARP
-Frosh SHARP Research
-Plus 200 notecards
-Railroads + Wobbilies + More paper
-Ken White + Syd Clos + Beck Nelson + Bethany Graef
-All that plus that poster project
-All that plus a crying Thomas Chen
-Emerson + VA + Conferences
-And conferences + rough draft + more conferences
-Plus peer edits
-Plus Thomas Chen + Rob Muilenburg + Israel & Palestine
-Plus the Persuasive Essay
-DeeeeeeeeeeeeeeCuuuuuuueeeeeeeeee
-Plus THE gavel
-Plus Sameer + Jenkins + Gundert + Cusack
-And more Sameer
-Plus debating about whether to debate or not
-Plus C10 + C23 + C24 + C25 + C32 + C69
-Plus Xar + Dan + Devin + Power + Struggle
-Powers + Mr.Poder + Quizzes
-Plus wasting time
-Plus Courtney + Canada
-Plus Alex Williams + Golf
-Plus Jenni Wilson + Erika Wisnewski
-Plus extra credit China movies
-ASB Retreat + Broken windows
-Plus dances + decorations
-Plus Scibowl crashing winter + Unsuccessfully
-Plus Court nominations + Declining nominations
-Plus Pavan Vaswani + Prom + Prom King
-Color war + Forest Green + Lime Green
-Plus spirit days
-Plus light green + lawn green
-Plus Pep assembilies + DAMN YOU ASB
-Plus battle of the sexes + guys + Cross Dressing
-Plus Freshmen Power + Sophomore Power + Junior Power
-Plus Senior Power
-Plus the teacher dance + Hattan + VA
-Jake Smith + Ryan Gust + Cecka
-All that plus Darling's 6th period
-And all that plus Risk + Riskopoly + ASBopoly
-Plus finding nemo + ASB + The Turtle + The Shark
-Risk + "Honor" + Math Team Party 04
-Plus THE cake
-The Corbin Smith + the slap
-Plus Winter Prince + Campaigning
-Plus Pep Assembly talk
-Plus KB + Electrocapitalism
-Plus Xar + Michelle Davis
-Erin Riley + Chad Wyszynski
-Plus Dan Lowry + Alex McDougall
-Plus Paul Fleurdelys + Julie Olds
-Plus Xar once again + Kimber Graef
-Plus Dan once again + Vanessa Esch
-Pavan Vaswani + Rachel Stanley + Ben Perry
-That is not a theme + Ben Perry
-Plus theme + 3 main ideas + Yellow Butcher Paper
-Plus Thesis + Focus Question + 2 Sentence Intro Paragraph
-Change over time + Compare & Contrast
-DeeeeeeeeeeeeeeeeBeeeeeeeeeeeeeCuuuuuuueeeeeeeeeeee
-Plus after school * Weekend study sessions
-Plus Barrons + Petersons
-Plus Alex McDougall + Tyson Cecka + Matt Edwards
-Plus Pat Bridge + Matt Berry + "In the house
-Plus Jackie + Dan + Snowwalk + Clark's class
-Senora Jacobs + Powdy face
-Plus Tyson Cecka + David Cathcart + Andy
-Talking to Matt Wu online + about ASB
-Icedout of school
-Plus Paul Fleurdelys + Ryan Elliott + Thomas Chen
-Plus Paul + Tahoe + Jackknife
-Jake Smith educating Thomas Chen + Candide
-Plus Natalya + Chad + Frank + Philosophizing
-Plus more moments of embrassament + Romina Barrett + Megan Valencia
-And Jessica Gill + Vanessa Esch
-Plus Cold Stone + Skipping class
-SMT Council + Carole Mangel + Elaura Rifkin
-Plus making signs + throwing SMT signs away + ASB
-Plus Vanessa Esch + Elisha Ngo + Kunal Vaswani + Tristan Holtz
-Plus gutters + catapult + baking soda + vinegar + jelly beans
-Plus Pool game + Java + AP Compsci
-Plus Pumpkins + SMT Boosters
-Plus Forrest's mom + Tucker's dad + Tristan's mom
-Plus Amy's parents + Tyson's parents + Vanessa's mom
-Plus Paul's parents + Pavan's parents + Elisha's parents
-Linn Clark + Webcalendar + Mrs.Shultz
-Key Club + Ms.Winter + 75 hours
-Plus Camp Wairiki
-Plus Boys & Girls Club + Santa
-Plus Song Yue Huang + Editor
-Plus Sarah Yamin + Terry Burke
-Natural Helpers + Ms.Roth + 400 wing + 400 wing theater
-Plus Big Brother Big Sister + Alki + 7th period
-Plus Ryan the seventh grader
-Plus Phil Bridge + Pat Bridge + John + Scott
-Plus Peer Mediation + Peer Mediation Trainings
-NHS + Taking Attendance + Ms.Bloom + Mr Tad Thompson
-Plus Race for the Cure + The Shirt
-The shirt + Pavan + Thomas Chen + Sameday + Freakish
-Plus Graffiti Removal
-Plus weeding + weeding + weeding
-Mrs. Bevill + Custodians + not Janitors
-Stand in line for lunch + THE Pizza Line
-Plus running towards the lunch line
-Plus leaving for lunch early
-Plus outdated milk + green
-Announcement + Martha Watson+ Mark Ray
-Mark Ray + Media Center
-Market Place + Mr.Keidi + Talent Show
-Plus Natalya Skiba + Credit Union
-Plus no college bound notebooks
-Plus Pledge of Allegiance + National Anthem-Walless classrooms
-Walless Skyview
-Plus pliable screens
-Plus movable cabinets
-Plus transparent curtains
-Yearbook signing
-Last minute of school yelling bureaucracy
-Senior awards night
-Baccalaureate
-Students in cap/gowns
-Grad rehearsal + senior barbecue + ketchup
-Graduation 05 + Stuck on the bus + heat
-Plus cords/tassles + flying ever where + wind
-Plus walking across the stage + three times
-Plus Pavan + Ryan + Nikki + Spoems
-Plus listening to 400 names
-Plus pictures + picture + more pictures
-Grad Party 05 + Lots of thanks
-Plus Chad Wyszinskis mom + Kendall Hiller's mom + Michael Hiller's dad
-Plus Ryan Self's mom + Jared Teely's mom + Nikki Hinton's mom
-Plus singing + rapping + on the bus
-Plus poker + caricature + money machine
-Plus swimming + rock climbing + challenge obstacle
-Plus turtle balloon
-Plus Portland Spirit + Willamette
-Plus Lower deck + Karaoke
-Plus Middle deck + dance + the front
-Plus Upper deck + La view + bridge + drew twice for us
-Plus sunrise + romantic + poetic + scenery
-Plus the best ending to 12 years of unconstitutional craziness public education career ever


I promise this will be my last post on my high schools blog ever ever in my entire life

Saturday, April 02, 2005

Review: Sin City

Robert Rodriguez, the director of "Spy Kids" just made a new movie.

It's fucking sick.

And Depraved.

And gross.

And pointless.

Seriously, kids, this is some sick shit.

Women get beat a lot.

And one guy gets his testicles forcibly removed.

...


TWICE.

It's just wrong.

Also, there's no point.

Unlike, say, Pulp Fiction, or Kill Bill, or Fight Club, which tells an interesting, character driven story with semi-morals, it's just sick and offensive.

Man.

It's pretty, I suppose, but it's just so...

Man.

And there's no strong females.

Well...

The only strong females are prostitutes.

I mean, Come on.

sick.

Women get hit a lot.

argue.

Depraved.

Saturday, January 08, 2005

Review: Numero Cento e Doze: The Omen

Guest Reviewer: Petra

One of the freakiest horror movies you may ever see, this religious drama plays on your nerves and your sense of righteousness. Made in the late 1970s with Gregory Peck as Robert Thorne and Harvey Stevens as Damien, it is one of the craziest movies you might see.

It starts out in a hospital on June 6, at six am. The American Ambassador to Italy, Robert Thorne and his wife are having their first child, and a priest comes out and says the child was stillborn, however there was another child who lost it's mother. Robert decides secretly to adopt this child as their own and his wife, Katherine, never finds out.

It moves along a little later into Damien's life and the family appears very happy - Robert becomes the ambassador to Britain and Damien lives with his family, not knowing any different. But then the nanny commits suicide and their lives are turned upside down. Damien's mother starts going crazy and believing that her child is evil. Nah really? So then with the help of a photographer, Amb. Thorne heads to Rome to discover the true nature of this child.

I first heard about this movie from my parents who said it was the scariest movie they had ever seen, so I was expecting it to be "Tomie" scary. (I'll review Tomie after this). But it's not. Using imagery such as rottweilers, an evil nanny and religious icons, most of which don't exist, it really freaks you out. The special effects are average, but all right for the late 1970s. The film quality is excellent and the cinematography is excellent. I really was scared as the dogs attacked, though, one could see minor things such as the horny dogs or the cameramen in the background. This movie was psychologically thrilling movie right down to the very end. You may know the ending, but I'm not going to give it away for those who don't know... until I review the Omen II.

This movie is a definite watch. Go rent it. 4 and a half Alps (AAAAa)

Monday, January 03, 2005

Review Numero Cien y Once: Collateral

Probably the most impressive thing about this movie is that it had the potential to be so terrible, but it managed to avoid all of the genre pitfalls and the end result is a movie that manages to be both exciting and compelling. For that alone, I award it three Alps.

The next two will be hard-earned by the end of this review.

Collateral starts innocently enough - Jamie Foxx is a cab driver, who takes an attractive lawayer across town and has a conversation about dealing with stress in life, and how he likes to keep a little postcard in his visor as an "escape" everytime things get rough. She talks about her stressful life, and he gives her the postcard. Aww. She gives him her card as she leaves, and Tom Cruise with Gray Hair walks down the steps and into the cab.

Tom Cruise hires the cab for the night by tossing around a bunch of hundred-dollar bills, and away they go to the first of five stops that night. Everything is going smoothly until the body of the guy that Tom Cruise shoots at the first stop falls out of a window and onto the cab. Oops. So now the secret's out - Evil Tom Cruise is an assassin with five people to kill in one night, and Good and Righteous Jamie Foxx is the innocent driver who is forced to take part in the evil scheme.

Dun-dun-DUN!

Everyone knows Tom Cruise can act, but even he has to step aside for Jamie Foxx in this movie. Apparently, everything this man touches is perfect. In the establishing scenes he quickly becomes a nice, likable, down-to-earth guy with hiw own dreams and aspirations. Foxx and the writers make quick work of building the character in the minds of the audience as the regular Joe, and that helps the movie immensely as is internal struggle reaches its crescendo. Over the course of the movie he has to make a lot of decisions about what he can let Cruise's character get away with, and as he realizes the control he has over the situation, everything that he does to try and stop Cruise makes sense - and it's all because of those establishing scenes.

Not only that, but the writing remains consistently perfect throughout. Not only is the dialogue completely ham-free, but the pacing is excellent. The conflict with Foxx randomly picking up a gun and plugging the villan; it's a lot more subtle than that. Before he can stop the evil force that Cruise's character embodies, he first has to realize the full extent of what will happen if he doesn't act. After that, he knows that he can stop Cruise, but he's afraid of what might happen if he tries. That's where the influence of the establishing scene kicks in, as we empathize with his struggle and ultimately his decision. It's really amazingly done.

A lot of what comes in between the key scenes is even better than that. After talking to Foxx's mother and realizing that a lot of what he had said about his future plans was not true, Cruise delivers some excellent dialogue about the choices that people make in life, and how everything you experience is the direct result of everything you do. At first glance this sounds a lot like the sort of bullshit The Matrix tried to spout, but here it's much more well-done and much more meaningful than that. In Collateral all of these things are applied to one man's life, and that man is one that the audience already cares about. We see how he has these dreams, but Cruise tears them apart by saying that if he hasn't already done these things, ne never will; that so many people have dreams and fail to achieve them. It's just more elements that combine to drive home the empathy for the main character.

All of these things combine with a few good action sequences to make one of the best films I've seen in a while. It's not often that you get writing this good combined with an actor as talented as Jamie Foxx, and everything in this movie works because of that critical pairing.

The Verdict: Five Alps (AAAAA).

Sunday, December 26, 2004

Review Numero Cien y Diez: Bosk's New Vinyl Records


Guest reviewer Bosk

Before I start out, I should mention that I am going to try to review something I haven't reviewed before, namely a record. Yes, one of those big black vinyl records. I brought home my mom's old record player from my grandparents' house last August and until today I had been content with my mom's old record collection (with selections like Bachman Turner Overdrive, Earth Wind and Fire, Chicago, Elton John, Barry Manilow and a whole bunch more that I can't think of off the top of my head. But anyway, I was down in Portland today with some time to kill, so I went into Everyday Music and bought a few new records.

First of all, for the price, these records are amazing. Granted, they are slightly used and have a few small scratches, but that's not surprising for 20 year old records. The pops and clicks aren't that big of an issue, they really don't interfere with the music itself. If I could get a decent CD for $2.10, I would have a lot less objection to buying music. Suck on that, RIAA.

The first record I bought was reccomended by my dad, The Alan Parsons Project - Edgar Allen Poe. Produced in 1975, the entire album is based on Poe's poetry, which in my opinion, kicks poetic ass because I can actually understand it. Half the tracks are purely instrumental with themes inspired by the likes of "Fall of the House of Usher" and some contain lyrics that mimic the poem. Alan Parsons worked as an engineer on The Beatles' "Abbey Road" and Pink Floyd's "Dark Side of the Moon", so that should give you a good idea of his influences. Highly reccomended!

The next two records are by The Police: Zenyatta Mondatta and Synchronicity. Again, the prices were in the $3 range, a steal compared to what either of these early-1980s recordings cost on CD. With songs like "Don't Stand so Close to Me" and "Every Breath You Take" these two records are definately worthwhile. I certainly hope those songs sound familiar to some of you. If they don't, then maybe you'll recognize Sting as their primary writer. For fans of the early 80s style and The Police these two records have a good mix of classics and songs I've never even heard of.




...to be continued...

Sunday, December 19, 2004

Review Numero Cien y Nueve: Star Trek - Nemesis

Every once in a while there's a movie that you get really excited about, and the previews look like it's going to be the best thing ever, and you read every interview, closely examine every publicity still, and finally you get to see the movie, and it's really one of the more lackluster things you've ever seen in your life.

For a lot of us, that was what it was like to see the Matrix sequels. But my personal torment was Star Trek: Nemesis

That's not to say that it was a particularly bad movie, because it really wasn't. Nemesis was pretty solid in a lot of areas and if nothing else was better than its predecessor, Insurrection. But for all the hype it got as the phenomenal tenth Star Trek movie, Nemesis just wasn't that good.

The story starts out similar to that of The Undiscovered Country - the Romulans, longtime enemies of the Federation experience a disaster, which is quickly followed by a governmental overthrow and an offer of peace. This catches everyone off guard, and our valiant heroes are sent to extend the first olive branch. Once they arrive, however, they are greeted by Shinzon, the new leader of the Romulans, who to put a long story short is a clone of Picard and started the peace process as a rues - what he really wants is domination of everything, and he intends to start by destroying Earth with this absolutely freaking huge ship he built. Aaaaaaaaand, we have a plot.

This particular story is nothing phenomenal, and is about as intellectually important as an episode of Spongebob Squarepants - the movie really doesn't have much to say, which is disappointing given the last few series entries. However, don't be fooled into thinking that the writers will not frantically try to cover for this fact with a bunch of self-important dialogue. Fantastic lines like, "Our eyes affect our lives, don't they?" will blow you away in sort of a "No shit, Sherlock" sort of way. The powers that be thought this particular line was important enough to open almost all of the theatrical trailers, which is really indicative of the sort of writing present in Nemesis. Where we once had really great, well thought-out storylines, we now have what's basically an action film with a bunch of lame little attempts at being interesting inserted throughout.

However, the writer was obviously a Star Trek fan in some respects - the characters are once again perfectly written and acted, and nothing seems out of place. The inclusion of several new characters such as the titualr nemesis Shinzon are also well done, but one particularly noteworthy addition os the adnroid B-4, Data's brother so to speak who is found in several pieces on the surface of a barren planet. His brain is considerably more simplistic than Data's, and he doesn't catch on to things very quickly. He also develops the childlike habit of constantly asking "why," which is charming at first but quickly becomes irritatin when the device is used over and over in several scenes.

Why am I even wasting my time with this? The actors have never been the problem. In Nemesis, all of the flaws come from the writing and this half-assed thing they call a plot. It's like getting a bunch of friends together to watch the Superbowl. Everyone's there, you're having a great time, and you love to hang out with all the guys you know, but then someone has this really stupid idea: "Hey everybody: Let's watch the Superbowl!" And then you do, and you regret it because there's really nothing to it, the halftime show is boring, and so are the commericals thanks to the new threat of FCC fines. All in all, what you do ruins the experience, desipte all the great people you're with, and that's exactly what it's like to watch this movie. It's just a bunch of people shooting each other in space. That's it. Story over.

The Verdict: Three Alps (AAA). Like I said, it wasn't terrible. But it so wasn't good.

Saturday, December 18, 2004

Review Numero Cien y Ocho: Star Trek - Insurrection

I once read a review of this movie that said something to the effect of: "The previous movie, First Contact was really good, but for Insurrection it seems like the producers just said, 'Hey Frakes, why don't you get the boys together and make another one of them space pictures.'"

Yeah, that about sums it up.

This particular adventure sees our valiant heroes investigating an incident on a utopian planet that sits in the middle of the Briar Patch, a huge cluster of nebulae full of volatile gases. They learn that there is a conflict over this planet - namely that the inhabitants, the Baku are being pushed out by the efforts of another alien race, the Son'a and the Baku don't like it. But of course, that's not the whole story. The planet has some sort of resource that renders its inhabitants immortal, and the Son'a want to harvest that resource at the price of leaving the planet completely barren. Not only do we have a plot, we also have a moral dillema. Where's Dr. Laura when you need her?

As boring as this movie sounds, it really, really is. There are a few interesting sequences and some action interspersed, but mostly it's a bunch of exposition and a lot of existential pondering about the joys being immortal and the ability to "live in the moment." While all this may be well and good for a philosophy major, and while I do admire a movie that is able to take on themes like that, Insurrection lays it on immesurabl thick, and it's easy for a viewer to feel swamped by what seems at first sight like a huge load of bullshit. Not only that, but this movi is riding on the heels of First Contact, which was well-balanced and fairly action packed. These factors serve only to raise the bar even higher for Insurrection, and it fails those standards miserably.

Not only that, but there are some questionable plot elements present that go almost entirely unexplained for the course of the movie. At the beginning Worf just suddenly appears, despite having obligations elsewhere, and despite the fact that his post is normally filled by someone else. Additionally, the beginning of the movie sees Data going haywire on an undercover observation mission on the Baku planet, but there is almost no explanation as to why they were there to begin with, and later on we even find out that all the secrecy wasn't even necessary. Several little nitpick points throughout the movie combine to create a seemingly random sequence of events, and overall the usually well-tailored plot can feel a little disorienting.

On a better note, the cast reunites to dirve home the message that they are not your father's Shatner - that is to say, they don't suck at acting. All the line reading and the rest of whatever actors actuall do is very well done, and always up to this cast's usual standards. In fact, if there is any constant with this particular Star Trekcast it is in their ability to put on an excellent perfomrnce in every way they can. There are no half-assed members of this enotourage. Everyone is in top shape, and it really serves to the greater benefit of the film.

Unfortunately in this case, even a great set of actors can't save this movie from its own shortcomings. Flaws in the plot and an overall sense of confusion and boredom prevent Insurrection from being the movie it could have been if it didn't suck so much. Better luck next time, I guess (Spoiler: Not going to happen).

The Verdict: Three Alps (AAA) for a thoroughly average movie.

Friday, December 17, 2004

Review Numero Cien y Siete: Star Trek - First Contact

Oh, joy! Another really good movie. Of course, that just means the next two will be bad, but I'll burn that bridge as I cross it.

The beginning of First Contact sees our valiant heroes flying around in their brand new ship, which s a lot flatter, longer and cooler than the other one. Seeing the new version, you can hardly blame them for crashing the older model into a planet. It was ugly, clunky, and I bet it got terrible antimatter mileage. And the bulkhead panels? So 1986.

Our valiant heroes and their fancy-ass new ship are out in the middle of absolute nowhere charting some whatever science thing. They know that they could be a lot more useful somewhere else, and the people giving them orders know it, but the powers that be want to keep our valiant heroes out of the way. Why? Because the Borg are stirring up shit again, and they don't want Bald French Shatner to be a part of it. Bald French Shatner, as is the trend with Captains of Enterprises considers obeying these orders for about five seconds before deciding to fly home and help out.

Good thing he did, too. Earth is being attacked by a Borg Cube, and everyone else is having a hell of a time with it. Fortunately, Bald French Shatner knows everything and he's, like, the best Captain in the world, so he teaches everyone how to blow it up. Worf's ship is hit by a flying shard of plot device and he beams aboard just in time for our valiant heores to follow an escaping borg ship into a time portal. They all fly back in time to just days before humans discovered how to fly faster thean light speed and had their first contact with aliens. The Borg want to prevent this from happening. Bald French Shatner, who knows everything, blows up their other ship, but the Borg are unaunted. They just take over the fancy-ass new Enterprise instead. So now our valiant heroes have to get the Borg off their ship, puls prevent them from preventing the first lightspeed flight. Aaaaaaaand we have a plot.

This is really one of the good ones, despite what I may make it sound like. It's a success in the same way that The Wrath of Kahn was a success - there's good acting all around, the plot is intelligently written, the conflict is compelling, the enemy is both readily hatable and totally ruthless, and the action is perfectly balanced with all of the other plot elements. Everyone returns in their originaly roles, as I'm sure that's a contract stipulation, and they all perform admirably. Fans had a lot more time to get used to this cast before they made their big scree debut, and the characters themselves had a lot more time to grow. While it would be impossible to re-create some of the dynamics that were present in the original series, this cast does well in creating new niches for each other that help bring out the best in each member of the ensemble. The relationships and personalities are distnict and clear, a sign of not only good acting but good writing. The new series of films has also done away with "scenery" characters like the original's Uhura, and every person on set has a significant part to play - no one is left sitting in the background. This creates not only a greater bond with all of the characters rather than just a core group, but allows for more dynamic interaction and situations. Writers really limit themselves when they create a cast of mostly one-dimensional characters, and having expanded like this they have a lot more tools to use in constructing the story.

As counterparts to our valiant heroes, the Borg are an amazing enemy. Everything about the Borg was redone for the movie, including makeup and set design, sound and visual effects, and acting directions, all of which were changed to shift the image of the Borg from sort of a "mysteriously dangerous" force to outright dangerous. It is more oobvious here than in the TV series that they are a force to be reckoned with, and the movie does more to show that it really is the particualr actions of the characters that finally bring down this enemy; that is to say, it's not something that just anyone could have done. The Borg have been molded to fit the people and situations that the movie has them facing, and it makes for a much more believable and altogether frightening enemy. In particular, Alick Krige makes an excellent performance as the Borg Queen, who controls all of the other Drones and serves as the heart of the Borg, the nemesis to our valiant heroes.

This being a Star Trek movie about time travel, it tries to tie in a discussion of the perils of meesing with the past, but that's pretty boring and overdone. Forutnately, that's really the only thing the movie gives audiences to complain about. Everything is covered in goodness - the writing has improved significantly over the last several films, the acting is perfect, and all of the elemental design is extremely well-done. I wouldn't go so far as to call First Contact the best Star Trek, but it gets as close as you can get without being repetitive.

The Verdict: Five Alps (AAAAA).

Thursday, December 16, 2004

Review Numero Cien y Sies: Star Trek - Generations

Ahh... finally a new cast to open our new Star Trek movie. The credits roll over a wine bottle flying through space. Thing strange about that, I guess. I mean, the bald guy is French, even though he sounds British and lives in America. The wine bottle is flying... spinning... flying... shiny... flying... BAM! It explodes against a hard metal surface. Oh, I get it. They were christening a ship. Those crazy sailors. Up on the bridge of the ship we see a ton of reporters and our guest of honor...

What the hell? Shatner? Isn't he dead yet? Apparently they re-animated his corpse to make appearances at special occasions. Either that or this is sort of a prologue in which he's still alive and attending the maiden voyage of a new Enterprise, which to make a long story short is leaving home woefully unprepared, but decides to answer a distress call anyway. Bad idea - they find a ship trapped in a weird energy ribbon, and when they get too close it starts to damage them. Shatner volunteers to fix whatever random part they broke, since apparently retired ship Captains are the only people qualified to do menial repair tasks. The energy thing hits the ship again, rips off a big part of the hull, and Shatner is gone.

Now it's the "present," whatever that means in these movies, and everyone is out investigating a derelict space station. They beam over and find out that everyone is dead except this crazy guy who turns out to be evil, but they save him anyway because that's what they do. This space station was apparently involved in an attempt to blow up the sun that it's obriting, which worked judging by how the sun blows up and they have to haul ass out of there. After doing some crazy astronomy, the figure out that the crazy evil guy is trying to aim that same band of energy at a planet so he can get caught in it. Aaaaaand, we have a plot.

As it turns out, the band of energy is this weird thing that puts people in sort of a stasis where they are able to live out their ideal life - whatever would make a perfect existence for them, that's what they get. The crazy evil guy wants to get back to that because he remembers how blissful it was when he was on that ship that Shatner disappeared trying to save. Unforutnately, in order to get back into this energy ribbon, called the Nexus, he has to destroy a well-populated planet. Given this sort of motive, this particular crazy evil guy really isn't the best the series has ever seen, but as a character he' well rounded and Malcom McDowell plays him excellently. He's nowhere near as good as Khan, but he's a pretty convincing runner-up.

The movie itself plays more like an episode of the TV series than an actual movie, although it is not without worthy elements. For instance, there is one particular sequence that involves a crash landing on a planet, which would not have been nearly as good had it not been played on the big screen. As far as production values, Generations leaps miles ahead of its predecessors, and not all of that is due to the next generation of technology. Despite a plot that's 3/4 baked at most, the producers really worked hard on some elements that they knew couldn't work on a TV series but really wanted to roll out - things like the aforementioned crash sequence or the effects on the Nexus energy band - a lot of things come together to make this a really good movie at the core, even if there are a lot of rough edges.

As for Shatner's inclusion, it was a questionable decision at best. He supposedly joins the entourage at the end in order to save the day, but his role in the climax really has nothing to do with any of what his character is famous for. In the end, all Shatner really is for this movie is a promotion device, and the movie would have stood well enough on its own without him. Still, for diehard fans of the Star Trek series, a reunion with everyone's favorite Shatner is never a bad thing, so most of the factors balance.

One character that really adds a lot of personality to the movie is Brent Spiner as Data, the android and the new cast's surrogate Spock. What really makes the character interesting for this installation is that he elects to install his "emotion chip," which as the name implies allows him to experience a full range of human emotions. Seeing him experience some of these for the first time is usually pretty funny, and often acts as a convenient plot device to move either the sotry or the character development along. Brent Spiner is really able to show off in this role, and he really turns out to be one of the best actors the new cast has to offer.

All in all, Generations turns out better than some of the movies in the franchise, but far from the top of the pack. An effective first movie for the new cast, but on its own it's nothing special.

The Verdict: Three Alps (AAA).

Best Quote: Data singing about scanning for life forms. You have to hear it, but it's funny.

Wednesday, December 15, 2004

Review Numero Cien y Cinco: Star Trek VI - The Undiscovered Country

The only thing to make a more dramatic comeback than this was when the Red Sox won the World Series.

Fans of the Star Trek franchise could not ask for a better movie than this one, let alone a better follow-up to one of the worst movies of all time. The Undiscovered Country is, in my less than humble opinion, perfect. Just as there was nothing good about The Final Frontier, there is nothing bad about this closer to the classic series of films. Even Shatner pulls through and delivers a performance that isn't terrible. I'm going to say it again, and it's true - this is a great movie.

The last adventure of our valiant heroes begins with an exploding moon - not ours, but a Klingon mining moon in orbit of their home planet. The explosion if huge, practically destroying the small body and sending out shockwaves which meet the newly-promoted Captain Sulu's ship with full force. A little investigation on the part of the little Captain concludes that a lot of shit just hit the fan, and they need to call home imediately.

Back on Earth, the rest of our valiant heroes enter a briefing room and gripe about being close to retirement and a lot of other things that old people say when they want to drive home the fact that they're old. In the briefing, the audience... I mean, our heroes are informed that the Klingons, age-old enemies of anything that moves, are in danger of extinction due to the accident, and want to make peace. Shatner thinks that this is a terrible idea, since they killed his son and all, but the powers that be inform him that, due to unlikely circumstances, their choice for emissary to the Klingons will be... wait for it... the racist Shatner. Shatner is annoyed, but really doesn't have much of a choice. So, he flies out there, invites the Chancellor and his staff for dinner, find out that the peace process will be long and tumultous due to rampant racism, and then a lot more shit hits a lot more fans.

The Enterprise fires on the Chancellor's ship, and then two masked officers beam over, kill the Chancellor, and disappear. Kirk and McCoy go over to help, get arrested, and ladies and gentlemen we have a plot.

Even from this brief synposis, the major point of the movie is apparent. It is meant to reflect our own conflicts with other nations and races due to differences that in this day and age seem entirely arbitrary. Shatner and his companions don't like the Klingons because they've always been the enemy, and that's just the way it is. The fear integration because it means the shattering of everything they knew about the state of the universe. Conversely, the Klingons don't like the humans because the humans have always remained hostile and defensive. The fear integration because they see only what they have to lose - a large empire, part of their own sovereignty, and their status as the most feared race. As one character puts it, they believe that they will become "the alien trash of the Federation." Spock, acting as the neutral observer, fails to empathize with the fears of either side. While he essentially understands the fears of both races, he sees things in terms of what each stands to gain from a peace initative - namely, expanded empire and the ability to reduce costly military forces for the Federation, and survival for the Klingons. This being the case, he cannot understand why anyone would be opposed to peace, as the positives far out weight the percieved negatives.

Unfortunately, it doesn't always work out that way. However, Spock makes a valiant effor to remain composed and neutral while at the same time acting the best interests of his friends (who have literally saved his life on numerous occasions) rather than directly for the greater parties involved. This is where Leonard Nimoy really comes into his own. The character of Spock is executed flawlessly - every line delivered with perscise inflection and timing, every expression on his face or move he makes perfectly fitting the dialogue and the character as a whole. Nimoy is really what makes this movie work, as he takes a much more central role in the main plot. Not only that but all the writing - not just for Spock but the entire movie - is exceptionally well-done. Plot details are revealed on a perfect schedule, conversations and developments progress in a visibly logical manner, and most importantly (especially since The Final Frontier missed this mark horribly) the dialogue for every character remains in-character. Apparently this is a tough skill to master, but it serves well to the benefit of this movie.

Even with such a great performance by our valiant heroes, it wouldn't be a great movie without an equally great villan, and The Undiscovered Country delivers a nemesis who would give Kahn a run for his money. The central antagonist, a traitorous Klingon who seeks to destroy the entire peace process (and has an odd vendetta against Shatner himself) is delightfully evil, and character is as fully-fleshed as they come. Everything he says is dripping with delicious malice, and his habit of frequently quoting Shakespeare add not only depth but a lot of enjoyment to the character. Star Trek VI's villan stands as proof of spectacular writing all around.

Series fans would have asked for nothing less than a perfect movie to serve as the final chapter in the long saga of our valiant heroes, and a perfect movie is what they got. I'm going to keep saying it, and it's true - there is nothing bad about this movie. From the plot to the writing, and even the acting on the part of some of the more infamous stars of the series, The Undiscovered Country is pure gold not only as a film, but as a reflection of the themes that have plagued the western world for millenia. The ability to connect to reality in a meaningful way is one of the only marks of a great movie that the Star Trek series has missed over the years, but this last installment finally picks it up and turns it into something that few could have imagined.

The Verdict: Five Alps (AAAAA).

Best Quote: "You have not experienced Shakespeare until you have read him in the original Klingon!"

Tuesday, December 14, 2004

Review Numero Cien y Cuatro: Star Trek V - The Final Frontier

Shatner wrote this movie. End of review.

Not really. Unfornately for all of us, there is a lot more to be said.

Star Trek V: The Final Frontier has to be one of the worst franchise movies ever made. How this even made it past the concept phase is a mystery to all. The dialogue is terrible, the plot is hilariously stupid, and the acting from every one of these people is some of the worst I've ever seen. There is nothing redeeming about this movie. I watched it again a few years ago, thinking it couldn't possibly be as bad as I had remembered. Guess what? It totally was. It's boring, idiotic, and poorly executed - in short, one of the most questionable decisions that Paramount Pictures has ever made.

This two-hour suckfest beings with an ugly, toothless guy out in the middle of the desert manually drilling for... rocks, apparently. All of a sudden, our of the blue, a mystery man comes riding in on a horse, and speaks all mystically about destiny and the meaning of life. He then asks that the ugly driller "share his pain, and gain strength from the sharing," which the ungly driller does. Then he gets down on his knees and cries, and apparently he has been Saved by the power of God or something. Just five mintes in, you can already tell it's going to be a long movie.

The next thing we see is a montage of Shatner climbing the sheer rock face of El Capitan alone with no ropes. This in and of itself sets the tone for the entire rest of the experience. Shatner's hubris in assuming his character could do something like this is match only by his ineptitude at writing beyond it, as he fully demonstrates in the scenes to come. As the credits finish, good ol' Spock flies up wearing a pair of - get this - rocket boots, and greets the Captain. Shatner is understandably annoyed at being visisted by a flying Vulcan while he's clinging for his life to a perfect 90-degree cliff face. Long story short, he falls off, and Spock uses the boots to rescue him just feet away from his death. Yay, sort of.

Later we sit in as our valiant heroes, Shatner, Spock and Dr. McCoy roast marshmallows around a campfire, make fun of how little Spock knows about camping and stuff, and engage in dialogue that's entirely out of character for all three of them. This is especially true of the good Doctor, who turns from saracstic to outright asshole in about three seconds, calling Spock out about every little thing he does wrong. None of it fits, and viewers have to wonder how these people ever became friends if this is what they're really like. Thankfully, this scene relegates Shatner to the minir role of telling the two others to shut up over and over again until they finally do it.

Man, I'm already tired of recapping this movie. The rest of the plot goes like this: The mystery man, who lives on the official "Planet of Peace" has grabbed a bunch of cultists and taken over the only city. The ambassador there calls for help and even though the brand spanking new Enterprise is in a total state of disrepair, they are... wait for it... the only ship close enough to go help. As it turns out, going to help is a bad idea because the Ambassador is a cultist too, and it was all an elaborate plot to steal a ship and fly to the center of the galaxy, because apparently that's where God lives.

Are you beginning to see why this movie is so bad?

I'm going to keep saying it, and it's true: There is nothing good about this movie. The way Shatner write all the characters, no one is who they used to be. He obviously has no understanding of effective dialogue and character development, and as a result all the people in this movie might as well be from another series altogether. If we're to believe Shatner's interpretation of events, the characters have experienced the following life-altering personality changes since the end of The Voayge Home: Spock is dumber and less understanding of his human companions, McCoy is an asshole drunk, Scotty is just a bumbling space technician, Scotty and Uhura are having an affair, Uhura has become an anti-feminist skank, Sulu and Chekov are both mindless slaves, and Shatner is smarter than all of them combined. Makes sense, right? No. Nothing works. None of the character dynamics that have held the series together even have a cameo in this movie. Nobody interacts like you expect them to, nobody reacts like you want them to, and what they actually wind up doing is confusing and painful to watch. There is conflict for the sake of conflict, despite all the narrative precedents against it. There are situations for the sake of comedy, despite the dual flaws of being unfunny and unbelievable. This is like the Star Wars Christmas Special of the Star Trek movies.

Not only does Shatner butcher the characters and situations, but the story itself is ridiculous. The idea that an insane ideologue could convert an entire ship's crew with a well-stated PA speech is absurd, as is the idea that they're flying to the center of the galaxy to find God. Not only that, but the progression of events that gets them there is amazingly over-the-top. There's a good forty-five minutes of botched covert-ops elements that feel completely out of place given what movie we're watching. Lacking any situations with the gravity of any of Shatner's "risky maneuvers" for which the character has become famous, the movie takes scenes that would normally be nothing less than a minor setback and treats them like life-and-death situations. Things like, God forbid, landing a shuttle without automatic braking systems are given dranw-out, "suspenseful" sequences in hopes of re-creating some past adventures. Unfortunately, the best they can hope for is an accident report and some Tylenol, because the results are nothing to write home about.

If anyone was hoping for a semi-logical claimax to this cinematic catastrophe, I've got some bad news for you sunshine: Pink isn't well, he stayed back at the hotel. We've been sent along as a... oh, Shit, I think I just fell asleep while I was writng this. That's what movies like this one can do to even a battle-hardened reviewer such as myself. The end of The Final Frontier is, if you can believe it, worse than the events that bring us to that point. For reasons that escape me, Shatner and company ride along with Alien Charles Manson to the surface of the planet in the middle of the galaxy where God lives. You know the one, right? When they arrive it looks distinctly like Arizona, only more barren. They walk around with the help of a magic invisible compass that leads them to a circle of stones. They all look confused when suddenly Alien Charles Manson bellows, "WE HAVE TRAVELLED FAR!" Aaaaaaand nothing happens. He then tacks on in a meek little voice, "By Starship," and all of a sudden a bunch of giant stone pillars appear, and the Almighty God appears before them. Sort of. It turns out that "God" is actually "An omniscient alien who wants to steal a ship and escape from his prison." He attacks a couple of people, and his Godliness is questioned, and then Shatner fights with him... and wins. That's right: Shatner fights with an omniscient alien and wins.

Then they all fly home.

Do I really need to say anything else? There is nothing good about this movie. It is bad in every way it is possible for a movie to be bad, especially a franchise movie. It's just so.... ugggghh, I can't even put it into words. This is a horrible, horrbile movie.

The Verdict: One small Alp (a). And I don't give those out very often.

Monday, December 13, 2004

Review Numero Cien y Tres: Star Trek IV - The Voyage Home

Weeep... Woop. Bleeee... woomp.

Whales in Space.

Star Trek IV: The Voyage Home opens on a giant log floating through space, making a wide variety of strange noises. We get a nice long series of shots and amazingly nerdy dialogue to establish that it is sucking up electricity left and right. This wouldn't be so bad, except that our loyal, hardworking Starfleet scientists determine that the giant space long is headed... wait for it... directly for Earth. Uh-Oh!

Unfortuately for Earth, our valiant heroes are on Vulcan, plugging Spock brain back into his head and maiking sure it all works right. Turns out - it does. So they're all ready to fly back home, in a stolen Klingon ship no less, and everyone's a bit nervous about being shot down. Fortunately, they have a cloaking device. Advantage: Heroes. Shatner and Compmany arrive at Earth, only to find out that the Giant Space Log is causing storms, shutting down electronic devices, and wreaking all sorts of other miscellaneous havoc. Spcok in his infonite wosdom figures out that the Weep... woop sounds are actuall whale calls, and the Giant Space Log is out hunting for long-exticnt whales. The only logical answer: Our heores must fly around the sun so fast they travel back in time, and then pick up some whales, and then bring them back. Aaaaaaand that's the plot of the movie.

This was my favorite Star Trek movie for a long time. Then, I realized what actually makes a good movie, and I haven't watched this one in years. The focus of this installment is on the comic relief - the franchise just got done with two intense movies, one of them boring as hell, and so they needed a break so to speak. Apparently, what Paramount calls "taking a break" the rest of the world calls "A Jerry Bruckheimer film with fewer explosions." The Voyage Home isn't boring like it's predecessor, nor is it as unabashedly horrible as its successor. It has a lot going for it, and it's an incredibly fun movie the first few times around. But when you get right down to it, The Voyage Home really isn't as good as it wants you to think it is.

The major problem with The Search For Spock was the lack of the titular character, and he's back in the sequel. That alone is enough to skyrocket this flim ahead of the previous iteration. Not only is he back, but he's not quite at home in his own head yet, and he's in the 80's. His failed attempts at sewaring, dealing with punk rockers, and trying not to seem like a burned out cokehead are fun to watch, and they add a lot to the film in terms of contribution to character development and interaction. Leonard Nimoy executes the role perfectly (although that might be because he doesn't have to actually act all that much), and his performance really holds a lot of the movie up. In a rare change, Shatner often acts as Spock's "sidekick," trying to persuade him to "go with the flow" and not act so weird, but in the end it is the latter who manages to make everything happen.

The movie makes attempts at giving the other characters expanded roles, but most of them fall flat and are pretty boring compared to the misadventures of our two champions. The only real worthwhile bit out of all their subplots is a brief scene where Chekov, the Russian, is asking a cop for directions to the Naval base and the "Nuclear Wessels." Even then, it took me years to really "get" the Cold War humor in this scene, and I guarantee the joke won't age well. Another semi-funny scene involves the famous engineer Scotty having trouble with a computer that won't accept voice commands; but again, with all our advances in technology, it becomes less and less unreasonable an assumption.

Fortunately, the production quality is far above that of the previous movie, and all of the sounds and visual effects are reasonably well-done. Some effects didn't outlive 1986, such as a garabge can crushed under the weight of an invisible ship using stop-motion fliming. However, this stands as a rare exception to the rule, and the rest of the film leaves little to complain about.

The real problem with The Voyage Home comes not from the production or - for the most part - the acting. Rather, it's the setting that really removes this movie not only from the expectations of fans, but the core of what the rest of the series is all about. When you get right down to it, Star Trek IV is just about a bunch of clueless space nerds walking arouns San Fransisco. There are no aliens, no space battles, or any of the other elements that have become the mainstay of this franchise. In this, The Voayge Home attempts to be the "new" Star Trek, but the result is that fans feel alienated, like the film they just saw wasn't really Star Trek at all; at best, it's a well-produced Back to the Future rip-off. The fact that it's different can't make this movie stand. A lot of people who think they sound insightful say that "The more things change, the more they stay the same," but in this case it's not so much a law of nature as a balance that the producers have to strike. If they stick to closely to the formula, the movie feels "done," and no one is interested in it. At the same time, though, if they change it too much then it will feel completely different, and viewers will forget what they're watching. As a result, they'll feel confused about where the franchise is headed, and maybe even cheated in that they didn't get the "Star Trek experience" out of their movie. With The Voyage Home, the powers that be erred to far in favor of change, and the movie suffers greatly as a result.

The Verdict: Three Alps (AAA). Not the worst, but far from the best.

Best Quote: "We're looking for the Nuclear Wessels. Do you know where they are? Nuclear... Wessels! Can you help us?"

Sunday, December 12, 2004

Review Numero Cien y Dos: Star Trek III - The Search For Spock

So at the end of the last movie, Spock died and it was really sad. Shatner cried, and then he gave a speech, and then his face twitched. Spock's Torpedo-Coffin landed on the new planet. I smell a sequel.

As it turns out, Vulcans don't really have to die as long as they pass on their soul to a temporary host while the body is restored to life. It seems that Spock chose good ol' Dr. McCoy, who is going insane and can't figure out why. But Sarek drops by and explains everything - that they have to get a ship, fly to a forbidden planet, retrieve Spock's body, and fly it to Vulcan to be rejoined with his soul.

Oh, and there are a bunch of Klingons who want to kill Kirk on the way.

And that's the plot for Star Trek III: The Search for Spock, which is really not as interesting as it sounds. This movie does feature some neat pieces like the introduction of Earth's gian orbiting space station, a great Enterprise-stealing sequence, and Kirk's actual destruction of the Enterprise by way of the auto-destruct system (this is not the first time he loses a ship, nor will it be the last). However, everything falls apart in the pacing of the story, the actual content of said story, and a lot of other mitigating factors that combine to make this a less-than-worthy sequel to the phenomela Wrath of Khan.

Being that Spock is technically dead, he doesn't appear much at all in the movie and only has about three lines of dialoge, all but one of which are lifted from the prequel. The severe lack of Spock is a huge liability to this movie. Spock is the variable that balances the equation, the foil to all those crazy humans and the straight man to all those comedians out there. Removing him from this movie ruins it. The entourage doesn't work without any one of its key members. Take away Shanter or McCoy and the same thing would happen - nothing would work, because without everyone the entire group is useless. Even Uhura - who spends 98% of her time trying to blend in with her chair - is absolutely essnetial to making the entire thing work. It's like Ocean's Eleven without Brad Pitt, or Fight Club without, uh, Brad Pitt. Nothing works like it used to, and the movie fails because of it.

One of the greatest flaws of this movie, however, has little to do with the writing or acting. All of the Star Trek movies were made in the 80's, but all of them aged remarkably well - except for this one. Star Trek III is replete with flaws. From goofy sound effects when a ship breaks down to set pieces visibly moving on wires and strings, a lot of bad elements come together to make the movie look and feel entirely artificial. The production quality is what you would expect from an installment of the TV series, and even then it would be one of the bad episodes. Evidently they gave set designer Matt Jeffries the year off. With that said, though, some of the visual effects are fairly well-done. Computer-Generated sequences remain ahead of their time (a mainstay of the series since the first film), and the graphic artists prove capable of rendering massive, sweeping shots of scenes that just a few years previously audiences could not have begun to imagine. That, at least, is something the movie has going for it, but unfortunately the dazzling effects serve only to soften the blow of an otherwise visually painful movie.

The acting in The Search for Spock is nothing to write home about, but it at least hits par when compared to the other movies. This particular film is all about Kirk as he endures several trials and tribulations, and while Shatner is acting his ass off, a lot of the lesser players are reduced to barely-audible scenery in order to accomodate the chosen star. Shatner, for his part, is not terrible. There is one line, while he's verbally reciting a code, that is the single worst case of his famed cadence that I have ever found. He literally spits out a sequence of numbers one word at a time, leaving several seconds of dead air between each. It's enough to make the viewer feel awkward for him, and one has to wonder what it would have been like to see him on set perfoming this scene, with no soundtrack to fill in the gaps and all eyes on the actors. The worst part of the shot is the expression on his face - looking into the distance with this strange grimace on his face, which you know is supposed to say "intensity," but actually looks something more like "apatheitc bewilderment." I mean seriously - this is a terrible scene.

While you can hardly discredit the entire movie because of one Shatner, it can't be shielded from its own flaws and weaknesses, and this particular film has many. All in all, The Search For Spock is like Gene Roddenberry and Ben Stein's bipolar love child, wildly alternating between excitement and total, overwhelming boredom.

The Verdict: Two Alps (AA).

Best Quote: "Zero!... Zero!... Zero!... Destruct!... Zero!"

Saturday, December 11, 2004

Review Numero Cien y Uno: Star Trek II - The Wrath of Khan

"Khaaaaaaaannn!"

Welcome to the (second) best Star Trek movie ever.

Our story picks up with a scene strange to most loyal fans - a young Vulcan woman is commanding the crew of the Enterprise on a mission past the neutral zone, when the ship recieves a distress call from a nearby vessel. The mysterious Captain elects to break treaty and investigate, but thay're caught by Klingons and soundly defeated in a one-sided battle. Only three minutes into the movie, and everyone is already dead.

Then the wall opens up to reveal that it was all just a simulation at the Academy, with everyone's favoirte Admiral Kirk overseeing the activites.

Meanwhile, in outer space...

A ship on an exploratory science missions stumbles across the survivors of the S.S. Botany Bay and Khan, who in an episode of the TV Series had been one of many genetically engineered "supermen" discovered floating in space. He was revived by Kirk and promptly tried to kill him and steal his ship. As a consequence, Kirk left him and his people on the planet, "Buried aliiiiiiivvvvveeeee, buried aliiiiiivvvvveeeee!!!!!!!" Now Khan wants sweet, sweet revenge, so he steals the ship and heads to the nearest space station for some experiment-stealing excitement.

The rest of the movie deals with Kirk, who is dispatched to deal with Khan because his ship is... wait for it... the only one close enough, even though it's entirely staffed by trainees taking a proficiency exam. Kirk and Khan have some absolutely incredible scenes together, and they're about the best enemies ever devised. The thing about them is that Khan is a genius (bio-engineering), but lacks experience and style, which is about all Kirk has. When they face off, it's a match without comparison. It's compelling, even though you wouldn't think so. A lot of it has to do with the actors even though... well, Shatner, Kirk is actually pretty convincing this time around as the tired old sea dog who is called out for another bout. Ricardo Montalban reprises his role as Khan, and has not only the perfect nefarious accent but lends great pacing and tone to his evil monologues to his nemesis. He's as cunning and ruthless an evil genius as you could ask, and is a great asset to the film. As with most other Star Trek movies, everyone else is just sort of there - except Leonard Nimoy as Spock, who happens to be my favorite character. He's just so... logical, and he's funny without trying. In a role where he's specifically instructed not to show emotion, his character is one of the most empathetic and evoking I have ever seen. To summarize, Leonard Nimoy is a God.

None of this greatness could have come about without a fantastic sorty to draw it all out, and the story here is remarkable. Unlike that of the previous movie, which was good but a bit long and boring in parts, The Wrath of Khan manages to draw on everything that makes a good movie while still remaining true to the characters and their world. The background of the main plot is well-explained enough without having to go into great detail, making sure that new viewers can pick up on what is happening. Details are revealed well, and the story makes good use of exposition without requiring dull monologues or flashbacks - everything fits, which is a feat few modern movies can accomplish. Our hero's struggle against his vengeful counterpart is enough to pull the entire movie along, but what really makes it great is the ever-present science element. This time, it's a prototype device designed to create new, living planets from dead matter. The catch is that anything that existed in that space before will be destroyed, making it a paradoxically sinister weapon. The moral questions inherent in this twist are subtle enough to avoid preachiness, which is again something far to rare in movies.

It's hard for me to comment about music, but the score from this installment is excellent. It sounds, uh, good and stuff. I highly recommend it.

The Wrath of Khan is held by many fans to be the best of the bunch, and that's a hard claim to dispute. It has everything a good movie needs, and brings out the best in all the actors. At the very least, it makes great improvements on the first film, and actually managed to compete with Star Wars when it was released.

The Verdict: Five Alps (AAAAA).

Best Quote: "Khaaaaaaaaaaannnnnnn!"

Friday, December 10, 2004

Review Numero Cien: Star Trek - The Motion Picture

There are some Star Trek Movies that people hate, and some that they love, but there is just one that nobody thinks about at all until someone else brings it up. That one, the first movie, happens to be one of my favorites. A lot of people don't like The Motion Picture. They say it's too long, too boring, too much like a glorified episode of the series for anyone to really care. I disagree. To me, it represents some of the best things about the series, and while it may not be the greatest way to start off a six-movie orgy of Star Trek installments, it is definately a worthy member of that select group.

Star Trek - The Motion Picture picks up about two years after the original series, which I never actually watched. Pretty much everyone has been promoted, Kirk thinks he's the almight God of the Universe, and they're refitting the Enterprise for all-new wacky space adventures. Then a big giant cloud flies in from nowhere and blows it all straight to hell. The cloud, which has been flying through space vaporizing anything in its path is headed straight for Earth, which seems to be the popular vacation spot for malicious space objects. The Enterprise is the only ship within something something something (a recurring theme), and so they are dispatched to deal with this ship-eating cloud.

-BUT!-

Before they can take off, Kirk pulls rank on everyone he can find and declares himself Captain of the ship, because it just wouldn't be a movie without him. Off we go!

The rest of the movie is spent dealing with the mysteries of this alien entity, which they determine is actuall a probe, and it gathers information by vaporizing the subject of its studies and storing it in its memory banks. The crew picks up Spock on the way to the cloud, and he helps them get inside by performing a series of cool radio tricks to communicate amnesty toward the cloud. They fly inside, and then everyone drops acid. We get a montage of Magic Eye-esque cloud flybys, and a lot of other really freaky-ass stuff happens. Then, just like The Graduate, it all makes sense by the end.

I'll admit that I don't make it sould all too appealing at first, but it's not an easy thing to do. Critics of this movie are right when they say that it moves at a fairly glacial pace. Early in the movie we're treated to a long series of panoramic flyby shots of the new Enterprise which takes, I shit you not, about five minutes. After that, though, the movie gets good. Really good.

The hardest part about reviewing a movie like this is that I can barely say anything about the actual plot. Most of the fun of the movie is in watching them figure it all out, since the character interaction is not nearly up to the par it hits in the next movie. But watching the plot develop is a blast. Aside from 2001, I don't think I've ever seen a better-written science fiction plot, or one that advances so gracefully, moving from step to step in a logical order that is just on the verge of making sense, leaving you with that "what's going on?" feeling without losing (and subsequently boring) you. Everything in the story is perfectly done, and while it may not be Jerry Bruckheimer exciting, it sure is interesting.

The thing about the plot of this movie is that it brings out some of the best that Star Trek has to offer. At the core, the series has always been about a bunch of people in a ship exploring stuff that nobody knows about, and that's exactly what they do here. There are no edge-of-your seat battles or overwrought and unnecessary sex scenes. All this movie tries to be is a cerebral science movie, and it succeeds wildly as such. The high point of this movie is that is never tries to act like anything other than what it is, and it has no problem with being a nerd film. Besides, most of us like it that way.

Beware though of bad effects and overzealous sci-fi elements. If you're easily nerded out, this probably isn't the movie for you. The film tries very hard to be the same Star Trek that viewers of the series remember, and it suffers from the effort, because the Star Trek movies are an entirely different entity. Still, everything that everyone loves is still there, and they manage to throw a few nwe curves along the way.

All in all, the movie falls just on the good side of the 2.5-Alp line. It's not the best movie, but it is anything but bad. Acting is... well, Shatner, but the story is perfect, and everything you need for your nerd fest is in one box and ready to use at a moment's notice.

Verdict: Three Alps (AAA).

Best Quote: Chekov (Russian who looks like a Monkee) during a slow-motion sequence: "Tar-get-iiiiiiiiiiiiinnnnnnnnnnnnng As-ter-oid!" You have to actually hear it, but it's funny.

Tuesday, December 07, 2004

Review Numero Noventa y Nueve: Mean Girls

I cannot believe that I watched this movie. I started seeing previews for it, and my first thought was, "Wow, Lindsay Lohan is hot."

Then I started actually listening to what she was saying, and I realized that Mean Girls was going to be pretty stupid. It had almost nothing going for it - a high school comedy about girls being bitches to each other. Well, just give up the Oscar now. Even though Tina Fey wrote the movie - and Tina Fey is pretty funny - there was no possible way this movie could be good.

Well, it is my duty to report that I did in fact watch the movie (because I had no choice), and it was not as bad as I expected. However, it was still not very good.

Mean Girls is exactly what it sounds like. Lindsay Lohan plays Cady Heron, who was homeschooled by her anthropologist parents in Africa until she was sixteen, at which point she movied back to America and got to go to high school. The whole premise of the first half of the movie is that Cady is clueless about American teenage life, and doesn't fit in. Fortunately, a quasi-goth lesbian and a guy who is describes in jest as "almost too gay to function" explain everything to her, show her the ropes, and orient her regarding each of the social groups in the school.

This is where the rest of the plot jumps in. For some entirely forgettable reason, Cady decides to infiltrate the top layer of the social caste system, the "Plastics," and sabotage their popularity. During the course of her infiltration, Cady becomes accepted by said "Plastics," and soon becomes one of them. The conflict walks right up to the viewer, shakes your hand, bites your leg, kicks your ass, and then converts itself into an electric signal and is telegraphed onto the screen just to demonstrate the raw shallowness of this script.

And that's pretty much how the rest of the movie is. Everything is obvious and transparent. There are no surprises, no unexpected twists, and no unique or interesting characters. Everyone in Mean Girls is a stereotype, a cardboard cut-out of someone you knew. You have the cheerleaders, the jocks, the nerds, and the fat chicks who have no friends and eat their sorrows away. There is nobody in the middle, which is my most major complaint with every single high school movie I have ever seen. As Vanessa pointed out to me just today, not ten minutes befire I watched the second half of the movie, I don't really have an identity. I'm a nerd, but I don't want to be and I try to disassociate myself from them. All of my friends are in Debate, but I'm not in debate. I'm not a writer or an artist, and I'm anything but an athelete. I just sort of float around, spending my time with whomever's available. I'm not in one of these groups, and to tell the truth, neither are most of the pepople I know. We're all just sort of "here," and that's my biggest problem with high school movies, is that the relationship between social groups is much more complex than any writer would like to have you think. Mean Girls is no exception, and Fey is content to divide the world up into little boxes rather than recognising high school as more of a lava lamp - a bunch of freaky-ass stuff floating randomly in a confined space.

I do have to give the movie credit for having at least a few genuinely funny lines or bits, but all of them are dialogue-based rather than situation-based. Once again, everything is spoon-fed to the audience rather than allowing us to find the funny for ourselves, and again the movie takes major hits for that. It's sort of entertaining, but the entertainment is pretty shallow, and it doesn't take long for that quality to wear thin completely.

Mean Girls sounds unique in concept, but actually watching it reveals that it's just another generic high-school movie, which refuses to be honest about what high school is really like.

Final Verdict: Two Alps (AA).

Best Quote: "Wait, you're from Africa? Then why are you... white?"

Monday, November 29, 2004

Review Numero Noventa y Ocho: Half Life 2

Remeber a couple years ago when everyone saw the previews of The Matrix Reloaded, and we all talked about what a great movie it was going to be, and then it more or less sucked?

Half Life 2 is nothing like that.

A year and a half ago, developer Valve released a 30-minute proof of concept video to show off not only their amazing new graphics engine, but the awesome game they were developing. The idea was to sell everyone on Half Life 2, and it worked. We were all amazed by what they had in store for this game.

Well, it turns out we were right. It speaks volumes that I started playing this game literally expecting it to be the best ever, and by the end it had far surpassed my standards of what would have made it great. This is, by and large, the best game ever made. Period. You can talk about Halo, or Warcraft, or Whatever-the-hell, but Half Life 2 beats them all by far.

At the beginning of the game you see the mysterious G-Man from the end of the first game, who wakes you up and gives you a cryptic message about how your time has come again, and he has work for you to do. From the metaphysical place where you wake up, you're placed in a train car entering City 17, an eastern-European city which has fallen under the control of the Combine, who are running the place (and apparently, the whole world) like a military state. Some of the effects of this occupation become obvious as you pass through security gates manned by faceless, uniformed guards, who herd you into an interrogation room. There you recieve your first surprise of the game, which I won't ruin, but from there you wind up trying to escape to a safer area outside of the city. Eventually in the course of the game, you find yourself positioned as the leader of a revolution against the Combine, the the plot thickens as you become the hero of the desperate citizens of City 17.

The story alone is enough to hold Half Life 2 together, but the gameplay serves as the perfect suppliment to shoot the product over the top. One of the greatest gameplay factors is the physics system that the game uses. Literally everything in the game is controlled by the physics system, and you are given liberty to pick up, throw, push, or otherwise manipulate anything you can see. Objects have realistic behaviors based on their material (wood, plastic, etc), weight, size, shape, and any number of other factors. Additionally, many materials can be broken with applied force, and rather than throwning out gibs (random shapes designed to look like pieces of whatever you broke), the object itself breaks and flies apart.

However, all the physics in the game would be basically useless if not for the Gravity Gun. The Gravity Gun, otherwise known as the Zero-Point Energy Manipulator, is an innovative design in the game, and is more of a tool then a weapon. It allows you to pick up objects that would otherwise be too large or awkward to lift, and then by "firing" the gun, allows you to launch them into the distance. The possiblities with a tool like this are vitrually endless. Instead of wasting valuable weapon ammmo, you can use objects from the environment to take down your enemies. In one sequence that has the player facing almost endless waves of zombies, I managed to kill at least 30 of them by launching a radiator at them over and over. Explosive barrels are placed at convinent intervals for similar usage, as are saw blades that can be sent spinning at an enemy for a hasty decapitation. In a few areas, motors with helicopter rotors are placed in a room, and by crawling under the blade and activating the motor, you can sit there while the spinning rotor does all the work for you. And even that isn't the extent of it. Paint cans give off distinctive spaltters when thrown, ropes and wires behave naturally, glass breaks based on where you hit it, fires spread across burnable materials - everything fits together for the perfect experience.

But even with all this to take advantage of, don't be fooled into thinking that you're the only one who will use the physics system as a weapon. Enemies will frequently use objects to their advantage as well, whether they're targeting nearby explosive barrels instead of actuall shooting at you, throwing things at you if they have no other weapon, or knocking things over to create obstructions, the enemy is almost as smart as you are about using the environment. Not only that, but they change their attacks and defensive stratagies based on what they learn from you. If you manage to pick off one from a distance, the rest will start dodging your shots and hiding behind cover. They'll wait until you move out from cover and start advancing to make an attack. Supressing fire has an obvious effect, and they'll give up their own attack in favor of saving their own lives.

Hearing all this, one would natually assume that it takes a massive computer to run all of this effectively. The truth is, Half Life 2's Source Engine runs amazingly smoothly. My computer is far from top-of-the line, and even on mid-level graphical settings, the game ran perfectly (Well, except for a stuttering bug, which Valve has announced is a programming error rather than a graphical problem. Even this won't be a problem soon - a patch is coming out within a week). Everything is rendered in stunning detail, and all of the animations are spot-on. The characters are as close to actual simulated humans as you can get outside of a movie effects studio, and everything down to the glint in a character's eye - which is calculated based on the intensity and angle of the light in the room - is perfect. Source also features a uniqie lip-synching and facial animation software, which lets developers import pre-recorded sound, and the character will automatically speak the lines perfectly naturally.

It is impossible to say enough good things about Half Life 2. Everything is perfect, from the gameplay to the graphics, and everything that comes together to make it all work. I can say without hesitation that this is the single best game I have ever played, and it may be the best ever made.

Five Alps (AAAAA).

Best Quote: "Looks like your MIT education really pays for itself, pressing that button and all..."

Monday, October 25, 2004

Review Numero Noventa y Siete: Soylent Green

Even if you haven't seen the movie, everyone knows the ending of Soylent Green.

It's people. Aaaaahhhh!

It's also a stupid, stupid movie.

After a montage of industrialization, we are told that the movie takes place in New York City in 2022. The population is some absolutely huge number, and lots of people are poor and starving. Charleton Heston is Robert Thorn, a cop who somehow managed to score his own small apartment, where he lives with his bookkeeper, Saul. Thorn is assigned to investingate the murder of some rich guy, who was on the board of the Soylent Corporation. Soylent, we are told, produces over half of the world's food supply in the form of small, nutrient-packed wafers of crap. They come in blue, red, yellow... and green.

I wanted this movie to be good. I really did. Even more than with Napoleon Dynamite, I wanted this movie to be good because if it had been better, it could have been the vehicle for what is actually a fascinating look at a possible future. Overpopulation, a nonexistant government, and desperation for food in any form are only some of the themes which are butchered to death in Soylent Green. There is just too much to like about the background, and too much to hate about the movie for this to have worked out. As good and interesting as the backstory is, there is nothing redeemable about this movie.

To start with, the acting is about as hammy and overwrought as you can get. Charleton Heston as Thorn is the only recognisable name in the entire cast, but he performs as badly as the rest, although this can be partially blamed on the writing. The Audio editing is consistently inconsistent, ranging from loud, fuzzy voices, to tracks with a lot of tape-hiss. The lighting, although it fits somewhat with the filmmaking on the times, is dark and unbalanced, and color filters are used seemingly at random. The whole thing feels very amateurish.

If you're looking for a mond-boggling reveal scene at the end when it is finally announced that "Soylent Green is people," don't hold your breath. The secret is first revealed about half an hour before the end of the movie, although it is just lips moving - we don't hear the actual words. From there we follow Thorn on a long,. wordless excursion through a Soylent Green factory where he makes the discovery. Then a lot of other stuff happens, and by the end you're more wondering where all this is leading than looking for the famous line. The sense of resolution to the plot is also somewhat lost, and takes on a 1984-esque feel, for those of you who know how that ends.

All in all, this is a stupid, terrible movie, and everyone knows how it ends.

Two Alps (AA). I really wanted this to be good.

Review Numero Noventa y Seis: Little Shop of Horrors

For a show that I didn't want to go to, this was really good.

Little Shop of Horrors started life as a Broadway play, then became a movie with Rick Moranis, and is now a play again. For someone who had never seen an actual Boradway play before, I found the movie to be over-the-top, excessively musical, and entirely stupid in its premise.

I should have known better. Rick Moranis ruins everything.

The play, when seen on stage, is excellent. The plot remains stupid, although it's a lot more charming when seen live. It follows Seymour, who works in a failing flower shop on Skid Row. Just when it appears that the shop is finally going under, Seymour creates a hybrid plant named Audrey II (after his co-worker and the object of his secret affections). Audrey II is a hit when they put it in the window. Everybody wants to see it, since it is such a strange and unusual plant. Unfortunately, this strange and unusual plant eats blood, and the bigger it gets, the more it wants.

Dumb premise, right? It made for a terrible movie. But there's something about the stage performance that makes you look past all that. First of all, there is nothing that matches the experience of seeing the actors perform it live. It's sort of strange, especially since the performances are all exactly spot-on. It is impossible the differentiate the acting from what you would see in an edited movie, since the whole thing is so flawless. Everything from the line reading to the coreography is right on the money, and that adds a lot of value to the entire show.

The sets amazed me, too. The entire two-hour musical took place on only three sets, one of which was actually just a backdrop that fell in front of the more detailed sets. The ease with which they changed locations and the way it was able to bend into the greater performance was inmpressive, and it also drew out one of the major differences between stage and cinema. In movies, we expect everything to be so flawless and perfectly cut, but in a show like this they are able to take those so-called flaws and make them part of the show.

The main attraction of Little Shop of Horrors is the plant itself, which gows to be larger than any of the actors by far. The plant is actually a puppet, a huge robotic boom controlled remotely and voiced by a James Earl Jones sound-alike, who gives amazing human realism to a robotic plant. The way the plant as a character is able to interact with the actors and become part of the environment as it grows and develops never ceases to astound.

As a final point of critique, the writing was excellent and all the singing was not nearly as annoying as I had expected. Maybe that's just one of those things you learn to accept, but I enjoyed the musical numbers just as well as the rest of the show. The songs were all cleverly written, and did a surprisingly good job of pushing the plot along when used in place of regular dialogue.

While the show was good overall, it was the mechanics of the whole thing and the absolutely flawless performances by the cast that really drew the show together and turned it from a necessary evil to a genuinely fun evening. I highly recommend Little Shop of Horrors. But not the movie. That was bad.

Verdict: Five Alps (AAAAA) for a good, fun show.

Sunday, October 10, 2004

Review Numero Noventa y Cinco: Napoleon Dynamite

A lot of people really loved Napoleon Dynamite It's been desicrbed as funny, quirky, amusing, hilarious, and a wide variety of other adjectives that really just mean the same thing. I can't say I didn't like it. It had that weird sort of Indie-film charm that disappears once big studios get involved. If it had been about pretty much anything else, or if I were anyone other than myself, I'm sure I would have loved this movie. But I found that given my expectations, this movie really wasn't as good as it should have been.

What? Don't you mean "could have been?" No, I meant what I said, and I'll get to that in a second. First, the necessary evil: I have to recap the plot.

The titular character (I love using that word) of Napoleon Dynamite is a geek of amazing proportions. He's a loner, who doesn't care how he looks, how he sounds, how he acts, or what anyone thinks of him. He likes playing tetherball by himself and drawing terrible pictures of fantastical animals. He hates people. The movie sees him forced into situations where he has to make a friend (a new experience for him, to be sure) and then test his own strength within that friednship by actually standing up for said friend.

The world of the film is bizzare to say the least. Set in a 1985 rural Idaho town, every character that everyone ever knew from high school appears, but they all speak with a slow, meticulous cadence. Napoleon's equally-geeky brother, Kip spends his days chatting on the internet (out of place for 1985, but taken for granted in the movie), and wishing he were a cage fighter. Rico, uncle of the two brothers, is a washed-up football player who shows up with several "sure-fire" plans for moeny, and whishing he could go back in time and change his fairly pathetic life. Other characters come and go, but all of the rest of the cast shares the same surreal, cardboard cut-out personality that adds to the dry humor of the entire experience.

All of the major performances are exceptionally well-done, for what it's worth. Jon Heder as the titular (Hee!) Napoleon is a realistic and believable geek, complete with the perfect line delivery and pacing, mannerisms, and geek-walk (very fast, arms straight to the sides) that we've all seen on someone. The writing for this character was amazing, with all the right misuse of "cool" words and phrases, false assumptions about life, and inserting geek terminology into everyday life. The entire movie is very believable, if not exceptionally odd.

And even though I've had nothing but good things to say so far, I still didn't like this movie.

Why?

It all comes back to what I said earlier: It wasn't as good as it should have been. Don't know what I mean by that? See The Day After Tomorrow.

I may have even enjoyed this movie if I had seen it alone instead if with an audience. But watching it in the theater not only made me realize that it was ultimately a false and unlikable movie, but it reminded me of specifically why I hate almost everyone I go to school with.

All throughout the movie, Napoleon is a nerd. He does not try to improve himself, he does not change. He begins the movie a nerd, and ends it still the same nerd. The only thing that chages is one persons perception of him. And from beginning to end, his nerdiness is a laughing point, the punchline of a joke. Look, Napoleon is drawing a magic animal. Look, he's being antisocial. It was only five minutes into the movie when I realized what was findamentally wrong with the film's assumptions. The scene: Napoleon gets on the school bus, walks to the back without talking to anyone, and sits down. Some kid asks him what he's going to do today. Napoleon responds in an annoyed, indignant tone, "I'll do whatever I want, GOSH!" and turns away.

And the entire audience laughed.

That is the exact moment when it hit me why I hated everyone within 200 feet of me, and why I hated the filmmakers for bringing this quality out in everyone. It's not the fact that they laughed at what was supposed to be a funny point in the movie. It was what they are laughing at. It occured to me that that annoyed dork, that loner who never talks to anyone, that huge nerd who ignores what's going on around him in favor of doing whatever he wants to do - that's me. They were all laughing at me. Sure, I don't take it to those sort of extremes. I can form a civilized answer, and I don't blow people off like that, but the same qualities are still there - I don't like people, and I would prefer that they mind their own damn business.

So that's why I spent the entire rest of the movie in utter contempt of everyone around me. At every point where we were supposed to laugh at Napoleon's nerdiness, very few of which were genuinely funny, I was much more compelled to cringe. As I thought about it more and more, I realized that every time we were alughing, we were laughing at aspects of Napoleon's personality that we had actually encouraged in him. The character of Napoleon and his real-life counterparts are the results of endless campaigns to reject the norm, break the mold, and be yourself. That's exactly what he was doing. He didn't care what other people thought of him, he just wanted to do his own thing. He didn't change by the end of the movie. Why change? He was happy with himself. But we weren't. o he became the subject of our riducule because he was different. And at the same time, looking out across the audience, how many "Abercrombie and Fitch" sweatshirts do you think I saw? How many tight-fitting short-sleeved t-shirts on girls and baggy, hooded sweatshirts on guys? How many Nike shoes walked in that door, how many Levi-clad asses sat down in those nasty-ass chairs? These people have the audacity to laugh at him? This movie has the audacity to poke fun at the only genuine human being they could find?

Shit, it's no wonder I'm so bitter.

Three Alps (AAA), almost entirely for style.

Sunday, September 19, 2004

Review Numero Noventa y Cuatro: The Punisher

It is possible to sum up this movie in about a sentence. But it deserves a heck of a lot more than that, because it's pretty awesome. The plot is pretty simple, so it's kind of difficult to do it justice on paper, but here goes. For those who have never read the comic book, the Punisher is a man named Frank Castle, who goes around in a trench coat and the famous skull shirt personally administering the death penalty to anyone stupid enough to commit a crime in his line of vision. This movie starts at the beginning, before he was crazy psycho, and explains how he got that way.

Frank Castle was an undercover agent for the government. He pretends to be selling weapons so the FBI can perform sting operations and nail black market arms dealers. Frank does one last mission before retiring, and performs admirably, but something goes wrong and the guy they're trying to catch gets killed. But Frank goes home, tells his kid that they don't have to move anymore, and he, his kid, and his wife head to the Bahamas or somewhere for a family reunion.

The kid that got killed in the undercover op is the son of all-around bade dude Howard Saint (played effectively by John Travolta). Anyway, Mrs. Saint decides that to punish Frank, his whole family should die, all 30 some odd or however many are at the family reunion, and after that, he should die, too. So a bunch of guys dressed in black and armed with assualt weapons show up at the family reunion and kill everyone, and Frank is seconds too late from stopping them from killing his wife and his son. The killers then shot Frank a bunch of times, and then put him in the middle of an explosion large enough to have killed Superman. Frank, of course, survives.

He goes back to the city, and decides that he will make everyone connected with the Saints pay for what happened. He buys a 70s car and spends hours fixing it up and making it bulletproof. Here you can tell they must have edited some stuff out of the movie, 'cause he spends forever working on the car and it lasts about 30 seconds when he actually uses it. But Frank lives in an apartment building with three societal misfits, and that makes for a few funny moments.

The rest of the movie is Frank's systematic hunting down of the Saints, and there are a few parts that are actually painful to watch, and I would have preferred that they had edited at least one scene out. The movie is made great, though, not only by all of the gritty action sequences, but by the acting (sort of) of Thomas Jane, who is playing Frank Castle in his first major lead role. Jane does a good job of playing a man pushed to the limits who has nothing else to live for.

Four Alps (AAAA) Too many good parts for anything less, too many parts it hurts to watch for any more.

Saturday, September 18, 2004

Review Numero Noventa y Tres: Sky Captain and the World of Tomorrow

OK... there are a couple of cool things about this movie. The first one being, of course, that none of it exists. That's right- they filmed it all on blue screen, so if the actors aren't actually holding something, it isn't actually there. And the computer generated backgrounds start out obviously, but become so seamless that you don't even notice that they are there. The opening sequence is great, a stereotypical 30s movie. The Hindenburg 3 docks with the Empire state building (since that is actually what the top of the Empire State building was designed for). Then some giant killer robots descend from the sky and start wreaking havoc on the city with their heat beam eyes. They wind up almost killing Polly Perkins, a slightly annoying reporter who has been researching the disappearance of some scientists. At the last moment, of course, she is saved by Sky Captain (whose real name is Joe, so Sky Captain is a great improvement). He swoops down from the sky in an old prop powered fighter plane that has enough gadgets to make even James Bond look stupid.

You then find out that Sky Captain is some kind of vigilante with his own army of aircraft, and his own Q, who goes around fighting evil. He and Polly Perkins also have a lot of emotional baggage: so she could get a story, she sabotaged his plane, and he wound up in a prison camp for 6 months. And he cheated on her with Angelina Jolie for 3 months while they were in Asia.

Anyway, they wind up working together to go after the guy who is both kidnapping scientists and sending out giant killer robots. At this point, huge mechanical birds with machine guns swoop from the sky and destroy Sky Captain's base, kidnapping Dex, who is to Sky Captain as Q is to James Bond. So Joe and Polly jump in a plane and head to Nepal hot on the trail of the bad guy, who has a name I can't spell. Once there, they almost get killed when some of the bad guy's henchmen come after them for two vials given to Polly by one of the dying scientists they were able to track down. She doesn't know what the vials do, only that if the bad guy gets them, to paraphrase "a countdown will begin and the world is screwed." Polly and Joe now head to an uncharted island, guided by the staff of a guy who looks like Yoda thanks to experiments carried out on him by the bad guy.

But they run out of fuel part way there. They don't crash, though, because they are met by Angelina Jolie, who commands this secret fleet of British flying airstrips (think an aircraft carrier that flies). So they get on the island, which is populated by all these amazing creatures that the bad guy has engineered. And they discover that the evil plan is this: basically, the bad guy is fed up with how stupid and evil humans are. So he is creating an ark- a huge rocket ship loaded with two of every creature, including the 2 vials, which contain cells for a perfectly engineered "Adam and Eve." When the rocket hits 100 km, it burns all of the planet's atmosphere, killing everything on earth, then lands to repopulate it. This will be his "World of Tomorrow" (get it? Sky Captain and the World of Tomorrow. I knew you'd get it... ) Along the way, though, Joe and Polly get a shock: the bad guy is actually dead, and his plan is only continued because of his robots, which were programmed years ago and don't know better. Joe and Polly then save the world. If you want to know how... see the movie. It's worth it just for the computer animations. And for some ongoing jokes throughout the movie that I didn't go into.

Four Alps (AAAA) Not perfect, but pretty darn good.

Sunday, September 12, 2004

Review Numero Noventa y Dos y Media: Hero

Lemming Reviewed previously, and he absulotely slammed Hero. I wasn't planning on reviewing it at least until I watch it again, but hell if I'm going to let Lemming trash a movie I liked on my blog. So here goes nothing.

Lemming summed up the plot pretty well, but here is my own brief synopsis: The titular Hero, called "Nameless" due to his lack of name, is being escorted to the Emperor's throne at the beginning of the film. After a lot of ceremonial Chinese Emeperor stuff, he is allowed an audience with the Emperor to tell the story of how he killed the three most dangerous assassins in all of China. Nameless tells the story, accompanied by cool martial arts stunt work, but the Emperor realized that something is amiss, and the story goes through several iterations before Nameless finally confesses the true events.

One of the coolest things about this movie is that it is a fictional depiction of actual events. The entire film is a part of Chinese history, but the filming of it allows it to take on more fantastical elements, such as gravity-defying matrial arts. Lemming complained about these elements, but it should be noted that this is not an American film (nor is there a word of English spoken throughout), and those type of effects are a staple of Asian cinema, especially Kung Fu movies. These sort of effects would be failry annoying if they were just thrown in at random, but in a movie like this where they're really intended to hold the fight scenes together, the leaps and flips are much more choreographed - it's more like ballet than battle, and the end result is that the scenes are much more interesting to watch.

However, that is not the film's strength. The entire movie really boils town to a big-budget art film, and the use of imagery and unconventional shots is absolutely fantastic. One of the most promonent examples of this is the way the lighting and colors change from one version of the story to the next. The first iteration uses red costumes and sets, representative of "Imagination" in Chinese mythology - and indeed, the first story is a fabrication by the Hero, intended to decieve the Emperor. The next uses the color blue, or "Percieved Reality," and corresponds to the story that the Emperor comes up with. It is closer to the truth, but still based on assumptions. The final version uses white, or "Truth," and is the full disclosure of actual events. The ending scenes use green, or "Enlightnment," and detail the story of why one of the assassins has had a change of heart. Even though I did not know these correlations when I first saw the movie, the use of different colors in different versions of the hero's tale was impressive enough simply as an innovative storytelling device.

Even with these strengths, the best parts about Hero are not graphic. The underlying story and the conflict of the assassin-turned-patriot is well concieved and well written, and the film does a remarkable job of binding the story and people to the forces that help to shape Chinese history. What we get in the end is a story that could be just as easily applied to any people at any point in history. It's like the ending to The Grapes of Wrath: Wherever there is a conflict of interest between the ruler and the ruled, this story will be there in one form or another, and that is one of the most remarkable things about this movie; that despite its focus on Chinese history, it has an inescapable universality that manages to touch every nation that hears the story. One of the most important things about fiction is that it is able to address its entire audience on the same level and relate to them the same message, regardless of their actual experience. Suffice it to say, Hero accomplishes this admirably, and the result is a movie relevant not only to Chinese history, but to the history of all mankind.

Five Alps (AAAAA). I've tried to be a bit more sparing with this rating, but come on. This is good stuff.

Wednesday, September 08, 2004

Review Numero Noventa y Dos: Hero

What to say about this movie? Xar says I'm uncultured because I didn't enjoy it as much as he did, but I've heard a rumor that Xar's a fool. So I'll offer my usuall objective review.

The movie starts out with Jet Li, named "Nameless", riding in a carriage across the desert. We gradually that he is bringing with him the blade of a spear and two swords.

In any case he arrives at the Emperor of Qin's (The ruler of a portion of China) palace. He is greeted by an endless amount (seriously) of courtiers, who thank him in unison for killing three assasins who were intent on killing the emperor.

He is then strip searched and enters the emperor's throne room.

He greets the emperor and is thanked for killing an assasin named "Sky" and is told to sit within 100 paces of the emperor. He does and recounts his tale of his fight with Sky.

At this point we come to the one of the primary reasons I didn't care for the movie. When they fight they fight like they did in Crouching Tiger, Hidden Dragon. I have never cared for the whole fly through the sky, with impossible movements. It always seemed to me kind of, well, dumb. I'm aware some liked it. I didn't. Let's move on.

He kills Sky and takes the blade of his spear. Actually the way he kills Sky is kind of cool, he jumps through the rain drops and the point of his sword cuts through them.

He then is told by them Emperor to advance with 50 paces. He does and recounts his story of fighting Flying Snow and Broken Sword. He describes how he studied Broken's calligraphy to understand his sword movements. I got pretty tired of how much they went over that. They must have brought that up at least 10 times.

So he's at some calligraphy school with Snow and Broken. Then the Qin army shows up. This scene is also cool. There's about 200,000 Qin soldier all advancing towards this city. They all stop and fire volley after volley of arrows. That part's cool.

Anyway, Nameless and Flying Snow run outside and start knocking arrows out of the air with a sword (Nameless) and clothes (Snow). Everybody else stays inside and works on calligraphy.

Later he meets with Snow and Sword in the library and tell them he will challenge one of them to a duel. He also tells them he knows Snow cheated on Sword with Sky. Sword is upset. Sword has sex with serving girl. Snow sees them. Sword yells at serving girl. Serving girl leaves. Sword yells at Snow. Snow stabs him through a wall. Sword collapses. Snow stares at ground. Snow continues to stare at ground. Snow stares at ground some more.

We seem to run into a theme that they stare at the ground a lot. It gets old.

Later, Snow is in some forrest full of trees with rapidly falling yellow petals. The serving girl shows up and challenges Snow. Snow stares at ground. Stares and ground and say she won't fight. She stares at the ground. Serving girl yells and Snow stares at the ground. Serving girl charges and there's a big long slow motion shot of her charging and Snow staring at the ground.

Snow knock her sword out of the way. They sort of fight, but Snow is never really showing a lot of enthusiasm. Eventually she does kill the serving girl.

Then Snow goes to the Qin camp and fights with Nameless. Their fight is pretty short and she get's stabbed and dies.

At this point of time the Emperor says Nameless is lying and he spins his own yarn about how Nameless convinces Sky, Sword, and Snow to let him kill them in order to meet with the emperor. It takes a long time and I've no incetive to write it out since its rather dull and involves staring at the ground a lot.

Then Nameless tells him the true story about what happened. Turns out none of them were killed by Nameless; he managed to stab them in between organs and they lived. He also explains how Sword came to understand why he shouldn't kill the emperor. He believed the emperor was the only way to unite the land. The emperor is astonished and give Nameless his sword to kill him saying he'd die happy knowing an assasin like Sword would understand his true motives.

Meanwhile, Sword and Snow duke it out because Snow disagrees with Sword regarding killing the emperor. They fight, but at one point Sword doesn't block her and says he didn't block in order to force her to realize that he was serious about not killing the emperor. She cries and asks him why he didn't block.

The emperor and Nameless continue to stand there, but know the emperor's court and palace guard have assembled and are ready to kill Nameless. Nameless jumps to the Emperor's throne, whispers into his ear, and jabs him with the butt of the sword and walks out.

The courtiers demand his death, even though he didn't kill the emperor. The emperor aquiesces and lets them. Nameless then gets shot through with a zillion arrows.

Then we see Snow on top of a mountain stab herself with the sword still in Sword. Movie ends.

Lots of staring at the ground, lots of annoying flying fight scenes, and too much STARING AT THE GROUND.

Good points: Cool locations, I don't know where they filmed it, or even if it was done in a studio, but those were good. Cool mass attacks by archers.

Bad Points: Lots of stuff.

Overall: Don't wast your money in the theater. If you feel you must watch it, rent it. With someone elses money.

Score: 2 out of 5 Alps (AA)

Sunday, August 22, 2004

Donnie Darko


Review Numero Noventa y Uno: Donnie Darko

This was one of those rare movies that ends, and you stare at the screen trying to figure out what you just watched. Maybe I should rephrase that... This was one of the rare movies where you actually have to think to understand it, and that's a good thing.

Without giving away the end of the movie, I can't really give a plot summary, because the whole movie revolves around an event involving an airplane engine crashing into a house. Because of a bizarre chain of events involving his sleepwalking and paranoid schizophrenia, Donnie is not home at the time. It is up to him to create a possible situation for the events to take place, in the form of a wormhole. He meets an imaginary friend named Frank, who appears in the form of a bizarre looking rabbit...

Thanks to the movie website and IMDB, as well as a second viewing, I now understand what the movie was about. I just can't exactly explain it. You'll just have to watch it and see for yourself. I hear the director's cut DVD has some helpful additions too. (What? Of course I didn't download it from the internet! That would be WRONG!)

Five Alps (AAAAA) This was one of the best movies I've ever seen.
Funny quote: "Why are you wearing that stupid bunny suit?" "Why are you wearing that stupid human suit?"

Wednesday, July 14, 2004

Review Numero Noventa: Spiderman 2

You know, when I think of exciting action stars, I think of Tobey Maguire. From Pleasantville to Seabuscuit, this guy has "it." He's intense, he's exciting to watch. It's almost as exhilirating as...

Matlock.

Or Diagnosis Murder of you're an old Dick van Dyke fan. The point of all this being that I'm pretty sure Tobey Maguire was enbalmed several years ago, and they just prop him up on the set whenever they need him to say a few lines. This would explain a great number of things, not the least of which is why he always has the hood on in action scenes. And granted, he's not as bad as Keanu Reeves (aka "The Oar"), but at least Keanu could strap into the wires and flail his limbs around. But poor Tobey has nothing, and he doesn't really bring to the role of Spiderman what one would expect.

Now granted, I have never read a single comic book in my entire life, so I am somewhat impared when it comes to judging How appropriate each actor is for his role. But really, Tobey Maguire as Spiderman? What, was Matt Damon busy the day the casting call went out? Or Ben Affleck? Where are these people when we need them?

But I digress.

Spiderman 2 starts out a few months after the events of the first movie. Since them, Peter Parker moved out and has no money, Peter's Aunt is quickly burning through what little money she has left, MJ is an aspiring actress following the dresma she outlined in the first film, that rich kid is still rich, and Peter's uncle is still dead. Then some fat foreign scientist gets assimilated by a machine of his own creation and turns evil. Some bad things happen to Peter, and he becomes depressed and wants to stop being Spiderman. MJ gets engaged to the latest Air Force guy to land on the moon, because in the idyllic world of Spiderman 2, we had the good sense not to stop going to the moon. Of course, if we were still going there, I guaratnee we'd be no more than five years away from landing on Mars right now. AHEMOVIE. All right.

Long story short, Spiderman has to save the world, and MJ too.

I have a lot of trouble saying that this movie is better than the first. I think Elvis summed it up pretty well when he sang, "A little less conversation, a little more action please." Please. The producers obviously didn't learn much from the dismal failure of The Hulk; the lesson being that when people go to a movie based on a comic book, most of them aren't there for the deep and involving story. That's why the two Matrix sequels were able to suck on a wide variety of levels and still outsell every other movie that year. We get hit with too much of the "I'm Peter Parker and my life sucks," too much of the "Hey Peter! I hate you now, and for petty reasons!" and too little of the "Ouch, you just kicked my ass!" "And don't you forget it, son."

But that's not the only thing that was bad.

Aside from Tobey Maguire's obvious suitability issues, I have somne major problems with Kirsten Dusnt. Specifically, I can't take her seriously ever since I saw Eternal Sunshine of the Spotless Mind. Not only did her character single-handedly ruin what was a great ending to that movie, but she was a total airhead throughout, and that really riuned the good image I had of her. Now all I see is a dork with terrible teeth, and that just needs to go. I guess it's fitting that her character is named Mary Jane.

I don't know who played Dr. Octopus, but he needs to put on a freaking shirt. If I wanted to see fat, hairy guys topless, I'd go... well, I'd go home and shoot myself, because that's just damn sick.

The set-up for a sequel is glaringly obvious, but we already knew that. I can't help but think that the third will be even worse.

The Verdict: Three Alps (AAA). "All this aggrivation ain't satisfactioning me. A little more bite, a little less bark, a little less fight, a little more spark. Close your mouth and open up your heart, and baby satisfy me!"

Friday, July 02, 2004

Review Numero Ochenta y Nueve: Saving Private Ryan

Yarr! War is hell!

And that's the whole movie.

Well, not really. There's a lot of stuff that happens between "Yarr" and "War". And if you want the extended edition, you can watch Band of Brothers, in which it happens ten times, and will take about 12 hours to watch.

Saving Private Ryan starts with one of the best War Scenes I have ever witnessed - Tom Hanks and his platoon are in a Higgins boat, which rolls up on Omaha beach and promptly gets wht living crap blasted out of it by German machine guns. So after the first three or four people in each column are shot within about five seconds, the rest of them wise up and jump out into the freezing water, where they continue to be shot at. They then swim to shore, only to discover that the incoming fore has not stopped, and the beach is being shelled by nearby artillery. So, they weave around the ship traps unil they find a safe place to sit and wait until they figure out just what the hell to do next.

The movie then proceeds in this fashion for another two hours.

Ann the shooting and destruction is intercut with scenes where the soldiers talk about home, and question the logic of their mission; namely, to locate and retrieve one Private James Ryan, whose three brothers were killed in action. Along the way they encouter the wrong James Ryan, some Allies who die, and some Germans who try to kill them. And it SUCKS, because war is HELL.

But to the film's credit, it's all really a lot better than I make it out to be. One scene in particular is very powerful: Our heroic squad approaches a German radar, protected by several MGs. They successfully assualt the positions, but one of their guys dies in the process. The rest of the scene is about ho they deal with the single remaining German, and it works particularly well to demonstrate that these guys have no idea whay they're fighting - they'd just like to get back home and away from it all.

Tom Hanks is great in this movie. Do I even need to say that? Of course he's great. The other guys are good too. Unfortuantely, they apparently weren't important enough to have characters with names, or at least not names that anyone will remember. Still, they all add something to the movie, especially the conflict between the new guy who's never seen any action and the rest of the jaded veterans. Mmmm... noob.

The Verdict: Five Alps (AAAAA). 'Sall good.

Review Numero Ochenta y Ocho: Apollo 13

Has anyone not seen this movie? Anyone? It's far from a "classic," but I don't think there's a single person anywhere who has not seen Apollo 13. Only one person in our histroy class hand't seen it. And then - she did.

The story is based on that of real life: Jim Lovell (Tom Hanks) is not going to the moon, Jim Lovell is going to the moon, Jim Lovell's crewmate blows up the ship, Jim Lovell and his crew come back to earth wihtout going to the moon. They get all angst-y on the way, and nobody on earth gets to sleep. What fun!

I love this movie. It's so great. I can't say enough good things about it. Well, maybe I can. Let's see:

1. Great acting, especailly on the part of The Tom. He's always good. But also by Kevin Bacon (Jack Swigert), who gets thrown into the mission three dasy before launch and is the sourse of most of the tension. He's great in his part, and plays the character's full range of emotions throughout the movie very well.

2. Great editing. Lots of cool effects shots with the launch, the explosion, and that sort of thing. The director makes excellent use of the few distinct objects in space to illustrate just exactly where the craft is in relation to everything else. This works greatly to the benefit of people who know nothing about spaceflight, and in most cases looks cool as an added bonus.

3. Great realism. This movie pulls no punches with the tech-talk behind all of the flight sequences and figuring out just what is wrong with the spacecraft and what to do about it. And amazingly, they're able to do it without alienating the 99% of the world's population, who have no idea what any of it means.

4. Great music. I love James Horner. He's the guy who did the Wrath of Khan soundtrack, and that's one of the greatest of all time. Once I actually found that CD in a store, but I bought the Jurassic Park soundtrack instead. Which isn't bad, but still. Stupid! Stupid! Stupid!

The entire package comes together as one kick-ass movie about the American space dream, and how the media makes everything evil by ignoring it until something bad happens.

The Verdict: Five Alps (AAAAA) for the non-classic Classic.

Tuesday, June 29, 2004

Review Numero Ochenta y Siete: The Road to Perdition

This looked like a really mediocre movie. And you know what? It's totally not.

The Road to Perdition is a great movie. And the title has two meanings, although one of them is stupid. The plot goes like this: Tom Hanks, whose character's name escapes me, is involved in organized crime in the 1930's under the leadership of some father-figure partiarch. Everything is going swell until Tom's son gets a little too curious and follows his daddy to work one night. He sees Tom kill a bunch of people, including a guy who almost leaked the secret to everyone. At first, it seems like everything is going to be okay, but then Tom's wife and other son are killed by a hitman, and the remaining two members of the Hanks family have to get the hell out of Dodge.

But that's only the half of it.

What follows is a story that combines Tom's need for revenge with a bunch of father-son bonding in the form of becoming partners in crime. Well, sort of. Son of Tom is only the driver, but it's the thought that counts. What Tom winds up demonstrating to his son is that the way of life he has chosen wasn't such a brilliant one, and that he doesn't want his son to make the same choices. At least, that's what most of the movie is about.

Although this is a fine and dandy moral-of-the-story, the entire movie is really pretty depressing. A bunch of bad guys die, but the kid is traumatized by it, and then some good guys die, and then some bad guys die, and then a whole lot of people die. While the message that he's trying to pass along is quite admirable, it's really tough to like Tom Hank's character because he has very fiew redeeming traits. He's a good father and... well, that's about it. He does a lot of shooting, even though he knows it's bad. He thinks it's for some higher cause, but it's sort of tough to see what that cause is when you're being blinded by all the muzzle flash.

Good movie? Sure. It's fun enough, I guess. It's always fun to seem Tom Hanks, although I wonder how long he spent cultivating neck fat for this movie. As a story about a father trying to save his son from a bad life, it works out well enough. As a story about a father trying to get his life back on track, it fails because the movie tries to present it all as the "right thing," when they should be going to an Ocean's Eleven effect, where you're rooting for the good guy, even though he does bad things. Evidently they skipped that part, because it's tough to lkie Tom's character in Perdition.

The Verdict: Four Alps (AAAA). It wasn't a bad movie, but not quite up to snuff.

Thursday, June 24, 2004

Reveiew Numero Ochenta y Sies: The Terminal

Unbelievably, this movie is based on a true story. I say unbelievably because I keep telling people this, and no one believes me. I can even point them to news articles on the subject, and they just say, "yeah, well. You can't believe everything you read." But then the soldiers write back fron Iraq saying "Don't believe ANYTHING you read," and we all panic when we hear reports that several ants were stomped in Fallujah. Figures.

MOVIE! Right. The true story is that there was this Iranian guy who was leaving his country because it sucks there, and he wound up in Charles DuGalle airport. There was something funny about his papers, like he didn't have any, or France had a redwood up their collective ass or something, but he couldn't go through into France, nor could he return to Iran. So, he lived there for literally years until someone figured the whole mess out, but by then he had been so psychologically affected that he didn't want to leave. So he stayed, and he's still there. All this happened twenty years ago. True story. Really.

The story of the moive is that Tom Hanks plays Viktor Navorsky, who arrives in New York from [Fictional Eastern European Country], the government of which was overthrown while he was in flight. He is informed by The Friendly Customs Official that he'll have to wait a day or two until the U.S. officially recognises the new government of [FEEC]. But it turns out that no one really cares, and Viktor has to stay for a long time. A bunch of mishaps occur because he's foreign and not used to the hustle of New York. It's all unfortunate. The real story here is how he becomes the hero of all of the immigrant workers at the airport.

All throughout the movie there are moments that make the audience cry out in sympathy of Viktor, ranging from his unfortunate dropping of a slatine-and-condiment sandwich to his several encounters with The Increasingly Unfriendly Customs Official. It's interesting to see how he innovates a living space for himself in one of the termainals which is closed for renovation, and how he finally manages to get free money and then food, and how he accidentally gets a job because it turns out he does great woodwork. All this happens under the nose of The Vindictive Customs Official, who first tries to trick him into leaving and getting arrested by some other agency, and then just turns to trying to get him to go away to [FEEC]. It's all very unfortuate, and we feel sorry for Viktor.

It's a great movie. Tom Hanks is a phenomonal actor, and his portrayal of Viktor is no exception. You'll laugh at all the right times, and most people will "aww" in pity at the right times. The entire thing is perfectly crafted and well-polished for that extra shine. Entertaning and insightful, I highly recommend this movie.

The Verdict: Five Alps (AAAAA). Funny thing include Viktor and his poor-but-improving grasp of English.

Tuesday, June 22, 2004

Review Numero Ochenta y Cinco: Dodgeball

A lot of people saw the previews for this movie and assumed that it would be either stupid or funny. Well, I'm glad to report to you that it was incredibly funny. You really can't go wrong with Ben Stiller in any scenario, and physical comedy is usually funny. Plus, the entire premise is laughable.

But don't get your hopes up too high - the movie is also incredibly stupid. Ben Stiller is only good for laugh-out-loud shotgun-blast-to-the-chest comedies, the movie relied heavily on physical humor, and the the entire premise was laughable.

Do you see where I'm going with this?

I'll come up front and say that I'm typically hard on comedies for several reasons, at least one of which unfailingly applies to every flim ever made in the genre. That is that all too often, all of the jokes are spent on the trailers and the movie doesn't really offer anything new. This is somewhat true of Dodgeball. Some of the lines that would normally be absolutely hilarious ("If you can dodge a wrench, you can dodge a ball.") have been seen on TV for weeks, and are therefore no longer all that funny. What I found most funny about this movie - and come to think of it, in all movies - were the more subtle jokes. A scene comes to mind in which Ben Stiller's character greets the hero with a suave, "Donde esta la biblioteca?" obviously having no idea that he just asked how to find the library. The sort of humor that this movie relies on, namely the blaring one-liners, insults, and Three Stooges-esque situations, become somewhat of a turn-off when used to the sort of extreme that Dodgeball exercises.

However, that's not to say that the movie was bad. Sure, the story is paper thin and the jokes ranged from loud to bland, but hey, the characters were likeable for the most part. And you know what? I really just don't have the energy to defend this film. It had some high points, there were some laughs, but for the most part it was as advertised - a bunch of cheap laughs as several teams of adults throw giant rubber balls at each others heads and genitals. The reason Monty Python was such a hit was that you had to pay at least some attention to tell what was going on and why it was funny. As for Dodgeball, you could fall asleep for a good half hour, and then wake up and immediately say, "HAHA! That guy just got hit! In the NADS!" And you'll probably be right.

The Verdict: Three Alps (AAA). Docked heavily for immaturity of the humor and severe lack of re-watchability.

Wednesday, June 09, 2004

Review Numero Ochenta y Cuatro: Harry Potter and the Prisoner of Azkaban

All right, so earlier I said that I like this film less and less the more I think about it. This is still true. Everything that the pre-release reviews said is ultimately valid - this installment in the series is darker, the writing is more mature, and the production is incredible. However, the previous two movies had one thing in common going for them - they were both extremely loyal to the source material. Of course, some allowances have to be given; since film is such a radically different media, not everything translates. Due to time restraints, less important elements have to be cut. And of course, the pattern with these books is that they get progressively longer as the series moves forward. So one might expect that as the films countiue on, fewer and fewer of the non-vital points will be included.

That said, The Powers That Be absolutely decimated this movie. This being my least favorite of the books, and having only read it once, I am at a loss for specific examples. But rest assured that none of the quirky background material or character development that occurs outside of the main plot will be present. Everything that made people love the atmosphere of the first two movies, from the bizzare Diagon Alley to the funny little candies, to the usually unfortunate encounters with the dreaded Professor Snape are gone, in favor of moving the plot along to get it all finished within 150 minutes. The end result is that not only is the movie rather uninviting to new viewers, but it expects you to simply accept the fact that you are in this world and bring your own memories of the entertaining filler material from the other two films; there is no time for anything new in this movie.

As for the main plot, even that is somewhat chopped due to the time constraints. Nearly all of the lead-in material is gone, and Sirius Black - the central antagonist for the greater part of the movie - becomes just some evil enigma rather than a feared and hardened criminal. The characters arrive at the school within no less than twenty minutes of the title screen, and once they arrive they are raced around the school trying to unravel a rather undeveloped plot. Since we lack the background to understand just what exactly is going on, it seems like they're having this adventure just for the hell of it, and everything culminates in an encounter that can only be called climactic because it comes at the end of the movie. Since the movie has done little up to this point to explain what's going on, these final scenes fail to make a whole lot of sense, especially where the relationship between the older characters come into play.

In addition to this, several subplots are started and then not followed through. One notable example is the plight of Hagrid and his Hippogriff, Buckbeak. The animal attacks Draco Malfoy, obnoxious antagonist, early on. What's supposed to happen is that his powerful and unscrupulous father blazes through several hearings to get the animal executed. This does finally happen in the movie, but without all the details. The animal attacks, and then an hour later we see Hagrid crying over the news that it's going to be killed, but nothing is tied together in that time in between. Another minor plot that is almost entirely abandoned is Hermione's magical mystery time machine, which winds up playing an important part in the main story. However, this again comes as something of a mystery to viewers because all of the hints of this little device's existence are glazed over: Oh, how did you get here? Did you see her arrive? And then we drop the subject.

Despite all the evidence I've given so far, this is not an especially bad movie. The production values are excellent, and this film is obviously... not perhaps more professionally produced, but rather produced with an older audience in mind. While the whole of the series is obviously targeted toward kids, despite the author's constant claims to the contrary, The Prisoner of Azkaban manages to keep them entertained while presenting a good show to its more mature audiences, leaving everyone feeling satisfied. Beyond that, the cinematography has improved immensely over the last two, as has the use of images and special effects - one particularly impressive shot occurs during a Quidditch match (another unfortunate omission from the majority of the film, considering that it does not appear at all in the following two books), where Harry flies high up into the clouds during a strom. Lightnigh strikes nearby, and a large shape of a dog is illuminated in the sky, an omen of death according to the flaky and bizzare resident psychic.

On a final production note, the music in this movie is infinently better than in the other two, because it finally starts to take itself seriously rather than the previous "what fun, we're going to magical castle!" tone. One of the requirements of a successful score for a movie is that people would willingly listen to it without the accompanying film, and I can say with confidence that the music here finally meets that criteria.

A lot of critics are complaining about the skill of the younger actors, but I really don't see that. Apart from the fact that Emma Watson (Hermione) shrieks when a simple "Whoa!" would do, my only major complaint is that Daniel Radcliffe (Harry) is mostly fugly and is almost as expressionless as Keanu Reeves; rather than a blank stare, he wears that stupid half-grin. Sometimes he furrows his brow. I used to hate Rupert Grint (Ron), but he's getting better. Michael Gambon is almost the perfect replacement for Richard Harris as Headmaster Dumbledore. Harris looked absolutely frail and sounded like he was prone to collapsing at any moment - which apparently, he was. Gambon has a stronger voice, a younger (or at least less old) face, and seems like the sort of powerful, wise character that he portrays. I think Ian McKellan would have been perfect, but nobody asked me.

On the whole, Preparation H feels good. Wait, what? Man, I really want to see Goldmember again. Let me try that again. On the whole, the movie itself is superior to the other two, but it disappointingly fails in its role as a loyal interpretation of the written work. With a lot of omissions punching huge holes in the clarity of the plot, the movie suffers greatly from the vast media gulf between litertature and film.

The Verdict: Three Alps (AAA). It would be perfect if it had been even thirty minutes longer. I can only wonder what they're going to do with the behemoth fifth book.

Tuesday, June 01, 2004

Review Numero Ochenta y Tres: The Day After Tomorrow

One of the big marketing hypes was that this movie was made by the producers of Independence Day. This is an asset to this film only because it beans that Jerry Bruckheimer did not produce it. Not that Jerry Bruckheimer is particularly bad, but really. Kangaroo Jack? CSI Miami? He has a lot to answer for.

If you live in America and do not know what this movie is about, you are Amish. Congratulations.

According to Popular Science, who interviewed some people who are smarter that most other people, the events depicted in this movie could actually happen. The only difference is, the time scale would be a lot slower. Meaning probably years instead of minutes. Whatever. That's not what bugs me about this movie at all. To be honest, it's a fairly solid disaster flick. What really makes it irritating is all of the small stuff they get wrong or just comse off as dumb and trust me, there is a lot.

As the movie begins, we zoom across arctic ice shelves to a little research station where they dig for ice cores to determined what happened a zillion years ago. Then, the ice breaks. This happens no less than two minutes into the movie. So the scientists freak out, and decide that they need to save the ice tubes because really, that's what's more important. So the lead scientist does an Indiana Jones jump acorss the ice to retrieve the tubes, and then jumps back across with the tubes in his hands. So I guess it's his own damn fault for falling into the crevace, because he couldn't throw them across and jump after them.

Petty, sure, but that's only the beginning.

The main character, whose name is Jack, has a boss who is actually Paul Schulze's clone. A bit of deduction reveals that this is subliminal advertising for 24, or at least it would be if Paul Schulze's character hadn't died a few weeks ago. He calls Jack over to check out the freaky weather, and Jack furrows his eyeebrows in a manner what would make Scott Bakula jealous. It's as if his eyebrows detatch themselves from his face and try to fling themselves off his body. Yow.

At some Global Warming confrence in New Dheli, Dick Cheney's clone starts griping about putting the environment over the economy, and really comes off as a huge ass. Haha! I get it! No, I like to think that Dick Cheney can at least pretend to be interested in things that he thinks are stupid, and then rip them apart later once the speaker is more emotionally invested. Anyway, some tweedy british professor is there, but he goes back to his lab in Scotland where they basically do nothing but watch soccer, drink scotch, and worry over the annyoing beeping bouys. It's great that they have the bouys programmed to beep obnoxiously when they reach certain levels of meteorological whatever. I don't know what we would do without that.

Jake Gluyenhaal, whose name I have just mangled, complains to his dad what his Calc teacher failed him for not showing his work. Both of them think this is unfair. Jake is all like, "But I can do them in my head!" and the dad (Jack, by the way) is all, "yeah, he's just failing you for being smarter than he is," and I'm all, "Hey! If you're so damn smart, then you probably know that even if you do them in your head, there is a process that your brain follows, which you should document, and furthermore math is one of those things where the process is just as important as the right answer. Having the right answer shows that you can solve one equation correctly, but having the right process proves to your teacher that you can do all of the equations correctly. What's more, if it turns out you are doing something wrong, it's a lot harder to fix if you're the only one who knows what you're doing. Take that, smart guy!"

I feel a lot better. Mmmm... gooood movie. Wha? Whoa! No. Not good. Still not good. The rest of the film is comprised of Jake being dumb, the black kid with glasses being a nerd, and Jack being heroic. It all sort of turns into "28 Days Later - On Ice, " especially when the wolves arrive. The worst part of this whole experience, though, was the audience. We had the dumbest audience ever. They laughed at all the one-liners, they "Aaah"-ed when the crippled kid appeared, and they stared in complacent ignorance of the irony of Americans illegally corssing the border into Mexico. Yarrgh... I hate people.

Three Alps (AAA). At the very least, it wasn't a horrible disaster film, but it wasn't good for much else. Also? The second movie I saw in as many days that featured a former Hobbit.

Review Numero Ochenta y Dos: Eternal Sunshine of the Spotless Mind

Okay, so get this: There is a movie, involving Jim Carrey. And he doesn't act like a jackass the whole time! I know! Isn't it great?

Maybe that isn't very fair, because I thoroughly enjoyed both The Truman Show and The Majestic. Great movies, but for some reason Carrey couldn't pull it off. He is a funny man, and he has a little trouble letting go of that. And when I say "a little trouble," I mean the sort of trouble William Shatner had coping with the fact that he would no longer be playing Captain Kirk. Just a little. Fortunately, Carrey seems to have picked this occasion to mellow out, and the movie is better for it.

And know that when I mention something like that before I actually recap the plot, it really is a big deal.

So, that plot then. Jim Carrey plays a guy who is unhappy in his relationship with a psycho girl, so they break up, and both of them are mad about it. So she goes and gets her memory of him erased. BURN! And then he finds out about it, and he wants to have it done, too. I'm really sort of glazing over what happened here, it's presented much better than all of that. So for the majority of the movie, we're seeing Jim Carrey living inside his own brain as his memory is erased. He is aware that this is happening, but he's really just along for the ride. However, about midway through, he has watched enough of his memories to decide that, you know what? He wants to keep them, for better or for worse. There's a whole lot of emotional stuff about it which is really very well done, but I'm hardly in the mood to recap all that today.

So what it really gets down to is that Jim Carrey's consciousness is running through his own brain, trying to save the memory of this girl that he's finding out he still has feelings for. It's very interesting, but that's not the best aspect of this movie. The cinematography here is great. No, really. You have never seen anything like this. The producers do an amazing job presenting what it would be like to be in your own brain as your memory is erased. It is incredible. Not only that, but most of the story of their relationship is told backward, from later memories to earlier memories. It does great things for the storytelling, because the movie ends where they are happiest - specifically, the day they met, and Jim Carrey talks about what he would have done differently and how he wishes he could go back. Did I mention that it's all a lot better that I'm making it sound?

There's also a pair of sub-plots: One where Elijah Wood falls in love with Jim's girlfriend after her memory gets erased, and another where Kirsten Dunst, an employee of this company, decides that it's evil. One of them is good, one is bad. Elijah's plot is good, because he is a tricksy little hobbit and uses Jim Carrey's moves to woo his old girlfriend, and it almost works. Hehe. That's actually a great idea. Elijah's only problem is that he spent three years of his life playing a hobbit who had a slightly homoerotic relationship with his gardener, and who eventually went insane. It's really hard to move on after something like that, because people look at you and say, "That's Frodo!" Again, think back to Shatner's dillema.

Kirsten Dunst's plot doesn't work because it's stupid, and sort of ruins the ending. I won't tell you how because it's... well, the ending, but just know that Kirsten Dunst ruined it. Plus - she needs braces. I hope those were fake teeth, because honestly. I don't know how someone who gets by almost exclusively on looks can survive with teeth like that.

Remeber Jim Carrey's personality problem, which I mentioned previously? One of his greatest assets in Eternal Sunshine is that he is able to actually take the backseat to the actress who plays his girlfriend, rather than try to be more noticable than everyone in sight. Actually, his character is sort of boring. It's the girlfriend who makes the relationship interesting. I guess this means that Jim Carrey is now actually an actor and not a guy who gets in front of a camera and makes a lot of noise and facial expressions.

The verdict: Five Alps (AAAAA). The plot was actually about average, but the cinematography really pust this film over the top. That's some great stuff.

Tuesday, May 25, 2004

Review Numero Ochenta y Uno: The Da Vinci Code
By Dan Brown

Remeber my comment that people are morons? It's true. Anyone who doesn't take absolutely everything they read with at least one grain of salt deserves to be shot. Period. Contest time: Who here realizes the irony of that statement? Anyway, although Dan Brown is obviously smarter than all of his readers combined, all that means is that he's smart enough to make stuff up and make it sound real. I do that all the time. That's why Q thinks I'm so good at debating. But now I'm done with this issue.

The Da Vinci Code follows Symbologist Robert Landgon in what quickly becomes an academic's version of 24. Langdon has made a career studying symbols in art, religion, and a wide variety of other things, and tonight he was scheduled to meet with the Curator of the Louvre, Jacques Sauniere. Oops! Sauniere turns up murdered in the museum, with his body in the shape of The Vetruvian Man, and cryptic writing all around him. What fun! Langdon shows up, answers some questions, and then Sauniere's granddaughter comes to tell him he's in gave danger. The following take place between 10:00 PM and 3:00 PM.

No, seriously, the events of this book take place within about a day. This should be your first clue that the plot of this book is essentially one of the most shallow contrivances known to man. Now, do not read me wrong. I did not say that the book was bad, nor uninteresting, nor did I deny that it is extremely intelligent and engaging. It is all of these things. However, the plot serves mainly as a vessel for a lot of speculation on religious lore, conspiacy theories, and some puzzle-solving. The really interesting thing about this book is then entire history of the puzzles they're trying to solve. The plot itself follows a rather predictable cycle:

1. Hmm... so here we are.
2. Exposition.
3. Wait a second... I think I figured something out.
4. Exposition.
5. OH SHIT! Something bad happened!
6. RUNNNN!!!
7. Repeat.

What really holds it all together is a series of never-ending cliffhangers that serve to cover for what is really a thin and ultimately somewhat annoying plot.

But that's not to say that it doesn't work.

Because I could not put this book down. Even though nothing of any substance actually happens, the stuff they talk about and think about is so compelling that you want to read on just to see what random piece of trivia they're going to pop out next. And it's good stuff, too - obviously well-researched, and the stuff that he makes up is realistic enough to be believable. Overall, that's what so admirable about this book. Dan Brown could BS his way out of a Nazi prison camp, or Congress, which is quite impressive. He has the facts to back up what you don't know isn't true, and that's where his strengths come in to play.

Also: The ending sucks. Not in that all of the facts fall apart, or everyone dies, or something stupid like that. It just sucks. First, it tricks you into thinking that it will be the most disappointing ending ever, and then absolutely everything that has happened in the entire book bottlenecks on *THE* last page. And even then, it's hardly the ending you want. See, if this guy Brown were smart and able to think at all like Arthur C. Clarke, this could have been two books, because he could have written all about the chaos that would follow a more satisfying ending. I'm afraid I can't go into more detail without giving away major plot points, but if you read it you'll know exactly what I mean.

The Verdict: Four Alps (AAAA). Docked one because, honestly, that plot.

Thursday, May 06, 2004


Review Numero Ochenta: Grand Theft Auto III

Today I was juggling just to make sure I still know how (I do), and i started thinking about how I'm almost done with this game and should write a review about it. Actually, the whole story makes a bit more sense than that. I had to move the box for "Call of Duty" to look for one of my hacky sacks, and "Call of Duty" is what I'm going to be playing once I finally get bored of GTA3. And then I started thinking about GTA. Now, five minutes later, I'm sitting here reviewing it.

The first thing I can really say about GTA3 is that if you're going to play any of these games, start with this one. I made the mistake of playing Vice City first, and that sort of ruined it for me. The intent was for Vice City to be "GTA3, only better!", but the way I did it, GTA3 was "Vice City, scaled down!" Of course, that doesn't mean that GTA3 was a bad game. On the contrary, once I got used to the new (which is to say, old) game, it was just as much fun as its predecessor (which is to say, it's successor). Probably the most unfortunate difference is that back in Vice, there were motorcycles, which kicks ass because they're hundreds of times more maneuverable than cars. No such luck here.

The main storyline of GTA3 - they've come a long way, what with a plot and all - centers around a three-way gang war between the Mafia, the Japanese "Yakuza," and the Colombian Cartels. There are a number of other gangs, such as Mexicans and Carribean Islanders, but it turns out they're not very important. Through an expository cutscene, you learn that your character was framed for a bank robbery - well actually, left as the only person to blame for the bank robbery you were involved in - by your girlfriend, who happens to be the head of the Colombian presence in beautiful Liberty City. But then someone busts someone else out of a police convoy by blowing it up, and you take your opportunity to escape yourself. You and your friend get work with the Mafia, and from there it all twists and turns through a rather convoluted storyline. But since there are Colombians it involves drugs, and for some reason the Yakuza don't want the Colombians to have the drugs, so you have to go and make sure they don't get any.

Uh-huh.

It would make more sense if you would just play the game. And besides, there's a lot more to it than that. Aside from the main story, the game offers several little mini-games to explore, including the infamous rampages, in which you have to whack a given number of gang members within a time limit. Or locating hidden packages around the city which give you special bonuses, or "Vigilante" and similar missions in emergency vehicles. Or you can just run around putting holes in skulls, but personally, that's where I draw the line between "Fun" and "Psycho."

What gives this game appeal is not the violence, wide array of weapons, or criminal element. All of these things help, but you could just as easily Play "Doom" and watch Court TV all day. What makes the game attractive is the depth of the environment that you're playing in. First of all, Liberty City is huge. All in all, I'd say about the size of downtown Portland, except with less traffic. Huge. The big-city environment is very successful becuase the developers obviously spent a lot of time studying the architecture and layout of cities like NYC and Chicago, and transplanted that into their game. The result is an incredible, larger-than-life city that one could easily imagine in the real world. The next contributing factor to the realism is Rockstar's AI design. From realistic traffic behavior to pedestrians reacting to what you do, to cops ruthlessly trying to take you out, the AI is amazing. Combat AI, not so much - they're still into the "hide under cover, pop up, shoot, repeat" routine, but the rest of the design is extraordinary.

And what would a car-based game be without radio stations? Unlike "Streets of Sim City," which made an admirable but ultimately jarring attempt, GTA features ten stations playing licensed tracks, intercut by bizzare DJ banter and hilarious commercials. One of the best things about this feature, though, is that the sound engine keeps running the tracks, even if you aren't listening to them. So if you get out of the car, run around for ten minutes and get back in, the radio station will be ten minutes along in the "broadcast." It's a small thing, but really impressive when you notice it.

When you get down to it, Rockstar is all about the small things. Do we need location-based damage models for the cars? No, but they look cool. Did they need to program one of the most realistic driving physics engines ever made and assign each and every car its own unique and lifelike variables. No. But I'm glad they did, because some of the stuff you can do is insane. And do I really need to be able to hop on top of a car and dire it around the city like a skateboard? No, but it's a lot of fun, and that's really what their job is, and Rockstar is one studio that never loses sight of that.

The Rating: Five Alps (AAAAA), one of the best games. Ever.

Sunday, April 18, 2004


Review Numero Setenta y Nueve: Walking Tall

Worst
Movie
Ever.

Let me rephrase: Worst half a movie. I'd like to steal some intellectual property from Maddox and go off on this poor excuse for a movie properly, but im not that creative. Still, here's what it was missing:

Plot. It needed a plot. The whole premise of the movie was a guy who returns home to finds his friends trying to kill him, so he stands up for his rights and eventually kills all his friends. The whole thing couldn't have been more shallow or predictable, which leads me to the next missing element:

Talent. Wow. The Rock is apparently a terrible actor, because I cared less for the characters in this movie than I did for the movie itself. The credits took about 30 seconds, there might have been 12 names. My only hope is that The Rock was forced to do this as community service, and the entire film was made by two guys working off a tight budget... something like $40 would be reasonable
Camera work. I've seen better focused and composed shots done by Corbin and Nate during video production. Enough said.

This movie wasted an hour of my life (yes, only an hour... it was really only half a movie in so many ways). It wasted a total of 30 dollars for our group of 5 people. Goose said it was good. I blame all this on him. This movie was so bad, that the other people in the theater didn't mind us talking.

Half an alp (a) for half a movie. Ding ding... there went the shitmobile.

Saturday, April 10, 2004

Review Numero Sesenta y Ocho: HBHS California Band Trip

Have you been to Disneyland? Most likely, but never like this.

First off - The Hotel: I know I should start with the plane, but I'd rather rant about the hotel. We stayed at the Anahiem Hilton, approximately a 30 minute walk from Disneyland. The walk was all right, but it was hell on the knees. The room I stayed in (along with Kym Francis, Jessica Peters and Samantha Lemen) had two beds, a tv, a hair dryer, and a broken ironing board. No fridge. I mean come on! It's the frickin HILTON! THEY CAN AFFORD TO PUT A $100 FRIDGE IN EVERY ROOM. My reasoning for this is that when I stayed at the Best Western (right across the street from Disneyland), my family and I had a normal room like the one Kym and I stayed in and it had a FRIDGE! Besides that, the place was great, even though a 20 oz soda cost $2, but meh! The rooms were nice, the entrance was amazing. The pool was tiny though. They really need to quit with the false advertising.

Second - The Chaperones: There were 7, other than Voakes and Mr. Brown, but even all of them couldn't keep Dominic and Kendall off of each other... Anyway... There was Gayle (Kyna's mom), Jesse Lord's dad, Debbie (Samantha's mom), Jeanne (an orchestra parent), Katie's mom (She looked kind of my mom. Just FYI), Steven Ness' mother, and someone else I can't remember. My assigned Chaperone was Gayle, though I mostly followed Debbie. Both were great, but Steven Ness' mom was another story. "Gung ho" band parents with "meh" students don't really work. That poor boy, is all I have to say. The other chaperones were great.

Third - The Competition: This was at some obscure community school thing that reminded most of us of the San Francisco place. It was really awesome when we performed, and we did fairly well. Our clinic onstage was all right. Then at 5 the Jazz band performed and we did okay. I irritated the clinic guy (who coincidentally had done our clinic with us in San Francisco. Kristi held onto her mouthpiece tightly) by falling off the piano bench when he tried to sit down with me (I never even allow my piano teacher to share a bench, I get up and let him play.) and then acting stupid when he asked questions. Our clinic went well though, and I think everyone enjoyed laughing at me. I sure did...

Fourth - Awards and Ceremony: Okay... so we didn't do as well as I would like you to believe. But in our division, band received a silver award 4th place (of four) which is better than the bronze award we received in San Fran. The orchestra received the only Bronze award of the night (which made me want to laugh), but the Jazz band received 1st place Silver award in our division!! The ceremony was fun and though we probably were the smallest band there, we made most of the noise. Pre ceremony we had Craig and Brian (our resident cheerleaders) lead us with everything they knew - Even "I'm a little teapot" ^^;. Then we screamed really loud at Voakes while sitting up in our balcony area (where they put us to try and shut us up) and just had so much fun. Course the group next to us had to be a group of Middle Schoolers with incredibly high pitched, whiny voices, so that got annoying as they cheered back. Then we started the wave... The humor from the stage was irritating and the performance was second rate. The end.

Fifth - Days in Disney: We had a workshop which told us that we suck, then Jazz band performed at the plaza gardens and we had fun. I even did a little head banging during Malachi's bass solo in Engine #9. We got to see the back of Disney, which, if Disneyland is the happiest place on earth, is the crappiest place on earth. Not really, but it's pretty ugly. They wouldn't let us take any pictures either, so I can't show it to you. The rest of the days belonged to us. Jessica and Kym decided that instead of doing rides, they wanted to get characters pictures and signatures. That got old for Sam and I quick, so we pretty much ditched them and walked off around Disneyland and California Adventure. We ended up doing California Screamin twice (right after a big dinner) and Sam did Grizzly River Run twice before that. In all I went on 5 rides.(California Screamin, Pirates, Indiana Jones, Splash Mountain, Winnie the Pooh) I could have done more if I were more DA like, but what can you do? I did Build a bear and made a cute bear with a hot name then afterwards I treated Cassie (and myself) to a Jamba Juice and we walked back to the hotel, where we met the other freshman girls who had their own bears (except for Katie who had a pink poodle in army clothes named God. It should also be noted she has a [live]minature poodle named Satan). That is the most fun I've had with those girls.

Sixth - Planes: Both times we flew 737s. The first plane ride sucked, the second one was all right. Too much turbulence on the first flight. The early morning flight was okay cause we got doughnut like things, but the afternoon one had nothing.

Seventh - UCLA: This campus rox. 'Nuff said. Check it out. It's so pretty and they have their own Krispee Kreme.

In all: Four Alps (AAAA) for the trip.
Two (AA) for Chaperones. Two for the hotel. Five for UCLA. Three for the Plane rides. Four for the days in Disneyland/Awards. Five for performances.

Wednesday, April 07, 2004


Review Numero Setenta y Siete: Cornell University

Before I review, here are some basic facts about Cornell University, located in Ithaca, NY:

College of Arts and Sciences

  • 990 Freshmen, 1100 Seniors

  • 25% of students Double Major
  • Major is declared between frosh orientation and end of sophomore year
  • AP credits count for graduation, not for major, use the AP tests to test out of intro level classes
  • Writing seminar classes emphasized as part of liberal arts
  • Honors programs available, writing is very important
  • All courses taught by faculty, only writing seminars taught by PhD students

    Admissions
  • Admissions Requirements fit with Skyview grad req's
  • 28% of Applicants are admitted
  • Roughly 30% admitted are early decision
  • Mid-range SAT 1450
  • Essay, written application portions essential
  • Need based financial aid, no merit scholarships

    Housing Tour
  • All Freshmen live in North Campus residence halls
  • Single, double, triple, and quad rooms available
  • Rooms have TV hookup, internet jacks, desks and beds
  • All you can eat buffet option for meals, also cafes and other restaraunts on campus
  • Rec rooms throughout residence halls for study, TV breaks
  • Most of campus is covered with wireless internet

    Music Department
  • All programs and classes open to non-majors
  • Less than 50 music majors, more than 10 faculty
  • Practice rooms, storage lockers in Lincoln Hall music building
  • Jazz bands, wind ensembles, marching bands, choirs...


    Yeah, I focused on a few specific areas. So sue me, it's a huge university. Everything seems good here! There are dozens of options for eating, even the dorms provide a bunch of choices for every meal, and the food is surprisingly good. The dorms are mostly new, everything seems mostly organized. While admission to Cornell is a bit difficult, and tuition is probably expensive, it's worth a try. Cornell is like a streamlined, Ivy League, UW... but probably better. Been a while since I've been to UW, so I'll wait and maybe do a comparison of them later.

    Despite all the advantages, there are two really big disadvantages. Cornell is a full day's plane travel away from Vancouver, involving at least two flights and a bus or train trip. Also, the weather is cold. When it's not cold, it's summer. Otherwise, expect some rain and snow, but a lot of cold. Hmm... average high in January / February : upper-20's.

    Four and a half Alps (AAAAa). It's not perfect, but its the closest thing I've found so far.


  • Review Numero Setenta y Seis: New York University

    Ahh, the college hunt. This is the first in a series of four reviews, possibly more if I get around to them later.

    NYU is in the Greenwitch Village area of Manhattan, near Washington Square Park. The first thing a visitor notices is that there is really no "campus," in the traditonal sense. The buildings are scattered among ten blocks or so, with additional buildings throughout the city. Most of the buildings require a NYU student ID to get in, because of the obvious security concerns faced by an urban college. While this ID system is good for safety, it makes it very difficult to really see inside many of the buildings.

    Tuition is very steep, coming in around $45,000 including room and board. Ouch. Cost of living in NYC is pretty insanely high, so I'm sure it doesn't stop there. SAT scores are usually in the 1400 range, and only 20-something percent of the applicants are admitted. Early decision is binding, and still doesn't help too much with admissions.

    Housing is nice, and it is available on campus all four years. Given the cost of an apartment in NYC, that's a really good thing. Dorm rooms are primarlily doubles, with a bathroom in each room. Most of the dorms were originally apartments or hotels, so they are pretty nice. All the buildings are new-ish and well maintained. The NYC location gives plenty of opportunities for social life and culture. The school itself has a pretty pansy mascot (the violet... meh... some people use the bobcat, short for the BOBst CATalog system in the library.) There is not football team, and I didn't see any of the athletic facilities.

    As for the colleges within the University, they mostly focused on business. There are great business, economic, and political opportunities in NYC. Musical opportunities are also present, many are available to non-majors. Unfortunately, the math, science, and engineering colleges seem to be lacking, or nonexistant, in the case of the engineering college. Internships and study abroad programs are available.

    All in all, Three Alps (AAA). The city is the biggest draw, but also a big drawback. The lack of open space, and the narrow selection of courses hurt the university overall.

    Tuesday, March 30, 2004


    Review Numero Setenta y Cinco: Castaway

    This is probably the first movie that made me realize that Tom Hanks is a really good actor. I mean, he was great in Forrest Gump, but I wasn't really paying attention or something. That aside, he was just amazing in this movie.

    Everyone who hasn't been under a rock for the last ten years knows the story: a FedEx quasi-executive is flying with a bunch of packages from Russia to California when they get into a storm and the plane goes down. Everybody does except Tom Hanks, who washes ashore with a bunch of packages, which for some reason he is reluctant to open for several weeks. So Tom builds shelter, Tom builds fire, Tom fails to catch fish with stick, Tom catches fish with net, Tom finds cave, Tom talks to volleyball. What's so great about it? They don't cut away from Tom. No scenes of planes searching and families crying and business covering up their flaws - it's all about survival, which is great because you can get wrapped up in the main storyline without being tossed from scene to scene. Peter Jackson could have taken a page from this book, stupid cutting away during battle sequences arsenfamr... murmurfer show him merf... nargen die.

    Aside from a good stroytelling format, the story itself is really great. I don't know how accurate it is, having never been stranded on a south pacific island, but it seemed pretty realistic to me and that's what counts. Not only that, but some truly heartwrenching scenes (or is that a contradiction? Heartwarming + gut-wrenching = heartwrenching? Whatever) make Tom's character seem plausible and give the audince a reason to care about what happens to him. Excellent story, great format, great actors.

    Five Andes (AAAAA), because all of this took place near South America.

    Best line: Tom, in the middle of the night, to no one in particular: "SHUT UUUUUPPPPP!"

    Monday, March 29, 2004


    Review Numero Setenta y Cuatro: Secondhand Lions

    I have no idea where to begin to describe this movie. It's a heartwarming family values tale about two old men who used to be thieves and adventurers in Africa, and they retell their story to their great-nephew, all while shooting at door-to-door salesmen, raising a lion in a cornfield, and getting in fights with street gangs. Can you begin to see the problem I'm having? The movie is set in the 1950's. Some kid, Walter, is being dropped off at the home of his two great uncles to spend the summer. Plot point #1: Nobody in the family knows much abou the two uncles except that they're insanely rich and try to hide it becuase how they got all the money is one of many big secrets. Plot point #2: The uncles, who live alone in rural Texas, do not know that Walter and his single mother are coming.

    So, Walter is dropped while his mother leaves for Court Recorder school, and his uncles are very eccentric. They tell him the tale of their adventures in Africa, and somehow it all relates to real life. It it a lot better than it sounds. A lot of really funny moments, a purposely corny adventure story and some truly random turns make up for the fact that deep down, this is a movie all about family vaules which are boring. The two uncles are excellent characters, although the kid is a little dry. The ending also left a lot to be desired, because it lapses into a present-day scene that really takes away from the feel of what the ending could have been. Not only that, but nothing useful happens. The kid returns, Eric Balfour phones in a performance as a Saudi oil tycoon, complete with horrible accent, and everyone whishes they had stood up five minutes ago. The end!

    Alps: Four (AAAA).

    Thursday, March 25, 2004


    Review Numero Setenta y Tres: The Perfect Score

    Despite all appearances, this was not a bad movie. Wait, let me explain. I did not say that the movie was not stupid, because it definately was that. However, unlike a certain work of Ashton Art, this movie managed to be stupid and funny at the same time.

    We start with a montage of the various major characters in the movie, including; The honest-hard working 3.5 student, his more slacker-like 2.7 friend, the 4.0 hottie, the "I don't care" 2.0 chick with the looks of a porn star, the black 1.5 basketball star, and the 0.0 stoner. Mmmm, generic high school. The montage is VO-ed by the stoner, but out of context his voice is the most agitating quasi-surfer drawl on the planet, and it gives the movie overtones of suck straight from the beginning. Fortunately, the overtones go away. Long story short, these kids want to steal the SAT and all of them have their own motives: The honest guy wants... to pass or something, I forgot his reason. The friend wants to go live with his girlfriend in college but doesn't have the grades, the 4.0 chick wants a perfect record but spaced the first time she took the SAT. The basketball star wants to have a college degree to fall back on if basketball doesn't work out and thinks the test is racist. The stoner doesn't stand a chance if he doesn't cheat. The porn star is in it for the fun. So, the stage is set.

    Surprisingly, this movie is fun. It contains all the elements of a generic teen movie and some of the basic spy comedy ingredients. The ending leaves something to be desired because they go all moral message on us, but overall it's a great flick. Genuinely funny lines, especially with the stoner, plus a few good situational comedy pieces make this at least a movie worth renting.

    Cumulative GPA: 3.0987821 Alps (AAA).

    Best Dialogue: "You look like you need a pimp."

    Wednesday, March 10, 2004


    Review Numero Setenta y Dos: The Passion of the Christ

    As we all know this has been the most controversial movie in recent memory. Well, in this case it seems a lot of people are upset over nothing.

    The movie portrays Christ's last 12 hours of life as well as his resurrection, briefly. Perhaps the most interesting fact of the movie was that it was done in the original languuages. This gave it a sort of being there/documentary feeling that was pretty cool. It also does a good job of visually showing what the gospels say. The acting is all decent, the locations and costumes were all good. The people all looked Jewish or Roman, they looked dirty and tired, none of the sets looked particularly clean. By that I mean, they looked like a 1st century Jerusalem not some sort of white washed modern recreation.

    The message of the movie was excellent, even a nonchristian who actually saw the movie could not disagree. Jesus was portrayed as compassionate and that he knew what was going to happen. So you got the idea that he was God, but you also could see that he was fully man. He was totally stressed out by what was coming, so much so that he sweated blood. You also knew when watching the movie what kind of suffering he went through in order to cleanse us. He was killed by man, abandoned by God, and then resurrected. All this to give us eternal life.

    Some would say this movie to violent. It was violent. And it was violent to a level that was sometimes excruciating to watch. Like when Christ is being scourged and the metal sticks in his sides and is then yanked out. Or when you are shown the nails going through his hands. It was hard to watch. But was it to much? No it wasn't. This is what he had to go through and if you actually want to see what happen you have to accept that. I'm not saying that everyone should see the movie, for some the violence may be to much. And I certainly wouldn't reccomend it for children under the age of 13. But anyone who has a problem really has a problem with the scriptures and what they relate.

    Also some would say the movie is antisemitic. Its not. I never felt the Jews were being portrayed in a way that was antisemitic. The Jews who wanted Christ killed were the the elite priests who worked up others through lies and false testimony in order to cause his death. So yes there were Jews that wanted Christ dead. But there were also Jews who didn't want him executed. As Jesus makes hiw way through the city carrying the cross, their are Jews crying and horrified the Jesus is going to be killed. That doesn't sound semitic.

    While I agree that antisemitism is real and Jews still suffer at the hands of others, and that they may have had valid concerns before the movie was released about it being antisemitic, after viewing it, those fears and concerns are no longer realistic. Those who still have a problem with the movie have a problem with what the bible teaches. They don't want it to be out there for a general audience to see, so they hide behind a smoke screen of anger and fear.

    The other problem I have with this is that it is presumed that Christians have oppressed the entire world since 1AD and are still trying to oppress those around them and that this film is an attempt to stir up hatred. While many have claimed to being acting for God and then using violence and force on those around them, that does not make them Christians. They want to be seen as such because they know that if they can proclaim themselves as doing God's work and a follower of Chirst that they can rationalize their crimes. But anyone who has ever read the bible knows that is the most inclusive faith in this world. No one is excluded because of race, nationality, political goals, or past sins. Christ taught forgivenes and then lived it by forgiving even those who killed him. Also I challenge anyone to find a faith more oppressed than the Christianity, the only socially acceptable religion to insult, degrade or deride in this country is Christianity. Anyone who stands up to that is labeled intolerant. Also look around the world, in the middle east Christians are killed daily, missionaries in Africa are killed for doing their work, in China Christians can be shot for merely owning a bible.

    I realize that was all sort of on a tangent. Oh well.

    Finally I encourage both believers and nonbelievers to see this movie. And certainly if you want to criticize it , see the movie before you do so, its only fair. I also encourage you to read this essay by Orson Scott Card.

    I'm not going to try to give the movie and Alps, its really in a class by itself and I don't think its really possible to grade it the same as another movie.


    Review Numero Setenta y Uno: Hansel, Mark

    Each school, each neighborhood, has their own Carrie. The one everyone loves to make fun of, the easy target, the religious fanatic. Ours is Mark Hansel.

    I would in no way say that Mark Hansel is Carrie, nor does he make me cry like I do about Carrie, but he is our Carrie - OR one could claim, he would be Carrie's mother. Mark Hansel is an interesting being, and is odd to observe. Being that if I stared at him for more than a moment he may begin to think that I'm interested in him, I cannot look directly at his face. He said that I could not believe my school textbook because the people had just wanted to sell their ideas. He questions every bit of Information given to him. And it confuses me because he does not question the religious information given to him. He claims to receive answers from God. This may be true, but S/He knows I am devoted to Him/Her and Him/Her alone, yet has never given me a verbal response. Instead God answers me in little ways that S/He knows make me feel good, happy and thrilled.

    To him, everything is bad - gum is Carcinogenic, milk causes/helps out osteoporosis, menstruation is a sin... oh wait that was Carrie's mother. But my point is clear. Everything that we do is wrong in his eyes and we are all going to Hell because of it. Are there any good points to him? Maybe, but he needs to listen to people and stop telling them they're wrong before he actually understands what they're saying before I'll look for them. He doesn't eat sugar, meat or anything. He argues with the teacher over trivial things,

    And as a final note to dispute Mark - You need to eat 10 times your body weight in aspartame in one day before it gets to dangerous levels. Somehow I don't think I could eat over 1000 pounds of aspartame. Aspartame is kind of like Asbestos. One fiber of asbestos is not going to kill you. It takes breathing it constantly - for years on end before it finally gets to a dangerous level.

    Mark Hansel recieves no Alps ONLY because I refuse to rate him.

    Monday, February 23, 2004


    Review Numero Setenta: Ragergy

    Focusing the RAGE! Where's a Howard Dean Yaaaahhhh when I need it. I love focusing my rage. I found the 1 little thing that makes me rage, RAGE DAMMIT YAAAAHHHHH and now I use it whenever I need adrenaline. In circuit training, if I'm getting tired. I just stop for a second, close my eyes, think about my rage thought for about 10-15 seconds, let out a yaaaaaahhhhhhhhhh and then I'm pumped and good to go. Just do it the yaaaahhhhh, let out a yaaaahhhhh. Howard Dean has the focused rage. He knows what I'm talking about. Yaaahhhhh! I can use the rage to get me on task and do my homework. I can use the rage to get my spirits up if I'm feeling blue. I can use the rage to stop those times when you just start acting like a retard. I can basically use the rage to make me a superior person. And you can too! The rage changes your mood, it shouldn't get you pissed, it should get you slightly mad but mostly pumped. When I sit and think about my rage thought, my heart starts beating faster, my breathing increases, I get pissed at myself and just YAAAAAAHHHHH!!!!!!

    I can't not YAAAAAAHHHH!!!!!! When I rage, it just comes out. That's how you know you're raging, when you can't help but let out that animal instinct in you. YAAAAHHHHH! Let it take over you, it's such an incredible feeling, it's addictive. I never feel more alive and motivated than when I rage. When I rage it gives me the energy and NERVE to do anything, lift weights, read books, do my laundry. It's nuts. YAAAAHHH! Ah I love that feeling. Just find that one little thing that curdles your blood, rips your guts, rips your mind, that really gets you going. That thought that just burns you to the CORE when you think about, then think about it. Let it take over you, fill you to the bring with RAGE ENERGY OR AS I LIKE TO CALL IT RAGERGY! THEN FOCUS THAT RAGERGY WITH A YAAAAAHHHH!!!! AND NOW YOU'RE RAGING!

    Try it, it's like cocaine, once you start you'll never stop without an intervention.

    YAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHH!!!

    RAGERGY GETS A LUCKY 7 ALPS(AAAAAAA) FOR BEING THE SHIZNITZ


    Review Numero Sesenta y Nueve: The Nora Ephron Duet Sleepless in Seattle and You've Got Mail

    Nora Ephron is the goddess of American style smilie faced happy sappy moppy sloppy chick flick movies. She was married to the director of a truly great movie, The Graduate, to whom she is now divorced. I can't think of anything else she's directed off the top of my head, but these 2 stand out.

    Both You've got Mail and Sleepless in Seattle star Tom Hanks and Meg Ryan. However different the plots seem on the surface, if you watch both movies you end up feeling like you've watched the same movie twice. They're both very charming, Sleepless a little more charming overall simply because of it's plot being more charming, however I find the characters and acting in You've got Mail to be more charming in it's own ways. There's no reason for Sleepless in Seattle to be in Seattle, it could be anywhere, however it was great press for our favorite northwest city along with Singles. You've got Mail takes place in New York and could take place nowhere else and was great press for the demon bastard child of the internet era, AOL, which back in 1998 was the epitome of the American herd mentality. You know from the start of both movies that Meg Ryan is going to end up with Tom Hanks so the joy is in the journey and who you meet along the way. These are the 2nd and 3rd movies with Tom and Meg, Joe Vs. the Volcano being numero uno. Another very amusing movie. The supporting casts are interesting, with Bill Pullman, Rosie O'Donald and the dude who plays Jack Bristo in Alias in Sleepless while You've got Mail has Dave Chappelle, Greg Kinnear and Steve Zahn. Personally I find Dave Chappelle and You've got Mail crew to be more amusing but the Sleepless has the best scene, with the weepy description of an Affair to remember from Tom Hanks' sister and following satire. I show it to you here

    Sam Baldwin: Well I'm not looking for a mail-order bride! I just want somebody I can have a decent conversation with over dinner. Without it falling down into weepy tears over some movie!
    Greg: She's, as you just saw, very emotional.
    Sam Baldwin: Although I cried at the end of "the Dirty Dozen."
    Greg: Who didn't?
    Sam Baldwin: Jim Brown was throwing these hand grenades down these airshafts. And Richard Jaeckel and Lee Marvin
    [Begins to cry]
    Sam Baldwin: were sitting on top of this armored personnel carrier, dressed up like Nazis...
    Greg: [Crying too] Stop, stop!
    Sam Baldwin: And Trini Lopez ...
    Greg: Yes, Trini Lopez!
    Sam Baldwin: He busted his neck while they were parachuting down behind the Nazi lines...
    Greg: Stop.
    Sam Baldwin: And Richard Jaeckel - at the beginning he had on this shiny helmet...
    Greg: [Crying harder] Please no more. Oh God! I loved that movie.

    Both movies are based on books or other art. Sleepless in Seattle is a play off of an Affair to Remember, which they make very clear in the movie. Cary Grant is 10X Tom Hanks superior though. You've got Mail is based off of the book 'shop around the corner' which again is made clear in the movie.

    The plots hold other interesting similarities below the surface. Basically love conquers all. For both movies. Fate manages to bring Annie and Sam together at the top of the empire state building. Even though Tom Hanks puts Meg Ryan out of business and they hate each other, he falls in love with her and makes her fall in love with him. Then we meet in the park and makeout and everyone's happy. There's no point to go over the plots, because that's the jist of the movies, not the endings. We know how they're going to end before we see them, if they didn't end like that, it'd be like getting ripped off. Anyway, whenever you're feeling down on love, pop one of these Nora Ephron badboys in the DVD and sit back. It's like Cecil B. Demil said "movies aren't about life, they're about what life should be".

    I rate like Roger Ebert, scoring movies based on whether they accomplish what they set out to do. Based on this scale both of these get 4 1/2 Alps (AAAAa)

    Sunday, February 22, 2004


    Review Numero Sesenta y Ocho: Sleepless in Seattle

    I can't decide if this was a good movie. I really can't. Maybe that's not a good way to start off a review, but I can't get past it. On one hand, it was an interesting concept, well-played characters, and some fairly funny moments. On the other, the motivations of some of the characters make no sense, a lot of the plot points are contrived, and the lead woman seems like a total flake by the end. It's a fun movie to watch, but let me explain all this.

    The movie begin with a view of a man and his son standing next to the grave of their wife and mother, respectively. The camera pans up to give a sweeping shot of downtown Chicago. The guy just lost his wife (duh) and is considering what to do with his life. He want to get away from life as it is now; uproot and move far away, where he can start over, with someone else if he wants to. So he puts his things and his son in a box and flies to Seattle. (Note: he does not actually put his son in a box. He stuffs him in an overhead bin.) Guy buys a houseboat, lives there, but the son is unhappy. He is unhappy because his dad is unhappy and restless. He tries to amend this on Christmas Eve night by calling a Dr. Laura-esque radio station where Dad can discuss his problems with losing his life. Since Dad cannot sleep at night, Dr. Faux Laura gives him the Ann Landers style name "Sleepless in Seattle".

    At the same time, some random woman who is engaged to a guy who has more allergies than Devin is driving along, listening to the show. She is captivated. And so, apparently, are about 13 billion other women. Thus, without ever meeting him, and having heard only about 30 minutes of this guy on the radio, Engaged Woman falls shamelessly in love with Sleepless Dad and thinks about calling off her engagement.

    See where the contrivance comes in? And the lack of logic? If this woman couldn't hold it together with her fiance because of a guy on a radio call-in shrink, she probably has more serious issues than just the fact that she lives in Pennsylvania or something. Did I mention that part? She lives on the east coast. Still, the good parts of the movie shine through the bizzare exterior. In the end, you fell like you've sort of been conned into liking this movie. It's a werid experience, and it's tough to tell what to think about this movie.

    Fortunately, I figured it out: Three Alps (AAA) For being a fun movie of ambiguous quality.

    Saturday, February 21, 2004


    Review Numero Sesenta y Siete: Dude, Where's My Car?

    I watched this on TV a couple weeks ago because it sounded funny. Think of the premise: Ashton Kutcher (funny) is a stupid (funny) stoner (funny), and so is his friend (probably funny). They are presumably looking for their car. I don't know how you could go wrong. By all means, this sounds like a funny movie. Anyone who has watched "That 70's Show" for any amount of time knows that Ashton Kutcher can play idiots really well. He is a funny idiot.

    This movie is not funny. It is stupid. It is - get this - too stupid to be funny. And as I have demonstrated, I have a lot of tolerance for stupid funny things. I'll say this again: This movie is too stupid to be funny. These two guys wake up having been completely baked the night before at a party that was apparently "totally awesome." But they're not sure, because they don't remember anything. What they do know: They have an entire kitchen full of pudding cups. They are pizza delivery guys who just take the pizzas home and eat them. Their car is gone. It is their one-year anniversary with a pair of twins who look nothing alike. And live together. Personally, if I had a twin, I would move away, live on the other coast and only call on his birthday. That would get so damn annoying. That aside, the guys realize that they are in deep shit. This is the only logical thought they have between them for the entire movie.

    The rest of the time is spent looking for their car, trying to avoid the topic of not having presents for their girlfriends (did I mention that the party had been at the twin's house, unannounced, and they guys had left it trashed?), and discovering that they possess some piece of whatever technology that a bunch of bubble-wrap-wearing alien conspiracy theorists want. Oh, and the aliens that the people theorize about. Long story short, they won the lifetime supply of pudding by sinking a hole in one at a minigolf course, the whatever technology is a Rubik's Cube that turns into a galactic transponder or something when solved, and we never find out where their car was.

    Do I need to say this again? This movie was too stupid to be funny. I do not know for the life of me, how this could have happened. All the classic funny elements appear: Stoners, space wackos, "funny" animals (llamas, ostriches, etc), guys getting in trouble with their girlfriends, making fun of french people, you name it. This movie should have been impossible to break. It is not physically possible that they ruined this moie. And yet they did. Hmm... well, to take a lesson from history: "Wow! The Matrix Revolutions looks like it's going to be great!" - Everyone, six months ago. I know I said it was good, but I've been rethinking that ever since.

    Verdict: One Alp (A). Sentence: Death. Long, slow, painful death.


    Review Numero Sesenta y Seis: Sharis

    I blame this on Xar, who repeatedly begs people to post reviews of anything. Here goes.

    Nothing like a trip to Sharis. Since its open 24 hours, it makes a great post-game stop at 10:00. They don't usually seem to mind large groups of high schoolers either, although I'm sure we're changing that quickly. (Hey... so the tip was $5 in change, a $1,000,000 bill, a dry erase marker, a subway mint, and half a sugar packet... at least they get the $5 in change!)

    Each Sharis has something different. The one by the mall has a broom closet complete with a shrine... spray painted cross with forks stuck into it. Definately something to talk about. The other one, out by 205 and Mill Plain, has waitresses who learn quickly. (After draining the first two mountain dews, she started bringing them out two at a time... thats another plus, free refills!)

    Four Alps (AAAA)... Prices are good, refills are free, and its one of few places I havent been kicked out of with band people, who can complain about that?

    Monday, February 16, 2004


    Review Numero Sesenta y Cinco: Carrie (Book and Movie, not the Miniseries)
    Guest Reviewer: Petra

    Everyone knows at least a bit of the story of Carrie. A girl gets covered in blood and starts killing all the students at school. But there is so much more its scary. The story of Carrie is one of Stephen King's best horror works, even if it doesn't make you afraid to sleep. More like afraid to never want to go to Prom.

    Carrie is a chunky girl (though in the movie she's stick thin) who is 16 and graduating from high school. However, about a week before prom, she gets her first menstrual period. Being that her mother never allowed her to go into health class or into a growth and development class, she thinks she's dying/bleeding to death. The other girls find this extremely funny and start throwing supplies at her, until Miss Desjardin comes in. Carrie is later sent home to tend to herself while the rest of the girls are sent to be disciplined. One of these girls is Sue Snell who comes up a way to make it up to Carrie. She sends her boyfriend to ask Carrie to the Prom. Tommy Ross does so and takes Carrie to the Prom, however, another girl, known as Chris Hargensen goes off with her own boyfriend to hurt Carrie. They make it so that she is voted Queen of the Prom, and then dump a bucket of pig blood on her. But what they don't know is that Carrie is telekinetic. When she is hurt emotionally by this, her powers take over her and she takes her revenge. Killing everyone who ever hurt her.

    It's a great story and the characters are mostly all believable. Even the mother. The mother is like Mark Hansel, except without the sweater and technology. Everything's a sin. Everyone's going to hell. She torments Carrie and when Carrie has "sinned" she's sent to her closet without another consideration. In the closet there's this big scary crucifix (not to insult Catholics or anything, but this crucifix and the Jesus that's on it is incredibly scary) that she has to pray to when she sins. In the end, Carrie stops her mother's heart, then leaves her house and kills Chris and her boyfriend then dies herself.

    Four Alps, cause five would be too much: AAAA. It was great and I'd recommend it to anyone.

    Wednesday, January 07, 2004


    Review Numero Sesenta y Cuatro: AeroContinente

    This is an obscure little airline in South America. Never heard of it? Lucky you.

    We start out in the terminal. They apparently haven't heard of lines, like every other airline, so they just kind of herd everyone up to the front in a massive blob. We go to the gate and get on the plane. It is old. Stairs-in-the-back 727 with engines that sound like... well, jet engines, but really loud ones. Someone is in our seats, but they dont speak English or Spanish, so we have to use something not unlike mime to get them to leave. The lady by the exit door couldn't even figure out how to work her own seatbelt, so I figure we're screwed in a crash landing.

    Shortly after takeoff, the flight attendent comes back and makes one of us move over so she can sit down in an aisle seat. By this time, the plane that started as a sauna is moving down to temperatures reminiscent of Souixon Creek. (For those of you who don't know what that feels like, try swimming in liquid ice.) Whenever people started to doze off, they turned on the lights and served "food" (completely inedible, not worth waking me up for.) Whenever we were getting awake, they turned off the lights. The flight attendants knew maybe 3 words of English, understandable for a South American airline, but I can't type the 3 words they used, although I realize there is nobody reading this to offend.

    One Small, deformed Alp (a) for a night of living hell. Thankfully, we didn't crash into that Alp.


    Review Numero Sesenta y Tres: Antarctica

    Wow. Makes you realize how much our continent really sucks, we need more penguins.

    Seriously, Antarctica was great. It wasn't very cold, usually in the 30's, and it was generally sunny. I realize it isnt always like this, but I also realize that I don't care! There may not be any real "civilization" there (three British guys stuck on an island without a boat in a hut without electricity or water who count penguins for a living is not civilization, neither is a collection of metal buildings from Chile) but that is just fine with me. It almost felt like an entirely different planet.

    After the initial shock, we realize there are millions of penguins. The first few days they are cool, if incredibly foul-smelling. How bad do they smell? Imagine a flower... now imagine a pool of warm bird crap baking in the sun... now imagine something that makes the pool of bird crap seem like a flower... yea, its that bad. Anyway, penguins are great. Stealing rocks, hitting eachother with their flippers, flying out of the water and rolling across the ice... what's not to like? Seals and whales are a good addition too.

    Antarctica. Very cool. Five Alps (AAAAA) for being somewhere that I'd actually like to go back to.

    Tuesday, January 06, 2004


    Review Numero Sesenta y Dos: Finding Nemo

    Yarr! Eeevill Capitalists: Part Two.

    Before I get a large volley of "why would you even think of watching that, I must tell you that I thought the same thing when the movie started. And you know what? I was pleasantly surprised. It's not a great movie, it's not one I would watch again unless someone else was going to and I had nothing better to do, and it's not one of my all-time favorites. But for the spawn of the most evil corporation known to man, it's a pretty good movie.

    It starts out with Disney's trademark dillemma: One of the parents gets whacked. And Devin, if you're taking notes, it was indeed the mother. So, mom dies, and out of all the billions of little fish eggs, only one is left. TaDa! We have Nemo, about five years later, who has a birth defect (tiny fin) and his dad is paranoid because of the shark attack that killed Mom. So Nemo goes to school with this annoying singing manta ray, and an octopus that looks like one of the Pac-Man monsters. Then he takes a dare and swims away from the reef where they all live happily. And nobody thinks this is especially dangerous, until he gets captured by divers and Dad has a coronary. So he decides to save Nemo, with no thought about how exactly he's going to accomplish this. Fortunately, he has the help of an angelfish with a short-term memory problem. No, seriously. So off they go.

    I have to give the producers about a billion points for creativity. As they proved in both "Toy Story" and "A Bug's Life" (yes, I saw both) they can make a living, realistic-enough society out of absolutely anything, and still retain the real-life aspects of whatever it is they're working with. They managed to make a completely natural, human society out of bloody fish, but they're still fish - nothing has changed about them except the way they're viewed in the movie (oh, and they can talk) and this stuido in particular excels at that sort of thing. Not only that, but while none of the jokes or rolling-on-the-floor hilarious, they are funny enough to warrant a few laughs every now and then, and they deserve extra credit for managing to target little kids but still keep the rest of the audience entertained.

    However, this movie does suffer from a popular issue these days, one the "The Last Samurai" also got docked for. That, of course being the "Yarr! Eeevill Capitalists" issue. This is played in two ways here: First, the role of man-made objects in the ocean, be they shipwrecks, pipelines, whatever. A WWII-era minefield is featured prominently as well, and is used as a scary, evil place throughout. Fortunately, they don't play up the destruction that the mines cause, but it's the basic principle that the movie is screaming "this stuff is BAAAD" at little kids with no discussion of the positive and negative aspects of protecting your waters, ports and ships in such a manner. I know, I know. I'm a nerd. Also is the presence of a fishing ship and associated drag net which is used as a major plot device - namely, that Nemo after being rescued is caught in one with a bunch of dumb-as-rocks Bass, and almost dies. EEEVILL CAPITALISTS! BAD! This can also be found when the diver grabs Nemo, leaving Dad in hysterics. What they fail to note, and thus what the small, impressionable peons fail to have impressed upon them, is that fish do not actually live in families, go to school, or talk to one another. In fact, the combined IQ of the entire ocean is less that the number of college guys you can stuff into a Volkswagen. So the kids are all sitting there crying their eyes out over the capture of one out of five hundred trillion clownfish in that one cubic mile of ocean. Get a grip on reality, idgets. Wake up and smell the caviar. The ocean is not running out of fish, no particular fish is any more special than the rest of them, and they are not even aware that they exist. Talk to Armstrong for more on animals with this particular issue.

    Speaking, though, of Bass that are as dumb as rocks, you never really think of different animals having distinct personalities, but that's another thing that these folks do so well. From the idiot Bass to not-quite-with-us crabs to the Kaleefornya surfer turtles and single track minded seagulls, each of the different animals has a personality that you know isn't true but wouldn't think to argue with because it fits so well. It's amazing how they do that.

    The Sentence: Four Alps (AAAA) for being an incredibly entertaining and creative remake of the PETA Charter.

    Saturday, January 03, 2004


    Review Numero Sesenta y Uno: Pretty Guardian Sailormoon
    Guest Reviewer: Petra

    If you don't know me, when I was in sixth grade a friend of mine and I were extremely in love with Sailor Moon and did everything that involved Sailor Moon. Well, 10 years after Sailor Moon came out in the US, Japan came out with a Live action version of Sailor Moon. Uh oh. That was my first thought and after looking at the pictures I had to agree. However, still holding a bit of attraction for Sailormoon, I dowloaded one of the episodes. It was an immediate attraction, but one of humor rather than love.

    The story follows the Manga. Usagi is a normal girl when she runs into a cat with a crescent moon on its head. Then she meets three other girls who find out their destiny then they have to fight Queen Beryl and protect the Princess of the Moon who they think is Sailor V but everyone knows is actually Sailor Moon.

    But there are plenty of differences. For one thing - Usagi does not have the blonde hair until she transforms. Same with the other senshi. The senshi all meet up at a Kareoke bar instead of an arcade. The enemies all changed in appearance with the exceptions of Jadite and the Evil Queen. Oh and the cat Usagi runs into is actually a stuffed animal which latches onto her face.

    The set designs are odd, but not as odd as the music. The music is peppy and happy, nothing like Moonlight Legend (the original anime theme). The outfits are actually okay, but when they fight they have to do the Power Ranger thing - jump around for five minutes before you actually attack the enemy and blow his head off with the gun you're hiding in your skirt, the uniforms are quite unattractive. One episode was imparticular quite funny because one of the tiaras came off the girl's forehead when she fell on the ground.

    The actors/Actresses are all around the right ages, though Sailormoon's actress is like 14, while Tuxedo Mask is 21. Can you say statutory rape? They got perfect looking people... well with the exception of the monsters. There was so much they could have done with this but didn't. The monsters look like the suits of the Power Ranger monsters.

    All in all it's quite entertaining and if you're in the mood for laughing your socks off at stupid people. 2 Alps (AA) if you enjoy anime. 5 Alps (AAAAA) if you enjoy making fun of anime. Oh and No Alps to the idiot who decided to save money by having a stuffed cat instead of allowing it to be completely CG.


    Review Numero Sesenta: Anime Music Videos (General)
    Guest Reviewer: Petra

    You've seen normal music videos, however, these have anime with them. I just see it as another way to download music. Most AMVs suck. The video quality is poor and the sound quality sucks even more. I've only found a few that are any good namely Kurenai, First Love Fushigi Yuugi, and Cool Fusion's Lady Marmalade. They are good quality video, good sound.

    Rate: Two Alps (AA)


    Review Numero Cincuenta y Nueve: Something's Gotta Give

    Ah the joys of the younger woman - Jack Nickolson

    The movie starts out promising, Amanda Peet, a Mercedes Benz SL55, the hamptons. The premise behind the movie is Jack Nickolson is the 60 something head of the top New York Hip Hop Label and a player on the New York dating scene who never dates anyone over 30. Guess they have to be 1/3 of his age not 1/2.

    Anyway as Jack's walking around in his underwear Amanda Peet's mom walks in and finds him and grabs a knife.

    Well basically Jack has a heart attack, rips out his IV of nitroglycerine because he's taken viagra and ends up living with Amanda Peets mom. They end up sort of falling in love, but he just forgets about her when he gets back to the city and breaks her heart. After which she turns the entire story into a broadway play(She's a famous playwrite according to the movie).

    The major subplots during the movie are Doctor I know Kung Fu Keanu Reeves, a 30something doctor who falls in love with the twice his age Diane Keaton. He ends up sort of competing with Jack, but sort of not. He exists rather as a juxtaposition of Jack's ways with younger women for Diane Keaton. The other subplot is Diane Keaton's ex husband, Amanda Peet's father, is getting remarried to a girl younger than Amanda Peet which causes her to have a breakdown and 'see the error of her ways' of chronic dating. She ends up getting married to some dude with glasses who we only see for about 8 seconds towards the end of the movie.

    In conclusion the movie is actually quite well written and the plot is quite plausible. I'm just not crazy about naked old people, and there's a lot of naked old people in this movie. If you enjoy a well acted well written thoughtful movie full of naked old people, go see this movie you'll love it. If you love Keanu Reeves being a horrible horrible actor, and you love naked old people, go see this movie. If you don't like naked old people, this ain't your movie.

    4 Alps(AAAA) if you like naked old people or don't mind them
    1 Alp(A) if you don't like naked old people

    Thursday, January 01, 2004


    Review Numero Cincuenta y Ocho 2.0: The Last Samurai

    Yarr! Eeevill Capitalists!

    This movie could have been so much shorter. About half an hour off the end would have made it perfect. As Petra said, it's basically about an American Civil War hero who is hired to train the Japanese soldiers. However, he is taken captive by his enemies, the Samurai, who still embrace the old slower, simple ways instead of the new, fast paced world of the indistrialists. Did you catch all that? Yeah. This movie is totally about America's Civil War. Well, it could have been a great paralell, except that the producers didn't play that up at all. So there go some points for failing to see the obvious similarities in the histories of two entirely different nations.

    So our hero is held captive in the native lands, when the "Yarr! Eeevill Capitalists" part begins, and this movie gets docked some more points. It would seem that the goal of the filmmakers is to make us see how the new, western ways are infringing upon the ways of the Samurai, and how much more diciplined and at peace and better these simple folk are than the modern world, which is full of corruption and waste. Whatever. Pretty common theme for movies, especially these days when people like to get on a self-righteous trip about how supposedly enlightened they are to realize that our way of doing things is not always the best way. And it isn't always. As Killer Lemming says, there is no form of doing things that is absolutely perfect. The problem presented in Samurai is that they portray the capitalists in Tokoyo as always bad and always wrong. Their entire goal, it would appear, is to make money and smite those would appreciate taking the long way home. This kind of thing is a reflection of either A) Incredibly PC writing, or B) Damn lazy writing. Seriously, the Western civilization is given zero redeeming traits in this movie, and that is just plain ignorant.

    As the movie continues, Kastumoto (Samurai Leader) rides to Tokyo in hopes of making peace with the Emperor, who is this totally scrawny guy who looks like he's about 12 years old. Emperor Mikey won't have any of it, though, and sends Samurai Sam off to his room to kill himself. No, seriously. Apparently that's how they do things. When a warrior's "time has come," or if a man is no longer useful to his people, he takes his own life. Tom Cruise, newly enlightened multiculturalist, goes and tries to save him, and winds up kiling a few of his own soldiers who are trying to prevent him from aiding the Samurai. This would have been the perfect ending to this movie - Samurai Sam ceremonially kills himself as a metaphor for the inevitable death of the Samurai and the old ways. Tom Cruise stands amid the bodies of his own soldiers, pondering how this war has turned him against his own allies. Then the movie ends, and the audience gets to ponder on the drive home. WAIT! Hold on, we can't have a good ending. Hollywood's nads were buried with Kubrick, who would have stopped everything right there. Instead we get an elaborate CIA Special forces-esque escape scene, and someone related to Samurai Sam (his son?) dies. Unfortunately, this character was not featured at all until this point, so nobody really cares. Then they all fight another war, and the Eeevill Capitalists roll out some awesone-ass crank machine guns and decimate the Samurai lines, taking down Sam and Tom. Sam takes his own life (finally, the pansy) and Tom limps around - even though he took a bullet through the chest. This scene allows the movie to be needlessly bloody and violent, while they could have pulled off the entire thing very well without it.

    This sort of thing reflects the hungry need for mass appeal, but not knowing where to find it. Movies can't be ominous and worth pondering over anymore, the ending has to be cut and dried, closed to interpretation because there's nothing else left to interpret. Instead of showing the dead Samurai and the allegedly traitorous Tom, alowing the audience to draw their own conclusions and maybe think for once, they instead have to wrap it up with an excessively bloody scene that spells everything out in big, block letters: THE EEEVILL CAPITALISTS CRUSH THE POOR SAMURAI. AND IT'S BAD. What idiots. Can't think anymore, it has to be dictated to you. That's why so many people didnt like The Matrix trilogy and I did - it leaves an ass-load of questions unanswered, giving people the opportunity to think instead of vegetate. Plus, I'm always a fan of more violence in movies, but this one didn't need any and shouldn't have had any. It didn't belong in the story, not this one.

    In conclusion, Three Alps (AAA). It was still a great story and was told very well, but the shortcomings were many and large.

    Wednesday, December 31, 2003


    Review Numero Cincuenta y Ocho: The Last Samurai
    Guest Reviewer: Petra

    What a great experience for me. I learned something about me at this movie. I don't mind an overkill of blood as long as there are swords in the mix. This has a lot of blood and head chopping!!

    The Story: Tom Cruise is a Civil War hero who regrets killing innocent Indians when he did it. So he gets hired to teach Japanese how to kill in Western style. So he goes into town and prepares the Japanese peasants to kill the Samurai lead by a guy named Kastumoto (which actually means Base of Victory). Cruise takes the men into battle before they are actually ready. The men do horribly and are nearly massacred by the Samurai. However they retreat before they are told to and Cruise is left fighting on his own. He becomes surrounded by samurai and is fighting for his life. The samurai are about to kill him, but luckily for Cruise, earlier in the movie, Kastumoto had a dream about a tiger fighting against the Samurai. So they take Cruise to the mountains, he lives with the Samurai and learns about their ways. Make a long Story short - He becomes a Samurai, learns Japanese and falls in love with the woman who takes care of him.

    Okay... not the greatest story, but it's a good story. It has potential and it reaches it. The horrible thing was throwing in the Ninjas into the mix. The ninjas were peasants who fought against the samurai during the time of the shogunate. There's a lot more to it, but maybe someone else could do a better review. I'm too tired right now.

    Rating: Four and a half Alps (AAAAa) It wasn't the best movie, but the music was good, the acting was good and I'd go see it again.

    Thursday, December 25, 2003


    Review Numero Cincuenta y Siete: The Return of the King

    The short version: Xar's new official Best Movie Ever.

    The long version:

    The movie starts with the familiar music, and a fight between the two weirdest characters I have ever seen. That of course being Smeagol and his friend, who finds the Ring in a river. So Smeagol goes in about two munites from "I love fishing with this guy" to killing him and stealing the ring and running off with it. But that's not the creepiest part: Look at the guy. I hope that's not what Andy Serkis actually looks like, because Smeagol the humanish looking fisherman looks just like Gollum. Of course, my Dad is convinced that Bilbo looks like his grandmother... Too weird.

    BAM! Back to the present. Oh look, it's Gollum being creepy again. He takes the nasty Hobbitses to Minas Morgul, where Frodo gets all zombie-like and has a couple panic attacks, but it's no big deal. They're just on this huge precarious cliff in the land of the enemy. Whatever. But then we have The first two really good scens in the movie. The first is actually before this, when Gollum is talking to Smeagol and plotting to kill the Hobbitses and take the ring. Too bad Sam hears him. So Frodo is all like, "I believe Gollum for God knows what reason!" and walks off. Then, up on the cliff, Gollum sabotages the food supply, pins it on Sam, and tells Frodo that Sam wants the ring. So Frodo sends Sam home (yeah, go home. Look where you are. Up on a cliff on the other side of the world. Go home, Sam. Go screw yourself, mister Frodo) and leaves. Why this scene is good: I had it pointed out to me that scenes like this are why the Matrix triolgy sucked; or rather, the lack of scenes like this. Frodo and Sam have gone from the best, most inseperable friends to having turned on each other, and you really feel for Sam when Frodo climbs on, leaving him there.

    Back to the action-packed story, everyone is off for Isengard, where they can finally yell at Saruman. Disappointing Thing Number One: Saruman isn't there. I'm going to have to wait for the extended DVD this time. I didn't have so much restraint for the last two, preferring rather to go out and buy the theater version the first day. Hmm. Bad decision. Anyway, Pippin finds the Palantir in a mud puddle, and Gandalf takes it quickly. So, of course, Pippin wants to know just what the hell it is. So, back in Edoras when they're all sleeping, he steals it and looks at it. Disappointing Thing Numbero Two: this scene kind of sucked. I was really hoping for something more visual than Pippin flailing aroung the room with a glow-in-the-dark bowling ball. Regardless, Gandalf is understandably pissed/worried/anxious, so he grabs the idiot hobbit and rides for Minas Tirith, which I contend to be the best location in the entire movie. I mean really, not only is the city huge, but it's cool. Tiered up on a hill with thousands of people and little buildings, and damn it was cool. They meet Denethor and Pippin, who was ordered to shut the hell up, starts offering his services to Gondor. Gandalf's interaction with him is great, by the way, throughout this entire movie. They really come closer together as a pair of characters, but without sacrificing the relationship between Pippin and Merry, which works out well.

    So anyway, Denethor is apparently convinced that there is not hope, so Gandalf sends out the signal to Rohan in one of the greatest mountain montages ever. Seriously, this is a great scene. Meanwhile, we have The Best Scene in the Entire Movie: Faramir rides to Osgiliath, the defensive outpost, to take it back from the ten zillion invaders, in what is sure to be a suicide mission. Fortunately, he doesn't care, because Denethor just confirmed that yes, he did love Boromir more, so shove off. Then Pippin sings a song while Faramir condicts his futile raid, and cries at the end. Very powerful scene, and gets back into that whole great character development thing. If you think back to the first movie, he was always the comic relief and dancing and whatnot. Well, not anymore. That's the sort of thng that makes this movie great.

    The rest of the time is spent fighting the hordes of Orcs, and having flashbacks to Star Wars as our valiant heros ride between the legs of giant elephants. Disappointing Thing Number Three: They kind of skimped on Denethor's death, for no apparent reason. Hmm. Aragorn, of course, has to raise the army of the dead, who walk in and kick loads of ass. He dumps Eowyn and gets married to Arwen. Which I think was dumb, for three reasons: 1) Liv Tyler looks like a horse from the neck up. 2) Elves are way too cerebral and would probably drive me insane. Plus, she had to leave her entire species, so all she's going to do is mope. 3) Marrying the sister of the successor to the throne of Rohan would be a huge power move. But hey, I didn't write the book.

    The movie ends with The Best Scene in the Entire Trilogy: Frodo and Gandalf's departure from Middle-earth. Why is this so good? This scene pulls everything together to make this story better than pretty much anything else. You don't want it to end. Not for you - people arecapable of dealing with the end of a story. But you realize that the end of this story means the end of so much else, including the world as it was at the beginning of the first movie. Everything has changed, and as great as it was back then, it won't ever been that way again. These movies do such a good job of creating a sense of nostaliga for everything in that world that it's really painful to have to watch it all end. Plus, these guys have gon to distant lands, met the devil, destroyed his ring, and how they come home to the boring old Shire. It's that sense that things will never be like they were that makes this movie great, and justifies the length.

    Final Score: Five Alps (AAAAA). I'm going to have to re-evaluate my rating scale, since this is above and beyone so many other movies.

    Good Scene: Denethor thinks his son is dead, and calls for his soldiers to fall back. Gandalf is fed up with Denethor's stupidity, and gives him a firm beating with his stick before taking control of the army.

    Sunday, November 23, 2003

    Review Numero Cincuenta y Sies: Fight Club
    By Chuck Palahnuik

    You are not a beautiful and unique snowflake. You are not special. You are the all-singing, all-dancing crap of the world.

    You can watch the Matrix or Dances With Wolves, and you can read Locke, Hobbes, Rousseau, or whatever the college kid dressed all in black is so engorssed in at Starbucks, but you're not going to learn as much about modern humanity as you will if you read Fight Club. Those others, they're all about someone else. They're about Neo, or a white man meeting indians, or people of old times that are suppoed to represent the generic and transcendant human experience. Fight Club isn't about them - it's about you.

    The story is that of a nameless man, an insomniac, who becomes addicted to group therapy for victims of cancer, tubercolisis, tumors, and so on. When they cry, he cries. And when he is able to cry and let go of himself, he is able to sleep. But then Marla Singer changes all that. Marla is there every time, at every group. She is a liar, like he is a liar, and her lie exposes his lie - at least in his mind. When Marla is there, he cannot cry, and when he cannor cry, he cannot sleep. Things are not better.

    But all that changes when he meets Tyler Durden. Tyler has an interesting, non-consumerist, non-conformist view of life. He realizes that in order to be free of th chaos of every day life, you have to hit bottom - until you can honestly say that this is the worst condition you could possibly be in, that you don't care at all about jobs, people, things, your own life, until you can say there is no difference between life and death, you are not truly free to do whatever you are driven to do. Losing everything is gaining your freedom. Tyler has a plan to help others realize this. He starts Fight Club, a boxing club in the basement of a bar. People come and fight, they fight until their entire bodies are bruised and bleeding, they fight until they are a massive sack of tnederized flesh on the floor. No shirts, no shoes, two people to a fight. Fights go on as long as they have to. The first rule of Fight Club is, you don't talk about Fight Club. That way, nobody is the same person when they walk in the door. You can be a clerk, or a janitor, or a car salesman or a CEO outside, but when you step into the ring, you're just a man, and you're just fighting another man.

    However, Tyler's plans quickly evolve from trying to help individual people hit bottom to trying to change the entire world - to make everyone on earth realize that dream of being truly free. However, his plans are a bit too close to terrorism for the nameless man who attempts to bail from the entire operation, and then realizes, he can't. He is a part of this in more ways that he can imagine.

    This book isn't about Tyler hitting bottom, or the narrator hitting bottom, or any of the space monkeys hitting bottom. This is about you. It's not Papahnuik's attempt to make you screw up your life enough to make you free. Rather, it's his attempt to make you realize that very little that you value is important. Anything in your house, your clothes and funriture, it's all irrelevant. This is Palahnuik's challenge to you to become a great person, to free yourself from the bonds of humanity. To ensure than in 100 years people who aren't related to you will know your name and what you did, because it was important. Ikea catalogs and Men's Warehouse ads won't do that for you. This is Palahnuik's challenge to find out what will, to grab hold of it, and to use it to free yourself from life and do what you want to do.

    Five Alps (AAAAA) For the book and the movie. The movie is very loyal to the book, I think the author wrote the screenplay. And it's his debut novel, too, debut novels are never this good.

    Monday, November 17, 2003

    Review Numero Cincuenta y Cinco: Master and Commander

    The background: Capt. "Lucky" Jack (Russel Crowe), it the captain of the British ship Surprise. Napolean has conquered much of Europe and Britain wants to keep him from dragging the war into the Pacific Ocean. So. The British admirals send the Surprise to stop the French ship Archeron from making it into the Pacific.

    So "Lucky" (no explantation of why he is lucky) is searching for the ship. They sail into a fog bank (this part reminded me of Pirates of the Carribean) and start to see a phantom ship in the distance. All of the sudden cannonballs start flying and the Surprise is ripped to pieces. This part is pretty cool. Suddenly theres cannonballs flying into the ship with ropes and big pulleys swinging all around.

    "Lucky" refuses to return to Britain to refit. They mess around for awhile fixing the boat. Then they head towards Cape Horn. Blah blah blah, ice forms on the boat, blah blah blah, very bad weather. At one point the top of the mast breaks and it and the guy up there fly off the back of the boat. So they're back there being drug like a giant wooden anchor. The guy thrown off is slowly climbing up the rope towards the ship, but the strain of the weight is still connected to the rest of the mast and it starts breaking. So Russel orders the lines to be cut and the guy in the water floats away.

    A whole bunch of other stuff happens as well, but why should I tell you? Go pay six bucks and watch it yourself! Anyways, nothing really fascinating happens, until the surgeon (Paul Bettany) who is also "lucky"s closest friend is shot by some marine who is trying to shoot down an albatross with a musket. Imagine it. Now laugh. Actually it isn't that stupid in the actual movie, but it sounds hilarious.

    So they go back to the Galapogas Islands (yes they were there before). Paul Bettany does surgery on himself, without anesthetsic. Now this part I find hard to believe. He'd have passed out with the pain. Whatever.

    Bettany goes out to find weird critters with a kid and somebody else. Instead they come across the Archeron on the other side of the Island. They run back and everyone gets ready to go get the Frenchies.

    They disguise themselves as an whale oil ship in order to get the Archeron to attempt to hijack them. A pretty good mob fight happens when Russel's crew leaps to the Frenchie boat. And here's were I stop telling you what happened.

    Overall, I'd say a very good movie. They relationship between Crowe and Bettany is very well done. It is not overemphasized as in some movies, but it portrays them as real people instead of just guys reading a script. Also, the ending was really good. I won't tell you what exactly happens, but it is unexpected and pretty original.

    I'd give it an overall Four Alps (AAAA), it gets these for its realism, good acting, excellent ending and overall cool plot. I took one off just because I feel 5 alps is reserved for truly ground breaking movies. This is an excellent movie, but it is not groundbreaking. Still I reccomend it highly.

    Best Line:
    "The Captain's been on this ship since he was a midshipman. He says there's enough of his blood in the ship for them to be related."
    This may not actually be the best line. However, it is the best one I can remember.

    Tuesday, November 11, 2003


    Review Numero Cincuenta y Cuatro: "That one CD of Ken's Band"

    Ok... so you said to review random things. You got it. I finally got the CD of Ken's band that I paid for 3 months ago. Well worth $5, so talk to ken if you are interested. There are only 5 tracks, but none of them are annoying and you still get a good 20 minutes of music. That's almost how much time it takes to get from Skyview to I-5 during rush hour! If the CD case I found on the ground is accurate, Rick (Ken's brother) does vocals and guitar, Ken does vocals and bass, and someone else I forgot does drums. (Lemme know who it is and I'll fix that.) Songs include:
    Feel Free
    I Disagree
    Bungee Jumping in Mexico
    White Lies
    Homeschool
    I'd tell you about them, but I'm sure you'd rather just get the CD. (Hey, free marketing Ken, can't complain about that!)

    Overall, Five Alps (AAAAA). At $1 a track (VERY reasonably priced) this is a great CD. Highly reccomended.

    Friday, November 07, 2003

    Review Numero Cincuenta y Tres: Terminator 2

    The movie starts. Kids play on a playgroud. There is suspenseful music. The producers decide that there's no such thing as too much contrast. The screen whites out. We get eerie shots of a burning playgound and "the future" with voiceovers by Sarah Connor. "In the future, there will be robots. The machines will start a nuclear war, and the only way we can stop them is to prevent them from killing our future leader. The following takes place between 3 pm and 4 pm on the day of the California Presidential Primary."

    Sorry, wrong drama promising a cataclysm. Anyway, the Governor of California has been re-elected, but this time he's not trying to kill anyone. Read that sentence again, because it's funny in two ways. So he steals some clothes again, and sets out to look ambiguous until he is able to scare the crap out of John and chase him down on a motorcycle, all while brandishing a shotgun and fighting another Terminator who looks like he's made of... well, I don't know exactly what the hell it is. Liquid metal. Whatever. And then he reveals to everyone that he is Good Aahnold, and has not been sent back to kill anyone. Unfortunately, the technologically superior wad of mercury is. Oops. Oh, and the Mercury Man is even more invincible than Aahnold, AND Aahnold isn't allowed to kill any humans. Question: Why not? A robot doesn't have a conscience, that's why we build them and make them kill people for us - so we don't feel guilty about it. The only person who gets hurt is the one who gets killed, right?

    So for the rest of the movie Sarah acts like the reclusive psycho that the feds think she is, John whines like a bitch, and Aahnold acts like Keanu "plywood" Reeves, except cool. Seriously, the kid that they got to play their future hero has the most annoying voice ever. Apparently hollywood ran out of people that had already hit puberty and had to settle with the ones that weren't busy making Power Rangers spinoffs. Where was McCaulay Culkin, I'm sure he would have killed to have another job. Regardless, they all go and kick some nonlethal ass, scare the living shit out of a microchip designer, and blow stuff up. Always fun.

    Credit must go to the VFX department fro this movie, because they put it way ahead of its time with the liquid metal stuff. I don't know how they did it, but no other movie was able to make effects that good for another two years. Kudos. Beyond that, this movie appeared to have a lot more to it for a pulp action flick, and seemed to be more thought-out and developed than it's predecessor.

    Verdict: Five Alps (AAAAA). The best of the three, even though I gave T3 the same score. That was proably a mistake.

    Best Scene: The motorcycle/semi chase. Nothing beats in indestructible robot on a motorcycle with a hinge-action shotgun.

    Review Numero Cincuenta y Dos: The Terminator

    What could be better than sitting back and watching a movie with 80's filming (a bit fuzzy), 80's VFX (flashlights), 80's sound mixing (bare-bones), and 80's soundtrack, costumes, prosthetics and hair (synthesizers, bright and fugly, melted-down rubber bands, huge as hell)? Watching the future Governor of California shoot his way through all of. That's right, Cali - that huge guy with the caveman brow, emotionless face and hollow lines is your new leader. Aren't you proud?

    To give a synopsis, Aahnold is a robot trying to kill Sarah Connor, mother of John, who is to lead the war against the machines. Sarah has to find the Oracle and learn all about causuality from a sarcastic frog eater. Or maybe she's being rescued by a guy that works fro her future child, who she then sleeps with and concieves said child. That's wrong on some leve, I just know it. Along they way they run into Aahnold and get arrested and both of them are declared complete basket cases. Great stuff.

    Aside from the flaws mentioned at the beginning of this review, this is not the greatest movie money can buy. Aahnold is the cinematic equivalent of a mute bar bouncer, and everything Sarah does could have been predicted by Miss Cleo. While the needless violence is always cool, this movie fails to deliver in the department of sense where coherence and ligoc live. Thus, while it delivers an interestig spectacle to watch, the entire package comes off as a half-baked sci-fi that was built to be spoofed by something.

    Three Alps (AAA) for being not the best, not the worst, but still above average.

    Thursday, November 06, 2003

    Review Numero Cincuenta y Uno: The Crucible

    Once upon a time there was a communist named Arthur Miller who forgot to act like a capitalist when the feds were around, so they took him in and sat him down and yelled at him for being a ruskie. Then they let him go, but only under the condition that he never write anything bad about the United States government ever again. And then he did. Thus, we have The Crucible.

    The story of the Crucible is very similar to Miller's story: There were some idiot girls who fordot to act smart when their parents were around. So they made up a story about witches and got 24 people killed, including the ringleader's married and much older lover. HaHa! I mean, what a sad story.

    I wouldn't say this book is bad - actually, the story itself is very good. But there's just something about it that makes you want to hack that damn commie's head off. Maybe it's the use of obscure phrases and 400-year-old sentence structuring. Maybe it's that the only main character who has any inpact on the outcome of the book is the dumbest one of all. Or maybe it's the fact that Pike told us everything that happens before we read it. Regardless, even though it was a good story, the book itself is basically worthy of the same fate as the condemned.

    Score: Three Alps (AAA)

    Best quote: "Adultery, John." Oh yeah... adultery...

    Review Numero Cincuenta: The Matrix Revolutions

    A touch of Dumas, perhaps, was one of the things that dragged this movie down. The conflict between Neo and Smith in The Matrix Revolutions can be easily compared to that of d'Artagnan and Richelieu of The Three Musketeers fame; d'Artagnan spends 36 chapters circling his enemy, fighting his mercenaries, until the final showdown which is resolved in three sentences. While the final fight bewteen Neo and Smith was anything but boring while it lasted, it felt like there simply wasn't as much to it as there was in their previous encounters. However, fight scenes are not everything.

    A review in The Columbian said that the lack of development of the hero characters was disappointing, and that much more time was spent on their digital counterparts. While this may be valid, think about what is being said. This statement compares Hugo Weaving, actor extraordinaire, to Keanu Reeves, oar. Especially after having seen the movie, I can tell you that this fault cannot be blamed on the writing.

    As to the philosophy that everyone complains about, get a grip. First of all, nobody takes movie philosophy seriously. Interesting questions? Sure. Thinly veiled common themes? Duh. But retrospect is 20-20. The real point that should be made is that most of the philosophy is more important than being werid questions to baffle and enlighten the viewer. Each peice moves or clarifies the story somehow, either by emphasizing the actions of a character, or making that character consider their choices more carefully, thus opening and closing doors - and plot options. That is not to say that philosophy-as-plot-devices is all that these points are good for - they're still good questions. But what most people either fail or refuse to realize is that in The Matrix, they serve a double functuon. Consider an example from Reloaded: The Oracle talks about choice and free will. Then the Merovingian talks about casuality. The two themes connect in Neo's mind. Given these words of wisdom, he considers the choice that he is given by the Architect, and untimately becomes the direct cause of all the events that follow. The philosophy is still there, but it is relevant.

    Back to fight scenes. I was surprised, but not disappointed by the action in Revolutions. Most of the scenes in this movie take place not in the Matrix as before (thus ruling out bullet-time for most of the movie), but in Zion where a massive-ass artillery defends against the huge swarm of sentinels. For not using the kickass effects that made the previous movies popular, this is really some cool stuff. I 100% guarentee that you have never seen anything like the Zion battle - ever. The final fight with Neo and Smith was interesting as said before.

    Final Verdict: 4.5 Alps (AAAAa). It was really great, perhaps too fast paced in the beginning, and the ending leaves a lot unanswered. Not in a bad way, but... whatever.

    Tuesday, November 04, 2003


    Review Numero Cuarenta y Nueve: Interview With a Vampire
    Guest Reviewer Bosk

    This was a surprisingly good movie, especially considering it had Tom Cruise, Brad Pitt, Antonio Banderas, and a really, really young Kirsten Dunst. As I hope you can tell from the title, since I'm going to assume you understand basic English (let me know if I'm making too much of a jump here...) this is a movie about Vampires. It tells the story of Lestat and his immortal victim Louis through an interview with a reporter. The movie covers 400 years and follows the vampires' lives. Some interesting points:

    Most people think that when someone is bitten by a vampire, they become a vampire. Not here, here they just die like anyone would if they had half their blood sucked out their neck. The only way to become a vampire is to drink vampire blood. Initially, there is conflict between the vampire and his victim (a new vampire, thanks to a few drops of vampire blood) over how many slaves it is acceptable to eat. Further arguments occur over things such as making a little girl a vampire and keeping corpses around. I guess it's bad taste or something. Anyway... they went to this vampire theater thing somewhere in the middle, and it was kinda like vampire-porn or something, kinda weird. I can't really tell you about the ending, because then you wouldn't have to go see the movie, would you?

    Unfortunately, this movie wasn't that scary. I watched it on halloween with a bunch of other people, and there was only one part where someone grabbed my arm. haha. Turns out it's hard to kill vampires, but you can make them look like they've been through a meat grinder, and they're liable to turn up suddenly in your house. Keep that in mind next time you try to kill a vampire.

    Four Alps - (AAAA). Good movie, but it could have been better. Gotta give credit for the great storyline though.

    Monday, November 03, 2003

    Review Numero Cuarenta y Ocho: The Italian Job

    I'm never going to forgive you. All four of you suck horribly. That being Mini Yao, Bosk, Underoomon, and Lemming. You all totally blow. "Hey, I've got an idea: Since the Italian Job starts in 40 minutes, let's see The Hulk instead!" Absolute genius, you retards. Forty minutes that we could easily have wasted. Oh wait, instead we wasted two hours and six dollars each. Hmm. Good deal, right? Eat me.

    The Italian Job is so much better. It basically goes that some old guy is a long-time crook, so he calls his daughter and informed that he's jumped ship on his PO for one last job, he promises. One LAST... JOB. So they do it, and it's executed perfectly, with a creativity of planning and expert level of performance that would put Danny Ocean to shame. They're stealing a safe from an office, so they blow out the floor under it and drop into a boat waiting underneath. They're in Venice, by the way. The boat leaves and guards pursue. We have a look underwater. Psych! The boat is totally a decoy. The guys crack the safe, steal the absolute ton of gold inside, and slip away undetected.

    Cut to the Alps where they're about to leave Europe with the loot. Until one of their guys is a traitor and takes it all. So they drive their van into the icy water and all get on their scuba stuff. Turns out the old guy in charge got killed... on his LAST JOB... geddit? Right... so they're all sad. And vengeful. And just like that, we have a premise.

    The rest of the movie is comprised of their attempt to recover the gold and kick the ass of the traitor. They do this all "Ocean's Eleven" style, with computer taps, and recon, and everything that made the best heist movie ever great. Except... it wasn't great. Or at least, not as great as Eleven. The thing about Eleven that made it so cool wasn't the job itself, although that was admittedly cool as hell. But the vast majority was flying all around and assembling the team, planning the job, getting the stuff they needed for the job, etc. It's all atmosphere, and Eleven happened to pick an atmosphere that's appealing to just about anyone who watches that sort of movie: Las Vegas. The Italian Job, on the other hand, is set in LA, which people associate with shootings, Hollywood, and recessions. So, since the atmosphere isn't so good, they have to rely on the action instead, which sadly doesn't hit par with its predecessor. They spend too much time on the job itself, and it isn't as complex as Eleven, another thing that makes that movie a lot of fun. However, you can't dock the actors for an 80% job by the writers, as they were all incredible. There were no over- or under-acted characters, and all of them were just as much fun to watch perfom as the crew in Eleven. I know that's a lot of comparison, but that's the only major film like it.

    Four Alps (AAAA) - It comes out as a well-made film in an inexplicably charming genre, but doesn't quite meet the Standard.

    Review Numero Cuarenta y Siete: Sweet Home Alabama

    This just plain flat-out sucks. It's boring. It's stupid. It's a total chick flick, except I can't even see what chick flick chicks would find appealing in it. I think the theory driving this train before it wrecked was that the wedding theme would draw people. Because all of those other wedding movies sold well right? RIGHT?

    The previews were funny. I wish I could have watched the previews. This is the romantic comedy that forgot to be funny. Premise: An Alabama girl got hitched to her childhood sweetheart right out of high school because he knocked her up on prom night and nobody was surprised. Then the child mysteriously disappeared. So Alabama girl moves to New york and becomes a fashion designer, but forgets to get a divorce. But that's okay, becasue she then forgets that she's even married. But that's okay because she can just fly on down and shit-talk her husband for a few minutes and he'll sign away, right? RIGHT?

    Oh, but she's living a lie too, because she's ashamed of her poor southern white trash background. So the groom gets all pissy, and then he comes back, but Alamaba girl is already re-betrothed to her real husband. How sweet. Poor Pissy groom. I don't think much more needs to be said, except that I think it would be really cool to collect lightning-struck glass like the husband did. Except for one thing - put the lightning rods up BEFORE the storm, dumbass.

    Two Alps (AA). I hate chick flicks. That's why I never go on dates. I have to sit through this crap. I'd much rather go out with Jennifer Aniston's character from Office Space: a girl that likes Kung Fu movies and doesn't mind that her boyfriend has no idea what he's going to do from one day to the next.

    Monday, October 27, 2003

    Review Numero Cuarenta y Seis: Misery

    This is weird. Not normal haha funny weird. This is really weird. This is Kubrick weird. You just know it's a King movie. Ever see The Shining? It's weird like that. I've never read any of his books, but King has got some serious shit going on if he can write this sort of thing.

    It's not a horror like you would expect from a guy like Stephen King. In fact, the title describes it all. Theis is a movie about sheer, unadulterated misery. It is absolutely painful to watch all the stuff this guy goes through. Your entire lower body will ache after watching this, I guarentee it.

    It starts off with this writer who finishes his materpiece book up in a lodge in the mountains. He then packs up and starts driving down a long and winding road and gets caught in a blizzard - just like The Shining. Only this guy gets his car flipped over out in the woods. Fortunately, he and his book are rescued. Flashback: He is sitting in an office, talking to his agent. He says that, even though is series of books about a pioneer woman, named Misery, have brought him fame and fortune, he decides that he needs to end it before it takes over his life. So, he kills Misery in the new book. He wakes up to hear some woman saying that she is his number one fan. She is a nurse who lives alone out in the middle of the woods, saved him, and brought him back. She adores him She starts reading the new books where Misery dies. She talks about how her husmand left her and she could relate to Misery and it was like having an imaginary best friend. Heh. She then complains about the swearing in the book. He tries to explain that that's how people in the given situations talked, but she flips out. But it's funny, because nobody taught her how to swear right. "Do you hink when I go to the ffed store I tell Jim, 'I need a shit of grain and maybe an ass or two of chicken feed,' or when I go to the bank do I tell Betty, 'I've got one bastard of a check, so hurry up and give me my christing money!'" This continues for a good minute.

    If our author friend were smart, he would take this as a first warning sign to get the hell out of bed and hobble his ass back into town. He does not do this. You have to watch the movie to realize the full extend of her insanity, but needless to say the real fun starts when she realizes that her beloved Misery is dead. One of the best, most painful scenes in the entire movie, though, I have to tell you about. He wakes up strapped to his bed, with her standing at the end, being all creepy. She has found that she has to restrict hos movement, so she tells a little story about how they would keep miners from escaping again if they ever tried. She then puts a board between his ankles and whacks both his feet with a sledgehammer as hard as she can. You can actually see the feet flopping around. Think about this - it is literally painful to watch.

    Regardless of how much pain you will be in after you watch this, it is one of the most fasciantingly bizzare movies ever. Sherrif Stump-jumpin Jethro puts on a good show too, as he finally tracks down the insane woman. Even though that's not the end of the movie. It's indescribable. It truly is misery to watch this, the acting is perfect, you can see it so well in the guy's face when she reverts to her little foibles. Man... this is a definate must-see.

    Five Alps (AAAAA) for being the best King movie since The Shining, and the best imitation of a Kubrick (MEIN FURER!) by a guy I've never even heard of.

    Best Quote: "So hurry up and give me my Christing money!"

    Review Numero Cuarenta y Cinco: Intolerable Cruelty

    Did she specify what kind of man she was looking for?
    She said she wanted a man with a wandering pee pee, a philanderer, a cheat!


    Whoever thinks Ensemble comedies are dead obviously hasn't seen this one. Clooney, Mrs. Douglas/Zeta Jones, Billy Bob Thorton, Dodge Ram Truck dude, and a bunch of other character actors who you know you've seen before but you don't know their name.

    The basic plot of the movie is Clooney is a divorce lawyer, a very good one. In fact the 'Massey Prenup' has NEVER BEEN PENETRATED. I bet the Coen brothers had fun writing that into the script about 50 times. 'Are you sure you want to sign this, are you aware the Massey Prenup has never been penetrated?' 'Yes, it's true the Massey Prenup has never been penetrated, they devote a whole semester to it at Harvard'. Infact the sexual innuendo and jokes are a spot on in this comedy right from the start.

    Clooney are Zeta Jones are strong, as are the rest of the actors, and the plot is simple but sophisticated in it's design. The foreshadowing is good, and Zeta Jones does a great job of alluding to it in her acting. The supporting actors all fill their places well, and I definately enjoyed the movie. But what can I say, I love romantic comedies, especially ones that DON'T SUCK, and this one doesn't.

    Four Alps (AAAA)- Good movie, lots of other good movies out right now too

    Monday, October 20, 2003

    Review Numero Cuarenta y Cuatro: School of Rock

    Now raise your goblet of rock. It's a toast to those who rock!

    Definately the feel good movie of the year. The 'star studded' first billing includes Joan Cusack, Sarah Silverman and the star of the shoe, the irreplacable Jack Black of Tenacious D fame. The movie's plot plays well to Black's strengths as it focuses on 3 things, elementary school(probably the farthest Jack Black ever got), Rock & Roll, and Comedy. The movie is funny, but in a feel good sort of way. It's a feel good movie with jokes, not a comedy movie that feels good so some may leave the theater feeling cheated if they expect something along the lines of say, Saving Silverman.

    The basic plot of the movie is this. Jack Black is Dewey Finn, a mediocre, overweight, over-zealous guitarist in a band who isn't that good. His bandmates kick him out of the band and he has to find something else to do. He lives with his childhood friend Ned Schneebly(who's last name Mr. Finn does not know how to spell...). Ned is a 'temp' or substitute teacher, and has a heinous bitch of a girlfriend who is a first class bitch in every sense of the word played well by Sarah Silverman. She demands that he play the rent and Ned keels over like a pussy and agrees. Dewey Finn has to find something quick, and when a prep school calls asking for Ned Schneebly to substitute for a teacher who broke her leg, he jumps at the chance for a paying job 'temping' as he calls being a substitute teacher and getting a paycheck so he doesn't get kicked out. Except he has to pretend to be Mr. Schneebly.

    Dewey Finn is about as good a teacher as you'd expect him to be. He's smooth though, and gets along with the teachers and manages to not get fired. Principal Mullins, played by Joan Cusack, is suspicious of Dewey Finn, and constantly checking in on him. He has the kids do nothing, and the class is basically recess all the time until he hears them in band class. Basically half these rich prep school 3rd graders are amazing musicians. Lucky isn't it. There's Zach, who plays killer Guitar. Freddy, a little snot but plays mean drums. He turns Katie from a cellist into a bass guitar player. Lawrence, the quiet unconfident asian kid plays wicked techno on the keyboard and of course Jack Black plays guitar. He has 3 girls singing backup, a kid working lights, a gay kid doing costumes, 3 boys working security, and the obnoxious overachieving Summer is the manager. Oh yeah, theres the unfortunate fact that he assigns 2 young girls to be 'groupies' which is somewhat unsettling. Originally Summer was a groupie too, but, well go watch the movie and you'll understand.

    So without spoiling more of the plot, Mr. Black calls the band a 'secret project' that no one can tell their parents or anyone else about. And well, they're a band and the plot unfolds. Go watch the movie.

    I liked the movie. It wasn't great, but it definately wasn't bad. Jack Black, Sarah Silverman, Joan Cusack are all top notch comedians. The children are original and memorable. Basically the movie is just, pretty high quality, high production values. Of course there's a happy ending and plenty of laughs, but they aren't gut busting. Like I said this is a feel good movie with laughs not a comedy that feels good.

    Four Alps (AAAA)- It's a good movie, not a great one, no failures, but nothing 'extra' nothing to make this more than a filler movie really, but worth your 6 bucks none the less.

    Best line

    Dewey Finn to the Parents on Parent Night after the cops ask him to come with them--
    "Your kids have all really touched me, and I'm pretty sure that I've touched them"
    Parents--
    "AAAAAAHHHHHHHHHHHHH"

    Wednesday, October 15, 2003

    Review Numero Cuarenta y Tres: Blindness
    By Jose Saramago
    Translated from Portuguese by Giovanni Pontiero

    I don't often review books because there aren't many books that warrant an original review. That was good, that sucked, this one was boring. Blah blah. This book warrants its own review because it is one of the best damn books I have ever read. Blindness doesn't have a genre; it transcends genre. This is more than a book about people, it's a book about humanity, and the effects that things that we take for granted, such as seeing, have on our lives.

    Corny and cliched as it may sound, this is not about one man being struck blind and realizing what his sight as worth. This is about one person retaining their sight and the rest going blind, and all of them realizing what their sight was worth. The results of the blindness demonstrated in this story are more than "I fell down the stairs because I couldn't find my cane." When an entire city is struck blind, the infrastructure completely collapses. Everything from gorcery stores to utilities goes offline, and it becomes total anarchy as each person must fend for themselves. What's more, an element borrowed from the Communist witchhunts is invoked, since this blindness spreads like disease, through some unknown contact with one who is already blind. Even more interesting than the collapse of society that occurs when everyone is blind is the fear of the blind and the injustices thrown upon them when only a few are blind. The story then develops as more and more people become blind and join the ranks of those who had been affliced with this bizzare condition much earlier, and as the population begins to grow, it becomes all the more impossible to govern the blind, each of whom thinks rationally for themselves, but none thinking for the good of the whole.

    The scariest thing about this story, however, is the reality aspect of the events depicted in the book. This could happen. In situations such as the Japanese internment camps during World War II, if they were left under the same conditions as the quarentined blind, these things could easily happen even if everyone could see. This book hits close to home with its points, demonstrating time and time again how the destruction of human society could happen at any second given such opressive circumstances.

    I note the translator of this work because it makes such elegant use of the english language, which is not to say that it is not the author's doing. However, to carry such elegance from one language to another requires an incredible understanding of both.

    Five Alps (AAAAA), hands down. This book also won the 1997 Nobel Prize, if that tells you anything.

    Monday, October 13, 2003

    Review Numero Cuarenta y Dos: Underworld

    I can't claim to know anything about the whole vampires and werewolves thing, or how well this movie follows the rules of the genre, or if there are rules of the genre to begin with. I knew three things going into this: 1) Both are immortal. 2) Vampires can't be in the sun and werewolves are allergic to silver. 3) Both Werewolfism and Vampirism are conditions that result from two diseases (Lycanthropy and Polyphoric Hemophilia, respectively).

    Knowing that, I watched this movie. I spent the first five minutes confused as hell as this British woman talks about a war between the Vampires and the Lycans, which she made out to sound like a rival clan of vampires. Then she said that Lucian (Hereon referred to as Lycanthropy Larry) was killed, the Lycans were weaker, blah blah blah, she lives to kill people. Then she did, and that's when the movie got interesting. Whether it's in the Matrix or Deus Ex or whatever, I love a good subway station shootout. They fight for a while, and it's tough to tell who's who or what's happening until this black guy the size of Bosk's "Truck" turns into a freaky-ass werewolf and takes four silver throwing stars to the chest. Ouch. By the way, the black guy has a voice even deeper than the love child of Barry White and Christopher Lee. So if I start talking about Deep-throat Dave, that's why.

    So some other things happen. The Lycans are the Werewolves, the Vampires are at war with them, the Lycans are hunting for some human and Deep-throat Dave is hunting him down. He rips the throwing stars out of his chest. British Vampire Chick finds the human, but he's already been bitten by Lycanthropy Larry (who is supposed to be dead, but he really isn't). Other things happen. Guy with a bad Scottish accent goes on a power trip, chick fight, yadda yadda, HotBrit "awakens" aon old dead Vampire leader whom she trusted and revered back when he was alive. Too bad there's a huge conspiracy going on. The movie ends with a weird effect as someone gest their head chopped cleanly in half. The top half slides off onto the floor. Sucks to be him.

    For not being someone who is really into the whole Vampire thing, I really liked this movie. Mostly because it has a lot of good action scenes. Not Matrix good, but good. There's also a fairly well-developed story if you pay attention, but it kind of goes "I-Spy" at the end, with people changing sides and whatnot. Not as bad, though, since it all works into the story in one way or another. Some really good characters, too. I always like lone-wolf Mercenaries. If it's a hot british chick, you just can't go wrong. You also get the sense of a much larger genre powering this movie, which is always a good thing, and something that I think it being seen a lot less in movies these days. This movie delivers a feeling that there is more to be said, done and seen and that what is being presented is only the tip of the iceberg. It's a subconscious thing, but it says a lot about the way the producers did their homework to connect the film to a much larger picture.

    Overall, I give this movie five Alps (AAAAA) for being an effective "Gothic Lore 101"-esque movie that also delivers some kickass sequences and a good story.

    Monday, September 29, 2003


    Review Numero Cuarenta y Uno: Phone Booth

    What a random-ass movie (MEIN FURER!). Synopsis: Stu Shepard is a semi-sleazy publicist who deals with celebrity assholes all day, so he cheats on his wife on the side. Amazing. Every day he goes to a certain phone booth and calls his girlfriend. Unfortunately, a psycho killer has been stalking him for months, finding about about all the evil things that he does. So, the killer (Kiefer) calls on the phone and does the "If you hang up I will kill you." Then they go into this whole dialogue where Stu has to confess his sins or KieferKaller will shoot him, and to prove he's serious he shoots a pimp, and the cops come, and it's tense.

    This movie represents about the biggest character hypocracy I have ever seen. This is like watching satan hear confessions. It's weird, and quite often the basic concept forgets to make sense. That's not to say that the actors didn't put on great performances, they were just the victims of a schizophrenic script. And while it's always great to hear Kiefer's voice, this movie is a far cry from "great". Not only that, but most of the cliffhangers totally fail, because for being a unique film, the plot is extremely formulaic. The only surprising thing about it is the extent of knowledge that KieferKaller has about Stu.

    All in all, Three Alps (AAA).

    Best Quote: A hooker slaps the phone booth door. "Oh, damn, you done made me hurt my dick hand!"

    Saturday, September 27, 2003


    Review Numero Cuarenta: Matchstick Men

    Have you seen those new anti-piracy things they put on before the trailers? They're great. Ours featured a set painter who's all like, "I do hard work to make the movies as good as they can be, I worked on..." and then he proceeds to read off TV Guide's list of the ten shittiest movies of all time. Or at least he might as well have. He then gives us this sob story about how he doesn't make the big bucks, and repeats the "work as hard as I can thing." Yeah, that's because the movies you did were crap. Nobody got the big bucks. At the end is a thing that says "Movies. They're worth it." Speaking of which, I think my download of "Phone Booth" is done.

    The Last Samurai looks okay. Need to see Underworld. "Master and Commander" looks overhyped. Love Actually is going to be a bad romantic BritCom with a lot of well-known names in it. Don't see it. Except for Paul, because Kiera Knightely is in it. And then the movie starts. What's his name... Nicholas Cage, of SNL Celebrity Jeopardy fame ("Wait... are you sellin penis mightiers?") plays a neutoric Con man who obsessively-compulsively cleans his house and has argorophobia. Wonderful. So he does some scams, and then finds out he has a fourteen-year-old daughter who comes to live with him. So she does, and it disturbs his life, and it sounds like it would be as formulaic as a Black-meets-white cop movie. And looking back, I suppose it might be, but it's still good because Con man movies are cool. Anyway, Nicky is doing this scam where he offers to exchange this rich guy's american money for some british pounds, but then he rips the guy off. Haha! Except some bad stuff happens.

    This movie isn't particularly funny, exciting, scary, tense, or any of that. It's just mysteriously entertaining. It has the same charm as Ocean's Eleven - you have absolutely no reason to sympathize with any of the characters, but you're on their side just for the hell of it. I love movies like that. There are some random and sort of disorienting montages and camera weirdness that really doesn't fit in or make sense, but it's easy enough to watch around it. And Cage's neuroses are funny. He's a much better actor now than he was in The Rock, which was a great movie no matter what WunderBra says. The movie is great until the end, where they cue the patented Stanley Kubrick Random-Ass Ending ("MEIN FURER! I CAN WALK!" Cut to the h-bombs) which sort of sucked, because it was inconclusive and left me wanting more. Nicky's character softened up. I wanted to see him go out for blood.

    Final Score: Four Alps (AAAA), the last one lost for the ending and some moments in between.

    Tuesday, August 12, 2003

    Review Numero Treinta y Nueve: The League of Extraordinary Gentlemen

    Did you know that this used to be a comic book? I had no idea. I was reading some online reviews of this, and I came across one that said something to the effect of "this movie has managed to dumb-down a comic book." I was like what the hell? These are a bunch of classic literary characters. Whatever. But then as I kept reading excerpt after excerpt, they kept mentioning the comic book and how great it was. I have got to check this out. Because I didn't think the movie was that bad. I mean, sure it was pretty stupid, but what do you expect? Look at the premise!

    All right, so what happened is that Sean Connery (aka James Bond and Henry Jones) is this amazing hunter in Africa who used to be a secret agent for Britain. This is 1890, by the way. So some people try to kill him, but only after some other guy tells him to come work for the queen again. So he says no, and then he goes anyway. He meets the Invisible Man, a Vampire lady, Captain Nemo (who's arabic, by the way. Did you know that? I sure didn't), an Invincible guy whose name escapes me, and some random American kid. Then they go stop Venice from blowing up by blowing up a building. Don't ask me how it works, folks. I don't write this stuff. Then the Invincible Man turns evil and leaves, and they follow him. Random American learns how to shoot giant floating dog toys at long range. Whatever. They get to a giant tank factory/flaming castle, blow up stuff, and foil the evil plans. Then James Bond dies. Before he gets the girl. Which would be icky anyway, because he's like 70 now. Great.

    So, like I said, you get what you bargained for. Raise your hand if you expected this movie to be intelligent at all... ... ... ooo-key then. Noo doot aboot it. This movie is like a Canadian: It sucks, but you already knew that.

    Two Alps (AA).

    Sunday, July 27, 2003


    Review Numero Treinta y Ocho: Johnny English

    You know what? I already wrote a review with a guy named Johnny, and every time I write Johnny I actually wrtie"Jhonny," and I have to go back and correct it. Damnit.

    This movie is fuanny as hell if you've seen and know Mr. Bean. If you aren't familiar with British humor like that, then don't waste your time. This movie is not for you. However, if you did enjoy the funniest show ever to be aired on Public TV, (wow, high praise) you will love this movie. First of all, it's a total Bond Spoof (duh) and those are always good. But it's not a rehashing of the jokes in Austin Powers, either. It was good.

    Basically, the best agent in Britain dies. Then all of his replacements die. So Mr. Bean has to step in and replace him. And of course, Mr. Bean is himself. Except he talks in this movie. It was funny. Hey, want to know why I'm ending this review now? Read my Monty Python review.

    Four Alps (AAAA).

    Best Quote: "Something invlovling rubber toys and soft cheese?" Hahaha! See the movie.


    Review Numero Treinta y Siete: Pirates of the Caribbean

    Hey Petra, you can still review this. Do not panic.

    Anyway, for a movie based on a ride at Disneyland, this was realy pretty good. I don't think I'd go so far as to say that it's the second greatest movie of all time, but it was certainly an enjoyable movie. Especially since the only reason I ever heard for seeing it was that "Orlando Bloom is in it." But Xar, why did you see it? Do you think Orlando Bloom is hot? Hey, bite me, all right? I just happen to... respect him as an actor. I admire his work. No, I was in Denver, and I really had no choice but to go and see it with everyone else. To my credit, it was this or "Finding Nemo."

    Anyway, the basic plot it that Legolas was in a shipwreck with a freaky little piece of Aztec gold which belongs to some pirates, and PoorMan'sNataliePortman has it now, but pirates want it, and Johnny Depp is in it for some reason. But his character is great, so it's all good. Seriously though, am I the only one who thought she could have been Natalie Portman's long-lost twin? Anyway, I don't know what was so good about this movie. It just was. I mean, the story was shallow, the fight scenes were not exactly phenomonal, the comic relief was... okay, so by all means it should have sucked ass. There was just something about it. Maybe I should see it again. Still, I agree with Paul, this was a great movie. Especially if you like weirdo pirates.

    And thus I rate it: Five Alps (AAAAA).

    Best Dialogue:

    British Guy: You've got to be the worst pirate I've ever heard of!
    Johnny Depp: But you've heard of me.

    Friday, July 04, 2003


    Review Numero Treinta y Seis: Terminator 3 - Rise of the Machines

    I did not see the first two movies in this series. Xar, you nerd, how could not have seen these two movies, OMG, everyone's seen Terminator! Wrong, dipshit. I haven't. But I did see this one, and I did like it. And it was easy enough to pick up on what had happened in the last two. Basically, Aahnold was bad, and now he's good, but Skynet is bad, and the end of the world is going to happen anyway, and all the robots are from the future. Happy? Anyway, now I need to see the other two.

    If you painted Aahnold green, this is what "The Hulk" should have been: Two hours of straight ass-kicking by a gaint invincible guy with a lot of guns. Sweet. There was about five minutes of character development in this entire movie. First, this naked robot lady comes back from the future and steals a car. Then, naked Aahnold comes back from the future and steals a car. They both converge on John Connor and destroy everything in a 300-mile radius. There were only two parts of the entire movie I didn't like:

    First, one of Aahnold's Hydrogen fuel cells gets damaged, so he throws it out the window and it explodes in a giant mushroom cloud. Producers, I don't think you need to be told that environmentalists are very impressionable people. You want to get these safer, cleaner engines pushed through? Then shut the hell up, okay? Oh by the way, one of the producers is named Andrew Vajna. How great is that?

    Second, some spoiler-related person tells John and GirlfriendOfJohn to go the airstrip, which they can get to by following the particle accelerator. First question: These people are creating a global computer security system. Why do they need a particle accelerator? So they go there, but first they go to the control room and turn it on, because they're being followed by RoBitch. Second question: What the hell? Particle accelerators really aren't that exciting. So they're running along the accelerator, and RoBitch is following them, and finally the accelerator powers up. and John is all like, "Good, the magnetic field!" and his gun gets stuck to the accelerator chamber. Likewise, RoBitch gets stuck to the side. Third question: What the hell? In the unlikely event that there's no magnetic shield to prevent all the multi-billion dollar electronics from getting damaged, if she really was caught in the magnetic field, she'd be flying around the room at 99% the speed of light. And in this new age of CG, that wouldn't be that hard to simulate. So, in desperation, RoBitch turns her hand into a saw and cuts open the accelerator chamber. All right, I take back what I said. Particle accelerators are exciting when you cut them open while they're running. Of course, then the thing would explode like a nuclear bomb. But what do I know, I'm no particle physicist.

    All in all, great movie. Five Alps (AAAAA).


    Review Numero Treinta y Cinco: Just Married

    The only good thing about this movie is Ashton Kutcher, because he's a funny guy. Have you ever seen "That 70's Show?" It sounded kind of dumb at first, but then I started watching it and it was really funny. I bet it wasn't funny until I watched it, though. So all you fans of the new, funny 70's show have me to thank. But I digress....

    For what seemed like a iece of crap, run-of-the mill romantic comedy, this was actually pretty good. And surprisingly, this was not a rehashing of the jokes seen in "My Big Fat Greek Wedding." Everything was fresh (as far as I can tell) and there was a lot of genuine comdey. Good stuff. Plus, Ashton Kutcher is funny. Did you see him when he was on SNL? Funny. Or when he was on... whatever else he was on? Accordng to the IMDB, he was in "Dude, Where's My Car?" which might have been funny, I never saw it, and ah hell, I ran out of things to say about the movie a long time ago.

    Four Alps (AAAA).

    Wednesday, July 02, 2003


    Review Numero Treinta y Cuatro: 24, Season One

    If it seems a little weird that I reivewed the second season first, you obviously weren't paying attention. We got the season one DVD set a while ago, and I finally finished them sunday. Since there are so many plotlines in the show, 'll break it down by character.

    Kiefer: Played Jack Bauer, which is as close to the lead role as this show gets. I remember my dad said that when he heard that Kiefer was on the show, he thought it was going to be a load of garbage because he spent from 1995 to 2001 making some of the worst movies ever, including "The Last Days of Frankie the Fly." And now, fortunately, he's making a comeback. Anyway, Kiefer's plot: He's sent out to stop the assassination of the first black presidential candidate with a good shot at winning. But then the same terrorists kidnap his wife and daughter, and he has to find them, too. Great stuff. Oh, and he's in charge of CTU, the agency investigating the hit. And there's a mole, too.

    Bride: The Bride of Kiefer, Teri Bauer, was played by Leslie Hope, the second Canadian on this list so far. Bride was kidnapped by terrorists, although they were sneaky with her and she didn't figure it out for a long time. Before that happened, she was out looking for her idiot daughter.

    Spawn: Spawn of Kiefer, Kim Bauer, was played by Elisha Cuthbert. It seems impossible to me that two intelligent people like Kiefer and Bride could have produced such idiot offspring. During the course of the season, she: Snuck out of the house to go party with some terrorists, tried to run away from said terrorists, failed to keep running when the terrorists found her, fell in love with one of the terrorists, ran out in to the view of a sniper when she assumed that nobody was there, kept calling her TerrorLover, stopped trusting her father's agency, went to the TerrorLover's house, and failed to leave before a drug bust.

    Nina: The CTU office slut was played by Sarah Clarke. Seriously, several episodes estalished that she slept with just about everyone, most notably Kiefer while he and his wife were seperated. She as actually just kind of a generic office helper with a lot of speaking parts until the end of the season. She helped Kiefer a lot. That's about it.

    Soul Patch: Tony Almeida was played by Carlos Bernard. Soul Patch was dumb for most of the season. Even though he was a low-ranking member of the CTU staff, he was the office Big Brother. Every time Kiefer went somewhere or did anything he was all, "Hey, Kiefer, what are you doing? Because so-and-so said to do this-and-that." Hey, Soul Patch, it's none of your damn business. He eventually got some work done, though. All season he had a Chicago Cubs coffee mug that got more face time than he did.

    Jalapeno: Jamey Farrel was played by Karina Arroyave, who didn't get paid as much as her co-workers, because Jalapeno died mid-season. Poor Karina.

    Mason: George Mason was played by Xander Berkely, which means that Mason was a dirty agent. Name one movie involving a CIA agent one bad that hasn't featured Xander Berkely. Oh wait, you can't. Actually, it turns out that Mason was good. And he didn't take crap from Soul Patch, which was good for a change.

    Beyond all that, 24 is more than a TV show. It's better, because they don't wait for an actor to quit to remove a character. In what other 48 episode show do you see:

    - A major character die in the second, seventh, twenty-fourth, twenty-ninth, and thirty-third episodes
    - A loyal character tun out to be a mole, and to have killed two of said major characters, in the twenty-fourth episode
    - The lead character blackmailed into assisting with an assassination

    Great stuff. This season was excellent. Five Alps (AAAAA).

    Best Quote: "Jack, have you ever noticed that wherever you go there's a body count?"


    Review Numero Treinta y Tres: Catch Me If You Can

    You know, for a Leo DiCaprio movie, this was actually pretty good. He's a better actor than most people give him credit for. His biggest problem is problem is that his face is instantly recognisable. He can't hide in a role because everyone knows it's him. The same thing happened to Colin Ferrel and Kiefer Sutherland's voice. Kiefer has the trademark sexy bedroom voice, and you can always tell when it's him speaking. In fact, he's getting more voice over roles than acting roles right now. I swear, just turn on your TV for five minutes and you'll hear him in at least one commerical. Oh, speaking of commercials, dod you see the one with Chevy Chase? "Oh, you're the guy who makes things fall!" That one's great.

    Oh, right, the movie. It was good. It's basically about this kid who poses as an airline pilot, doctor, and a lwayer. he gets all kinds of money and women along the way. and then he gets arrested by Tom Hanks. That's not a spoiler, by the way, becasuse the movie starts with him in jail. And it's all base on a true stroy, whicfh could mean anything from "this actually happened" to "one time a kid called the school pretending to be his dad so he could skip, but he got caught." But whatever. It wasn't as funny as I had heard, but it was still a great movie. This kid was ingenious. anyway, good show.

    Four Alps (AAAA).

    Saturday, June 28, 2003


    Review Numero Treinta y Dos: The Hulk

    Whatever happened to "The Incredible Hulk?" That's been part of the title since the day it was created. Whatever. Not like thay'd want to fess up that this kovie was part of that same franchise. This just goes to show that just because it worked for Spiderman doesn't maen it will work for anyone else. Althought I have to give them credit on adveritising for this one. It still looked shallow, but it looked shallow in a Rambo sort of way: Still cool, with lots of ass-kicking. This was not Rambo. This was a like "A Beautiful Mind," except it was about a big green guy instead of an autistic math whiz.

    Glenn Beck did a review of this today, but he walked out of the movie after the first time the guy turned green and huge. He then asked for his money back, and went to the Italian Job, which he said was great. Damnit! WE were going to see that! That sucks! And all because nobody wanted to wait an extra 40 minutes. We could have found something to do! I'll have you know I still wanted to see the Italian Job, mind you. But nobody else wanted to wait, so we saw the Hulk, and it blew. You're all commies. You're redder than the sunburn I had after climbing St. Helens.

    Anyway, here it is in a nutshell: There's about an hour of scientific looking things. Then we spend fourty minutes wrapped up in conflicts involving characters that the audience has no reason to care about. Then there are flashbacks for half an hour. Then the morons gets zapped with radiation, faguring that if one of them is going to die it's going to be him, because he has the most to live for. Yeah, I don't get it either. Throw a desk at the machine or something, dumbass. Oh by the way, I'm going to tell the ending so you have absolutely zero excuse to see this movie. Anyway, then he gets all hulky in the middle of the night, doesn't kill his creepy JanitorDad, and jumps away through the roof. Cue what Glenn Beck said was the line that made him walk out: "I could feel my heart... boom... boom... boom." In retrospect, I agree. That's worse than the Star Wars love scenes. "We used to swim to the island and lay in the sand." "I hate sand." *kiss* "I shouldn't have done that." Ouch! But he deserved it for being such a whiny prick. That's what they get for hiring Canadians. Although, Kiefer Sutherland is really good as Jack Bauer in 24. I reviewed the second season a while ago, and I'm watching the first. It's great. I'll review that later. Wait, what now? Oh yeah, I'm reviewing the Hulk. Sorry, it's like trying to spend an entire period in Hattan's class actually working.

    Okay, so then the JanitorDad makes some dogs all evil and hulky, and sends them to go kill Hulk's girlfriend, so Hulk has to fight them off. I'm not joking. Oh, if only Glenn could have stayed to give us a recap of the entire movie. It would have been great. So, oh yeah - GirlfriendOfHulk's dad is an Army general. They have some flashbacks of him. Anyway, then the plot gets confusing, and I was half asleep, but it's basically this: JanitorDad was doing some genetic experiments of the army, but he got kicked out. So he got mad and tried to kill Young Hulk, because he had injected himself with Hulkjuice years earlier and passed it n to Young Hulk. But he accidently killed JanitorMom instead. So he was sad, and DadOfGirlfriendOfHulk (DOGOH) took Young Hulk away. So now, a shady young businessman is trying to steal Hulk to make some new technology. So he captures Hulk and puts him in a water tank and makes him all pissed, green, and huge. And he escapes (surprise!), so DOGOH has to take over, which of course means killing Hulk. Good thing Hulk is bulletproof. So we have about two hours of boring movie, followed by three monites of uneventful ass-kicking. Then Hulk jumps from the middle of New Mexico to San Fransisco in less than five minutes. I wish I were making this up. He couldn't have been making more than 1.5 miles every five seconds. So then he jumps on to an airplane, which decides to play Space Shuttle and do something impossible. By the way, I love their use of the tech-term "Flight Level 6," especially when flight levels start at 18. Mormons. Oops. Anyway, so Hulk falls into the Bay from 120,000 feet - and this is assuming that he went straight up and straight back down, mind you, and also that flying that high with 1000 pounds of Green Antibadass on your nose is even possible - and makes a splash as if a Mini Cooper had fallen off the bridge. I love this sort of implausibility. Then he gets back on land and is chased by SWAT teams. Our intelligence is insulted again when we are expected to believe that California Law Enfrocement would be so hesitant to fire. Not that it would matter, because an earlier scene established that Hulk is bulletproof. He then sees his Girlfriend and shrinks again, and they kiss at gunpoint.

    This isn't a significant breakpoint, I just decided that my paragraph was getting too long. Anyway, cut to NotHulk tied up inside a room that would put the Boeing Assembly Plant to shame, and he's in the middle strapped to a magnetic death machine. JanitorDad goes in and talks to him about his potential power, and then bites the power cord and grows really big. Then ge and Hulk fight, and somehow wind up in a remote lake. They have this fight underwater in the dark and make a huge bubble, that DOGOH is merciful enough to nuke. GirlfriendOfHulk mopes for a while. Then, we see NotHulk helping some Colombian refugees kee their medicine in the face of some evil cartel minions. One of them is all like, "give me your medicine," and NotHulk is all, "You won't like me when I'm angry, which is apparently the catchphrase that he only uses twice. The first time is stupid, because it's so early in the movie that he's still scared to death of his power. The second time is dumb because the whole ending is dumb. First, how did he escape that fight? Between Hulk and EvilSuperJanitorDad, the army won by nuking the living batcrap out of them. Second, why the hell was he in Colombia in the first place? What a dumb place to go. There are so many plastic surgeons in California, he could be living a normal life in no time. And then, how dumb would it be to actually go all Hulky when he's in hiding? I can just see DOGOH watching the news and seeing reports of some giant green Colombian freedom fighter. "Nah, couldn't be the same guy. There can't be just one genetic mutation that I personally let slip through my fingers back in the sixties. Must be another one." What a dumb movie. One Alp (A).

    Friday, June 20, 2003


    Review Numero Treinta y Uno: Sophomore Year

    Wow, what a last day. Not only does it rain, and The Hulk doens't meet expectations, but the neighbors are having a kegger across the street. And of course, the Skyview guy isn't invited. Okay, so the year. Let's see about that year.

    Fleck, or Mr. Fleckenstien if you want to spell out his weird name. Cool guy. Fun teacher. Tells lots of stories that have little to do with the actual course material. Teaches a class that's hard as hell. I swear, I'm amazed that I made it out of there with the grade that I got. And it wasn't that good, either. Fleck's classes are kind of like an hour-long bipolar disorder. Some days, he's a total hardass. The next day, we're off on tangents for an hour. And he runied models and bacon for us! Arrgh... but you've got the love the Pee Lake/Pimp Deer. Good stuff. But seriously, I defy you to ask a question that he can't answer. That's right, you can't. He knows all the answers.

    Four Alps (AAAA), docked one for the craziness of his tests. Especially that last one.

    Rrrroth gets Xar's "Concieted Hag of the Year" award for having a total case of Hippy Bitchitis all semester. Some of her finer moments include:

    To demonstrate how much tar there is in a cigarette, she stuck one in a tube and lit it up, apparently unaware that it would stink up the entire room. I swear, I could not breath that entire hour. It was hellish. And then my clothes smelled all day.

    Did you know that Fast Food Corporations are soley responsible for people being overweight in America? That it's not self control, but harder corporate restrictions that will slim us down again? Or that there has never been a commercial produced in the histroy of mankind that contained even the tiniest shred of truth? Yeah, neither did I.

    Apparently, all men are drunks and wife beaters. Especially you. If you look cross-eyed at your wife while in the same room as a can of beer, she has every right to set you on fire in your sleep. Also, men should never be trusted with the kids. They don't need their father. Hell, do you even need a man to make babies? I don't think so.

    Of course none of the people in that class do drugs or have sex. You're all responsible, mature people, aren't you? Heh.

    That's about it. One small Alp (a).

    VA was the runner-up for that award. I hated that class, too. Of all the useless things I have done in school, that class tops them all. I loved the final. It was all about stuff we had done in the last week of school. How useless. I hate that class. And her. I'm glad we won't have her next year. Crap, I'm running out of things to say already. Oh, she cuts herself with razor blades.

    Two Alps (AA)

    Hattan is just a flake. What more can you say? I've handed her chemistry, random numbers, and random words for full credit. Not only that, but I have trouble believeing that our class setup wasn't illegal in some way shape or form. She should have spend more time with her precalc class and left us in peace. But oh well. You can't win them all. Or can you...

    Two Alps (AA)

    Genest I...I...I...I...I...I...I...I...I...I guess h...h...h...h...he was okay as a...a...a...a...a...a...a...a...a...a...a...a teacher, b...b...b...b...b...but he d...d...d...d...d...did t...t...t...tend t...to s...s...s...s...s...s...studder. That got annoying.

    Three Alps (AAA) because we spent most of our time doing absolutely nothing.

    Emerson is insane. I bet he's going to kill VA's husband someday.

    Three Alps (AAA).

    Tuesday, June 17, 2003


    Review Numero Treinta: Grand Theft Auto - Vice City

    Now that I've actually played the game for a couple days (straight), I think it deserves its own review. The main premise of the game: Steal cars and kill people. See my rant on how video game violence is not a real social problem. Basically, if I wanted to run around and not break the law, I wouldn't play video games. Plain and simple. Anyway, if you see a car you like, you run up alongside it and throw the driver out. You can them beat him with a wide variety of blunt objects, or slash him with a katana. The guns are usually reserved for gang fights when you need to escape alive and in a hurry. Oh, that's another great thing about this game - there's really no incentive to play with any skill. If you crash your car so hard it explodes (this happens often) just go "acquire" a new one. If you hit something on your motorcycle and go flying four blocks (this also happens often), you only lose about 5% of your health. You died by getting shot after you break so may laws the army comes after you (See also: drowning, gang fights, helicopter rotors, thrashings, being run over, not getting out of your burning car fast enough). You respawn at a hospital with no weapons and $100 poorer. Same thing for getting arrested. No big deal. Just steal a taxi and deliver people everywhere until you can afford everything you lost. The missions are great, too. I'm doing one right now where you have to steal a Tank. The army is pretty protective of their hardware.

    In short, get this game. It's well worth the money. And if you listen to the radio stations, they're pretty funny.

    Five Alps (AAAAA)

    Sunday, June 15, 2003


    Review Numero Veinte y Nueve: Undercover Brother
    Guest Reviewer Bosk

    Um... yeah. So where to start with this one? First... It was a comedy. I hope. Because it was too incredibly STUPID to have been anything else. This is the kind of movie to have on in the background, not the kind to actually spend 85 minutes watching.

    Basically, the movie is about racial tensions between the Black Brotherhood and "The Man", who is presumably white since he is surrounded by white things, but you never actually see his face. The Brotherhood organization aims to take down The Man, but The Man gets control of a black General who is planning on running for president and makes him open a fried chicken stand. Something in the chicken turns every black person who eats it into a white person, so the Brotherhood has to go in and save him as well as taking down the man.

    I wont ruin the ending for you, although I really doubt you'll ever go watch it after reading this review. Why do I only review the movies that suck? Because I need somewhere to vent my sarcasm!

    Two Alps (AA). If it wasn't a comedy, it wouldn't even have been in theaters for a week. Loved the scene at the end where the bad guy falls off a helicoptor and gets eaten by a very fake looking shark.

    Friday, June 13, 2003


    Review Numero Viente y Ocho: Dogma
    Guest Reviewer: Petra Whitaker


    Dogma is one of the funniest movies, but it's also one of the most The movie starts out with a homeless man standing at a boardwalk with a big sign that reads SkeeBall. Then three hockey players (all about the age of 13-15) come up behind him and beat the crap out of him. Then you see two men in an airport in Wisconsin. Credits list their names as Bartleby(Ben Affleck) and Loki(Matt Damon). From there everything goes to hell... or I mean...



    The movie Dogma is all about finding your faith in God as well as in mankind. The main character - Bethany Sloane - is a Catholic woman who works at an abortion clinic. She is a miserable woman, needing a real change in life. Her husband left her years ago when she couldn't bear children and she has been upset and angry at God since then. But she was never expecting what was about to happen next. While sleeping she is suddenly awakened by Metatron - the voice of God. Of course when she sees him, he appears as a flaming ball which then proceeds to extinguish when Bethany uses a fire extinguisher on him. He then sends her on a mission to destroy Bartleby and Loki, who are renegade Angels with the help of two prophets (Jay and Silent Bob).



    I bet you weren't expecting this - God is played by Alanis Morisette. The actors are outstanding - Salma Hayek plays Serendipity the Muse, Chris Rock is the 13th apostle, Rufus, and Alan Rickman plays Metatron. The best casting choice had to be casting George Carlin as the Cardinal Glick. He is definitely not Cardinal material, and when he plays it to a T, it's great.



    The entire script is filled with sexual situations and dialogue, but that just gives the movie that much more to laugh at.



    Four Alps(AAAA)

    Wednesday, June 04, 2003


    Review Numero Viente y Siete: Amadeus

    Another movie that everoyn has seen. Oh well, I have nothing better to do. It's basically about Mozart, and an envious loser-composer who wants to kill him. So loser denounces God, and keeps trying to sabotage Mozart, and pretends to be the best composer in the world when the king is around, and then Mozart dies thinking that loser is his best friend. So, he winds up in a mental ward singing about how he's the king of mediocrities.

    This movie was psycho. Mozart was such a queer, but he was really just totally horny, and he got married to this woman that he played under a table with. And you know what, this review is going nowhere. It's a good movie.

    Four Alps (AAAA).

    Friday, May 30, 2003


    Review Numero Veinte y Seis: All Quiet on the Western Front
    Guest Reviewer Bosk

    In response to Xar's post on his blog, no. I have got nothing worth reviewing from Netflix. However, I shall review "All Quiet on the Western Front." I figured you'd have reviewed this already, Xar, but I guess you probably haven't finished it.

    Anyway, I envy anyone who hasn't finished it yet. Quit now and just read the plot notes. I had no problem with the way the book was written, but the whole World War I subject gets depressing fast. And disgusting. I really don't care to hear about how many different body parts are spread around the field. Or why. This was one of those books that would be really good, except that every time you start to read it you become depressed. Not worth it, the story wasn't that good anyway. My reccomendation: Plot notes!

    Two Alps (AA). Not the worst book I've ever read (It was wonderful, compared to Tale of Two Cities), but not good either.

    Thursday, May 29, 2003


    Review Numero Viente y Cinco: Monty Python and the Holy Grail

    Haha! This is actually kind of a fake review. To steal a phrase from TWOP, it's hard to say something funny about a funny movie. Of course, some of you would argue that I never say anything funny anyway. The point is, the movie is really good and funny. It is one of the few "staple movies" that everyone has to watch.

    Five Alps (AAAAA). I don't think even Killer Lemming would disagree with me on that one.

    Wednesday, May 28, 2003


    Review Numero Viente y Cuatro: Things Fall Apart
    By Chinua Achebe

    Th most valuable thing I got out of this book was that map I made of Okonkwo's village, with surrounding Evil Forest, cloth-covered rock, mutilated baby, and routes to pretty much everywhere in the world. Plus a bunch of other stuff floating around in the desert. Like the Sandfish. Or the Antichrist Jeep. Hehe! Anyway, for those of you who did not have to suffer through this (is that any of you?) the book was almost about a guy who lifes in a tribal village in Africa, and he has about a billion flashbacks throughout the book, and then he gets exiled, and then missionaries take over, so he hangs himself. Oops, I guess that's the end of the book, huh? I had that same problem in 8th grade when I reviewed "The Perfect Storm" and gave away the ending where everyone dies. Oops. The movie sucked anyway. But I digress... the book sucked, too. There were so many random tangents, you would think I had written it. The main character doesn't appear until about page 30. Before that, the book is mostly about a man who is dead, but we learn how much of a fun slacker life he always lived. Yay! But then he died and disgraced his son. And then he wrote a sucky book about it. There was an Oracle who was really just a stump waering a cloak, and a high priest "spoke for him." Yeah, like the natives will believe that one forever. Oh wait, they did. Okay, so the book was about some idiots who all wound up dead at the hands of missionaries and their iron horses (bicycles). Great read, that one.

    One Alp (A).

    Best Part: The Locusts. Who eats those things?

    Saturday, May 24, 2003


    Review Numero Viente y Tres: The Matrix Reloaded

    If 24 was the coolest thing ever on TV, this was the coolest thing ever on the big screen. First commendations go to their balance of plot and action and really cool effects. Imagine how "Attack of the Clones" could have been if it had good Directing, Acting, Dialogue, Plotline, and took place in a more believeable world. That's how this was. Quick Summary: Neo allegedly killed Agent Smith, but the war is not over. A lot of that has to do with the fact that Smith is back. So Neo goes to the Oracle to find out what to do, and the Oracle tells him more than he wanted to know. Then he goes and captures this funny little Chinese guy who tells him much more specifically what to do, and then he makes a difficult choice. Surprisingly, I didn't have a problem with an of the major complaints I've heard about this movie.

    "The Ending Sucked": You suck. Back in the day, this is what we called a cliffhanger. Say it with me now, "Cliff.... hanger." That's right. I know you're all used to clear-cut movies like the first one that leave nothing to question at the end, but this is not like that. "But Xar, it just ended." No shiest, Sherlock. That's the entire point of the cliffhanger. If the movie is conclusive, it wouldn't be much of an "Oh my God, what happens next?" ending. This way, two movies play out like one, and everyone is excited to see how it ends. That's what we call good filmmaking. Say that one with me, "Good... film... making." Very nice.

    "There was too much philosophy": Wrong again, but for similar reasons. You're too used to movies like Star Wars that are visually cool, but make no sense. You know how they said that only Die-hard Trekkies liked the first Star Trek movie? That's because it was what we call Intelligent Science Fiction. In the words of Maurice Hurley, if it doesn't deal with something bigger and more important, it's all flash and dash. A movie like this comples you to think about what you're seeing and hearing, it asks you to take away more than just kick-ass effects (which there were plenty of, by the way). I know some of you are stuck on movies like "Full Metal Jacket" or "Office Space" - sound familiar, anyone? - but this kind of movie is more than that. You don't just sit lucid for two hours. It's almost an interactive experience.

    "The Speical Effects in some parts sucked": What are you talking about? Sure they weren't like real life - that's because they were computers. But did any of you notice how realistically they movied? If it weren't for minor cosmetic details, you would have no way of knowing that they hadn't shot those scenes with a bunch of wires and pulleys like in the first one. The scene where Neo fights the group of some hundred Smiths was the second coolest thing in the entire movie. You morons.

    But Xar, what was the coolest thing? That semi crash during the car chase was the single coolest thing I have ever seen in my entire life. I'm going to get an HDTV and put it on my wall and just have it play that shot, over and over again. That was so awesome.

    Five Alps (AAAAA) for being the coolest movie since the first one. And the ending did not suck.


    Review Numero Viente y Dos: X-Men 2

    Imagine a movie that was better than the first one, but in retrospect it was still kind of a dumb movie. That's X-Men 2. the plot was almost nothing, but what else can you epect from the sequel of a movie based on a comc book? What really held the movie together was the "other stuff": Effects, really cool scenes, and great ideas for mutant powers. The coolest thing would be to be that one evil chick who transforms into people, except you can get their powers, too. Then you would be pretty much invincible.

    The effects were some of the best I've ever seen. With the exception of the guy with the fire, which I think could have been done better, these were some of the greatest movie effects since The Matrix. It mostly came out in things like Cyclops' Laser-Eye, or that scene where the mind-control chick held the water back, or in Cerebro with the map. Or when Magneto escapes - who would have thought of that? Great idea. One of the coolest things, though, was the first scene with the bule guy who disappears and reappears. That was one of the best scenes in the whole movie.

    As for the plot, it was all right, but a little shallow. Wolverine's sub-plot was probably supposed to be good, but it wasn't I really didn't care where he came from. In fact, now it kind of seems like he's a "fake mutant," because he was manufactured. Oh well.

    Three Alps (AAA), mostly for cool features. Like when Magneto escaped. I just thought that was really cool.

    Tuesday, May 20, 2003


    Review Numero Viente y Uno: 24, Season 2

    OMG Holycrap holycrap this is just about the greatest show ever made. It sucks you in and deosn't release you for 24 weeks. It is the most exhilirating thing on TV. You don't get this sort of thing from Alias or whatever. This has an intense, gripping storyline, excellent casting, and most of all, some great action. The single coolest show ever.

    For those of you who are totally out of the loop, the premise of 24 is that it is the events of one day. Each hour-long show is done in realtime, so in the end you get the entire day, second by second. This is not only just a really cool way to do things, but it leaves plenty of opportunity for cliffhangers, which is what really draws you in to this. So, this season's crisis in a nutchell: ists are plotting to set off a nuclear in LA sometime today. Jack Bauer is an agent of the LA Counter ist Unit (CTU, a fake orginization). Well, sort of. He retired after last season, but he gets called back. So he goes, and he has to trace and stop the . Also involved is Presidend David Palmer, and his conniving staff anf wife who he suspects are plotting against him. And Jack's daughter, Kim Bauer (Hereon referred to as Spawn of Kiefer, or just Spawn) who is a ditz. She's an Old Pear for this little who's dad is a wife-beater, so they run away and get chased. Her plotlines are rarely important. Anyway, it's a really cool show. Glenn Beck, nationally syndicated conservative radio guy is a big fan.

    So, my review of the season: Wow. This was just about the coolest thing ever. The only thing that could make it better would be to watch the entire thing in one straight shot, from beginning to end. And I wouldn't write that idea off yet, either. They do put out DVD sets. We bought Season One, so I'll be reviewing that by the end of the summer at the latest.

    Xar's Rating: Five Alps (AAAAA). I would have given it six, but that would be cheesy.

    Notable Product Placements: Sony, Dell, Nokia, Ford, Colt
    Most Overused Phrases: "Conspired to detonate a nuclear on U.S. soil", "... which could cost tens of thousande of American lives.", "The President is acting on inaccurate information"

    For satirical recaps of each episode, visit TWOP.